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PRESIDIO OF MONTEREY, CALIFORNIA 


RUSSIAN 


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AIDS TO 

RUSSIAN FILMS 


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Jl.sS. 




R U S S I A U 


Aids to Russian Films 


February 1956 


Any Language School 
Presidio of Monterey, California 




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TABLE OF CONTENTS 


Page 
» 1 


se 

iK 

CT 

Introduction, 


Film Unit I A GIRL OF CHARACTER . 3 

Film Unit II THE BOXERS . 20 

Film Unit III TWO SOLDIERS . 33 

Film Unit IV A MUSICAL STORY . 45 

Film Unit V LUCKY BRIDE . 56 

Film Unit VI RUSSIAN BALLERINA . 65 

Film Unit VII GENERAL SUVOROV . 79 

Film Unit VIII SPRING . 90 

Film Unit IX TANYA .104 

Film Unit X VILLAGE TEACHER .116 

Film Unit XI VOLGA-VOLGA . 127 

Film Unit XII ADVENTURE IN BOKHARA . 140 

Film Unit XIII THEY MET IN MOSCOW .157 

Film Unit XIV THEY HAVE THEIR OWN COUNTRY .166 


to 


















































































. 

• 

\ • 


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4 r« 




































. 


















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• » ■ • • * 















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• • 



















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- 























































































INTRODUCTION* 


1© This book contalas commentaries to and summaries of, the 
Soviet films which are shown to the students taking the Russian language 
course* Students start attending these films approximately in the middle 
of the course© This book has been prepared in language which can be under¬ 
stood by the students at the time they are shown the film to which the 
commentary or summary pertains* Difficult words and phrases are trans¬ 
lated* Students are expected to prepare for each film in accordance with 
the instructions below* 

2© The first part of the film unit is an English commentary in 
which the background of the film is given# This material includes the 
following: when and where the picture was made, who the performers are, 
where the action takes place, a description of Soviet customs or in¬ 
stitutions which are shown in the film and which might otherwise be un¬ 
intelligible to students, and comments on propaganda contained in the films* 
In addition, there are brief explanations of parts of the film which are 
of interest but which do not materially affect the plot and which can¬ 
not be included in the Russian synopses due to their length* 

3* The second part of each film unit is a list of key words and 
phrases© Each of these lists contains words and phrases from the film 
which are important to the action and plot and words of value to 
students* vocabularies which do not otherwise appear in the course© 

These words and phrases need not be memorized, but the student will 
find it much easier to understand the film if he thoroughly familiarizes 
himself with them© In this connection it should be noted that the English 
translations have been made, not literally, but according to the use 
of the word or the phrase in the film* Insofar as possible approximate 
English colloquial equivalents have been provided for colloquial Russian 
expressions© 

l*# The third part of each film unit is a list of characters 
and a synopsis in Russian* Study of the synopsis is not scheduled as 
part of any lesson, but students should read the synopsis and be sure 
that they understand it before attending the film* If some parts are 
not clear, the student should ask an instructor for assistance© 

5* The fourth part of each film unit is a list of questions* This 
list has been prepared as a guide for the discussion of the film* The 
answers to some of the questions are contained in the Russian synopsis, 
but to answer some of them it is necessary to see the film# The student 
should familiarize himself with these questions before seeing the film© 


•1 



•INTRODUCTION (Cont »d) 


6« The fifth and sixth parts of the film unit have been included 
as material for those students who desire and are able to devote extra 
effort to the film© They include excerpts from the dialogue and the 
words of soma of the more popular songs which are sung in the film© 
Those students who desire may study these dialogues and songs prior 
to attending the film* 




FILM UNIT Io 


A GIRL OF CHARACTER 

/ ^EByiEKA C XAPAKTEPOM / 


-lr 


(Film Unit I) 



I. 


COMMITS TO THE FILM, 


1) In the late thirties the Soviet Government* being worried 
about the occupation of Manchuria by Japan* began developing remote 
regions in the Far East in order to create a rear-area for an eventual 
military conflict with Japan® Young men were sent to these areas«B@ing 
only human* these young ^Builders of the Communist State w soon became 
lonely for their sweethearts and tried to sneak away* 

To keep the men on the job the Government appealed to young 
women to go to the Far East® A full scale propaganda campaign wag 
launched* of which this fils* made in Moscow* is typical® 

2) Several social and political ©vents ar© reflected in the film® 
There was considerable tension between Russia and Japan* This explains 
the ■ scon© in tin© film where a Japanese diplomat* who speaks Russian with 
a heavy accent* coses to the diner on the train but loses his appetite 
because all available meals have names connected with the Soviet Aray 

and Navy or have connotations of military defeat® It was also the time when 
paper© were full of reports about foreign spies being cau*$ii by border 
guards or by ordinary Soviet citizens® It became a mania* unofficially 
sponsored by the Government* to look for spies or sabotage everywhere® 

3) The situation of Soviet managers and directors in places 
where female labor was used ms more serious than shown in the film* 
underpaid girls lured by good conditions in the Far East left their jobs* 
with the result that the director©* since they wars held responsible 

for th© fulfillment of their production plan* were continually forced 
to train mu personnel® Since C3 Girls to the Far East® campaign was 
sponsored by the Government* it was difficult for the directors to i&k© 
strict measures© Thus* in the film* th© director of th© phonograph 
record factory yields quit© meekly when the secretary of th© local 
Young Communist cell demands that he let the girls go® Th© man who 
is drinking bear ©n the train is in a more serious predicament* he can« 
not account for 300 men at his Siberian lumber camp© The reason is not 
specified* but the man obviously expects trouble in Moscow* where he is 
going to report to his superiors® 

h) There is a great deal in the film about complaints© 

Katya is going to Moscow to complain about her director at th® Central 
Bureau of Complaints* thus taking a short-cut instead of going through 
channels® Many public places* especially restaurants* had huge complaint 
books for customers* installed in corners « The diner on th© train has 
one* too© It is characteristic of the Soviet social atmosphere * however* 
that the man in charge of the diner does not serve food himself although 
he Is critically short of waiters* he is a ^director! 

5) A part of the story takes place in Moscow? notice th© Kremlin 
and Moscow Rivsr during the scene where Katya tries to ©scape the police* 
man© 




(Film Unit I) 



Comments to the film, (Cont*d) 


6) During the episode at the factory, where girls are checking 
phonograph records, a series of current hits is shown* the "Overture 
to Carmen, w Glinka^ famous song "I Remember the Wonderful Moment," 
"Tachanka," a popular song about the Civil War; arias from "Rigoletto" 
and "The Barber of Seville"} an old Russian concert song "The Nightin¬ 
gale"} a hit song from the movie "Circus" sung by Orlova *)} 

"Suliko," Stalin 1 s favorite Georgian song and some march music# 

k little later they play an aria from "Carmen" and the Mexican song 
"La Cucaracha*" 

7) In her speech to the girls at the end of the film the "second" 
Ivanova mentions three woraen-pilots at that time glorified in the 
Soviet press as heroines after their forced landing in the Siberian 
"taiga*" 

8) The hero of the film, Beriozkin, is a Sailor-of-the-Month 
( otjui^hhk 6oqbo# noflroTOBWi) and, therefore, Katya has seen 

his picture in the local paper before their meeting# 


ttT'rh'e ,» "Spring." 


4 ~ 


(Film Unit I) 



II* KEYWORDS AND P HRASES. 


3Bep0C0BX03 

peneT&poBaTB 

flaBaTB pac^ieT 

pyKM BBepx! 

norpaHjfoHHK 

y M0HH RGJIO CpO^HOO 

norpaHi^Hafl sacTaBa 

flMBepoaHT 

aiiija bomhtky 

epyHfla 

noAaB^jiBiHME[a (o^HDtwaHTKa) 
sajiodHas KHiira 
a to 6©3o6pa3M© 

K&flpH 

jiecosaroTOBKDi 

w y MeHfl 6©3 6jxoxa 

h© npocKo^nT”• 

“IIpeflBHBMT© dwjre'S?!* 1 

"tpro' bh! w 

OTJIH^HMK 6o©BOM 
no^roTOBK^i 

3amiCHdH KHHEKa 


« State fur ranch 
» to rehears® 

• to release$ to give lea?® 

« hands up I 

• border guard 

« I have an urgent matter 

• border post 

- saboteur$ foreign agent, spy 
» soft boiled eggs 

- fiddlesticks 
«» waitress 

«» complaint book 

- this is disgusting 

- working force, personnel, staff 

•» lumber carap 

® ra I wouldn f t even let a flea by 
without a ticket*** 

• “Show your ticket| w 

® n 0h, con3 now$ What are you 
talking about?4* 

• (hero) “Sailor of the Month” 

« notebook 


Jb 


(Filii Unit I) 




Key Words and Phrases (Cont'd) 


pa#6HHHii u;eHTp 
Mex 

MexT6pr 

"OTBepH^TecB, nosajiy^CTal 
"3£*n;" (slang) - (lit. "hare") 

neoeij 

OTnycnaTB, oTny ot 6 tb 
H arpdfla 3a no^MKy 

flHBepc&HTa 
© TO K QUaQTBK) 


district seat 
fur 

Fur Trade Administration 
"Turn away, please 1" 

A person who tries to ride on a 
train without a ticket. 

polar fox 
to let go 

award for catching a 
spy 

that brings luck 


.7 


(Film Unit I) 


III. JEMCTByiOME IKHA 


K&ta MBaH6Ba - AeBynuta, koto pan pafioTaeT B 

C 0 BX 08 © Ha Boctok© 


EKaTep^Ha KBaHOBa - seHa o$Hi*@pa, KOTopaa 

saHMuaeTOH opraHH3ar^H©H 
$bms@hmh A©BymeK Ha 
^ajrBHiiS Boctok 


BepgaKHH - MopaK ( sailor ) AMypcKoft 

$JIOTHJIHH, OTJIMHHHK 60©B0# 
nOflrOTOBKH 


^HpeKTop 3B©pocoBX03a Ha ^ajibHeM Boctok©* 

(HiipeKTOp MexTopra b Mockb©. 

^HpeKTOp MOOKOBCKO# (|a6pHKH rpaMO$OHHNX HJStaCTHHOK * 
C©Kp©Tapi» Komcomojibc ko Pl opraHMsar^MM na to ft ae #a(5pHK©* 
^HpeKTop BaroHa - pecTopana* 

4np©KTop JiecosaroTOBOK. (lumber camp) 

^HpeKTop Biopo JKajioG* 

MmumiioHep. 

PenopTgp* 

MaTB p©6gHKa. 


8 - 


(Film Unit I) 






KPATKOE CO^EPJKAHME 


3b©pocobxo3 ( State Fur Ranch ) rfle-TO Ha £anBH©M 

Boctok©. 

Pa6oTHPma KaTH MBaHOBa hq^obo jib Ha flwpeKTopoM m 
xoweT mttm b pa$0H sajioBaTBCB Ha Hero. OHa peneTupyeT 
obok> acano6y nepefl JiMcaMii ( foxes ) • /[upeKTop h© xo^eT ot~ 
nycKaTB eg m roBopHT, hto BepHgT eg c mhjihii;h©^, ecjm 
OHa yftflgT caMOBOJiBHo l without permission ) 0 KaTH BceTaKH 

yxo^HT. Korfla OHa cobHpaeT Bemii OHa HaxoflKT Ha 

wepaaK© ( attic ) flHBepcaHTa. OHa riepe^agT ero no- 
rpaHHHHHKaii. 

M3 BnaflMBocTOKa b MocKBy HfleT ckojhm no©3fl* B 
BaroH®-pecTopaH© 6 ©ciiophaok: wano o$nn;iiaHTOB. ^MpeKTop 
BaroHa sajiyeTCH, wto no#aBanBmwc[&i e^yT Bcer^a tojtbko 
Ha ^ajiBHHft Boctok, a o6paTHo h© bo sBpamaioTCH„ /JupeKTop 
Mara3HHa mqxob h flwpeKTop ()ha6pMKH rpaMO<J)OHHHX iiji acT hhok, 
kotoph© acflyT 3fl©cB 3aBTpana, tosq sanyioTCH, hto mx fle- 
ByiUKM - pa6oTHHUH yesscaioT Ha ^anBHirft Boctok,- h y hhx 
h© XBaTaeT paboweii cmjih* 

OflHH naccasKp cnywaftHO ( by accident ) ocTaHaBHH- 
Ba©T noesfl. KaTH ctoht KaK pa3 Tan, rfl© ocTaHaBnwBaeTCH 
no©3^© KaTH caflMTca b noes/i; hmkto h© bmamt, KaK ona 
o ena« 

Ha cTaHijMH Tuxan ^wpeKTop 3BepocoBxo3a nm©T KaTio: 
norpaHHHHaH 3acTaBa xohgt, wto6h ee npucnanH k hum, a 
#npeKTop 6 ohtch xcajiobH h xoh©t BepHyTB KaTio na paboTy* 


9 


(Film Unit l) 



KpaTKoe coAep^aHM© (npofloJiseHixe ) 

Oh h© 3 Ha©T 9 tito KaT© xotht op#eK ( medal) sa to, 

hto OHa noiinajia l HHBepcaHi , a» 

Ha Tof? 1 © CTaHQMH caflMTCfl b noes# EKaTepMHa HBanosa 
(to S© MMH» HTQ H y KaTH) ™ H3B6CTHH# OpraHM3aTOp flBMQ- 
HHfl fl©Bym©K Ha $ajiBHMi Boctok . B rioesfl© OHa TepneT 
KomeJiSK ( mllet ) c 6 m8tou, Monaco# mophk Bep^sKHH 
HaxoflHT KomejrgK. Oh anaKOMHTCfl c KaTeft m, Kor^a yaHaeT ee 
huh 9 ^yMa©T, hto a to ona noTepHJia koei© jt©k » B KonreJiBK© 

©ctb Tans© 3anncHafl khmsck© c ^auoiiHMii #©ByiHeK b Mockb©, 
KOTOPHX w H3B6CTHafl" EKaTepMHa HBaHOBa XOH©T yrOBOpHTB 
noexaTB Ha ^ajiBHK# Boctok. 

Ha CTaHi;jiM Pas a o jibe an , r#e KaTH xoTQJia aajioBaTBCH 
Ha ^Hp©KTOpa, CKOpNij nO©3£ He OC TaHOBHJICH . MopHK co- 
B©Ty©T KaT© exaTB npaMo b MocKBy 11 sajioBaTBCH Tau® 

Ha apyro© yTpo $Hp© kt opa npe^jiaraioT KaT© padoTy B 
Mockb©; b BaroHQ-pecTopaH© tojk© npe&jiaraioT ©ft padoTyv 
B no©3#e nojiynaioT TejierpaMiiy, hto KaTH ©#©t h© no CBoeuy 
dHH©Ty. Hto6h ^o©xaTB ao Mockbh, osa nocTynaeT Ha padoTy 
b pecTopaH. 

KaTH OdBHCHHGT MOpHKy p KTO OHE TaKEH H HT O OHa H© 
EKaTepMHa JlBaHOBa, ko Topan noT©pHj£a KomengK. Ho ona p©« 
ma©T octebmtb y coda 3anncHyio KHHsny, tiTodn no Heft bh~ 
nojiHHTB bc© ^©joca* 

Ha BOK3aji© b Mockb© KaTH yd©ra©T ot #eBymeK, ko- 
TOPH© flyuaioT, hto OHa flpyran HBanoBa. OHa t©ph©t iiopaicaS 

• 10 - 


(Film Unit I) 


KpaTKoe coflepHaime (npoflOJiseHM©) 

^MpeKTop MexoBoro Mara3Mna ee b Biopo Hajio6, a 

noTOM yroBapMBaoT ©§ nooTynwTB k H©My Ha pa6oTy* B mq- 
xobom Mara3MH9 ©My Bee bp©mh npnxoflM tch, yunTB ( to train ) 

I 

hobhx npoflaBmim, noTOMy xito fleByniKM qacTO y©3saioT Ha 
^ajiBHiift Boot ok* Mo pan BepgaiofH mihst Ret so qepe3 mmjihijiik)* 
OHa T 0 S 9 xotjer Ha#TH BepSsKHHa nepes MWJumHK), ho yaHaeT, 
nTO ©6 pnnyT, nyraeTcn h yxo^HT* 

Tenept OHa nona^aeT Ha $a6pnKy naT ©<$ohhhx njiacTH- 
hok, ra© npoAOJi«a©T yroBapuBaTB ^esynieK, HM©Ha kotophx 

©GTB B 3anH0H0H KHH2XK© EKaT©pHHLI JlBaHOBOft* 

B©pg3KMHa B MHJIMrCMH CJiy^a^HO (|© TOrpa$HpyKDT pflflOM 
o seHmKHoii, KOTopan Haimia cBoero p©68HKa. $oTorpa<|aiH 
HfleT b ra3©Ty. Ta3©Ta no oihm6k© Ha3HBa©T B©pe’3KHHa 
O TIJOM p©6SHKa 0 

Kor^a KaTH paocKa3HBa©T b o6m©£HTHJi o ^ajiBHeM 
Boctokq h o tom, nan OHa nofiMajra flHB©pcaHTa, o^Ha #e- 
BymKa ©$ h© b©pmt. KaTH roBopHT, *ito OHa onopo Ha##gT 
B©pS3KHHa, M OH flOKaieT, ^TO OHa O $aJIBH©rO BOCTOKa* 

Eft noKa3HBaioT ra3©Ty c (fioTorpa^neft B©p^3KHHa w flpy- 
roS s©HnijiiHH* KaTH p©BHy©T ( is jealous )• 

Ha $a6pHKy npn©3£a©T flpyran MBaHOBa• Eg npocHT 
paccKa3aTB o ^ajiBH©M Bootok©. OHa paccKa3HBa©T o tom, 
Kan oflHa ^eByiEKa noftMajia flWB©poaHTa. Be© y3HaioT b 3Toft 
fl©ByniK© KaTD h bm^ht, ^to OHa roBopmia npaB^y* Rbq 


41 


(Film Unit I) 


Kpa tk oe co/;epsanHe (npo ro jm ©eh© ) 

HBaHOBHX BCTp©^aioTCH 5 ii KaTs B03Bpan;a©T sarmcnyio khhsK y * 
Bopg3KHH, HaKonei ; 9 naxo^HT KaTK> f ho ona ho xou©t 
© ro bhagtb vl yOeraoT* ho BCTponaeTCH c MHJiMipioHepaM. 
HaKOHei^, ona y3naeT, hto mh Jumna ncKajra ©e, <ito6h #aTB 
eft opflon, a ho rjlsi Toro, HTodH BepHyTB floMofi. Mujumnoiiep 
o6bhchh©t KaTe HCTopiuo c $oTorpa$neft EepS3KHHa. 

$KJIBM KOHHaOTCfl OTBOSflOM fleByinOK Ha ^ajBHHil Boctok* 

IV# BOnPOCLI K MJ[LMy. 

I# Kan 30ByT flOByniKy b $hjibm8? 

So r#© OHa pa 6 oTa©T? 

3* T/;© HaXOflHTCH 9TOT C0BX03? 

4. ^©M H© flOBO JIBHa KaTH B C0BX03©? 

5 # Koro OHa HaxoflHT Ha Heptane flona? 

6 . ^to OHa c hum /;©jia©T? 

7. *Ito npoHcxoflMT no /;opor©? 

8 « Ky/;a h/; no ©3 a? 

9* IIotieMy b BaroH©“p©cTopaH© OecnopaflOK? 

10. IIOHOMy fllipeKTOp C0BX03H SOjeT KaTJO? 

11. Kanan seHmHHa c©jia Ha no©3/; Ha cTaHx^HM THxaa? 

IS. Kto ona h rieu 3 aHHMa© tch? 

13. ^to cjiyHHJiocB c ee OwjieTOM? 

14. Kto Tanoft Bepe 3 KMH? 

15* ^Ito oh HameJi? 

10 o ^to 6 hjio b KomejiBKe? 


(Film Unit I) 



BonpocN k dbHJiBMy ( npoAOJiseHM© ) 


17. 

18. 

19. 

80. 

81. 

88. 

83. 

84. 

85. 

86 . 

87. 

88 . 
89. 

30. 

31. 
38 o 

33. 

34. 

35. 

36. 


IIoHeMy oh oTflaeT koiuojiSk KaT9? 

Il 0 H©My KaTH H0 MOTJia BH^TH Ha CTaHIJHH 
Pa3flOJtBHaH? 

Kyfla 0 Ha penraeT exaTB h aa^eu? 

^to flHp©KTopa npe#JiaraioT KaTe? 

IIoHeMy KaTH nocTynaeT Ha pa6oTy b 
B aroHG - pocTopaHe? 

PacOKasHT© o 3anHCHoii khhhk© EsaTepHHH MsaHOBofi. 

^to KaTH flGJiaGT b Biopo Kajiod? 

Tfle OHa HaHHHaeT padoTaTB b Mockbg? 

Kan B©pe3KHH wm©T KaTio? 

HoHGMy KaTH yderaeT ot MHjnmMOH©pa? 

KanyK) BTopyio padoTy noJiynaeT KaTH? 

^TO OHa flGJiaGT Ha $adpnK©, KpoM© padoTH? 

IIOHGMy flGByUIKH ©flyT Ha ^aJIBHHfl Boctok? 

IIOHGMy 3 TO H© HpaBHTCfl flHpGKTOpaM? 

IIoHGMy KaTH flywaeT , hto E©pe3KHH eghgt? 

Kto npHe3sa©T Ha (JadpiiKy pasroBapwBaTB o 
flGByniKaMH? 

0 HeM OHa pacoKaaHBaGT fl©ByinKan? 

IIOHGMy KaTH H© X 0 H 8 T BKflGTB B©p§3KHHa? 

IIOH 0 My MM JI HI^IIO H©p HH^GT KaTio? 

^©M KOHHa ©TOH $HJIBM? 


- 13 - 


(Film Unit I) 


V. JHAIOn-I H3 $OBMA . 


OTPEKTOP C0BX03A: 

T. B 3B0POCOBIO30 • 

PeneTMpyeuiB? npeflCTaBJieHM© ycTpaM- 
BaeinB? 

HATH: 

PeneTMpyso A npeflCTaBienne 

6yfleT Tor^a, norfla Komhccmh npneflOT. 

OTP. COB * 1 

A pa6oTa ctoht? 

HATH: 

A h y&e y Bac 6oJi£in© h© pa6oTaro. 

H B paiioH sajroBaTBCH ©fly. 

OTP.COB.: 

IIOKa fl HQ GTnyCTMJI, HMKyfla TH h© 
no ©a ©bib! 

RATH: 

CTaHy a floawflaTBCH! ^ 

OTP.COB.: 

(3aBX03y) Cjiyniaft-Ka, lyna 
pacflgTa eft h© flaeaTBl 

iyka Qoumi 

2) 

Eotb h© naBaTB -DacqgTa. 

HATH: 

He yflep&HTe, bc e paBHo no©fly! 

OTP.COB.: 

HMKyfla th h© noefleniB! 

HATH: 

Cefttiac EQ, H 0 M©flJieHHO no ©fly! 

OTP.COB.: 

3) 

3aBxoa! JvKa $OMnn! lomaneft ©ft 

h© flasaTBl IlycTB, ©cjih xo^QT^Ha 
CTaHnMK) HOSKaMH Tona©T • 

HATH: 

Hy> m noTonas) HOJKKaMH. 

jcyi P o C OB . i 

OT-neKo h© noTonaeniBl H t©6a Ha3afl c 
MHJunfliioft sepny. 

HATH: 

C MJunmMeft ! ? JS, a mto h, ynpajia a to jim? 
H© 6oiocb a mmjimi!;mm! 

OTP.COB.: 

c ) 

Hy, noroflM! ' 


1) Do you think I will wait for your orderf 2) Yes, Sir. 

3) office manager t) « Mfl g T neutKow 5) = ® W « W 


-14 


(Filn mat I) 



























^Majiorii ns npofloJiseHMe ) 


2. 

B noe3fl©. 

nPOBOiOTK: 

npQfliHBMTe 6 mji©t! 

MBAHOBA: 

IIoscajiyftcTa! /mh^t/ H, naseTCH # no- 
TepflJia 6 mjj©t* 

HPO BO £HHK: 

Aral Emjigt noT©paJiM? Bh c©jim 3fl©CB t 

Ha Twxofi? 

MBAHOBA: 

A & 9 

IIPOBOOTMK: 

Bana $aMHJiMH MBaHOBa? 

MBAHOBA: 

A & > fla. 

IIPOBO£HHK: 

Beg hcho • Ha cjieflyro^©^ ocTaHOB k© 

BH COftflgT©* 

MBAHOBA: 

Kan coftjiv? y MGHH coBamaHM©^ ^ m©hh 

KflyT B Mockb©! 

nPOBOOTMK: 

Koro-HM6yflB m s^yT b Mockb©, a Bao 
sflyT flowa* npoiiflgMT© b cjiya©6Hoe Kyn© • 

MBAHOBA: 

^a, ho 6 mji©t 6 hji y ubha, 

HPOBO.ZIHMK: 

OH0HB MOK0T, HTO H 6HJI, a T0II8PB H0 T • 

A pas h©t, to y mghh 6©3 6MJi©Ta m 

6jroxa H© npocKOHMT. noaajiyftcTa, ciofla^ 


i) meeting 


3.. 

B no©3fle. 

HATH: 

Oil! 

EEPfi3KHHj 

Hto TaKoe? Hto cjiyHMJiocB? 

HATH: 

Korfla h caflMJiacB ••• h... 

BEPfi3KHHs 

Bh noTepHJiH 6 mji©t? 

HATH: 


EEPfi3KHHs 

Bam 6mji©t y mqhh* 


- 15 - (Film Unit I) 
























/Uiajorn ms 

(fiHJTBksa (npoflOJiseHMe) 

HATH: 

He MOseT 6 htb! 

BEPfi3KHHt 

Bh EKaTepHna WBaHOBa? 

KATfl J 

OTKyfla bh M8HH 3HaeT@? 

BEPfi3KHHt 

Bac bch AMypcKaa $JioTMJ[Ha snaeTl 

HATH? 

M©hh?! 

BEPfi3KMH: 

Bac* 

KATflt 

Hto bh! 

BEPE3KMH: 

KaTepHHy MsaHOBy 3HaroT bc© KOMaHflHpa h 

KpaCHO$JIO TII^H « 

HATH 8 

Ra 6 poc bt© bh! 1 ^ 

/BXOflHT npOBO flHMK/ 

nPOBOOTHK: 

/k KaTe/ IIpocTMTe, bh cgjim Ha OTaHDiHii 
TMXafl? npeflBHBMT© 6mji©t! 

BEPfi3KMHt 

/flaeT npoBOflHMKy 6 mjs©t E Ka t ep mhh 
MB aHOBO^/ IIoaaJiyftcTa* 

HPOBOOTHK: 

CnoKoftHoii hohh! /yxoflHT/. 

HATH: 

CnacMtfo, TOBapMm EepgsKHHl 

BEPE3KKH: 

OTKyfla BH M 0 HH 3Ha©T©? 

KATE: 

H Banr nopTpeT HeflaBHo b ras©T© BMflejia. 
B©flB BH OTJIMMHMK 6 q©BO# IIO flPOTOB KH? 

BEPE3KHH! 

BepHo. SHatjMT, mh c beuk flaBHO 3Ha- 
komh. $a, KCTaTH , nojiy^MT© Banry 
3anMCHyio KHMscny © 

HATH: 

CnacM6o, tojtbko a *.. 


1) Oh, yon* re kidding »a| 

w»l6^ 


(Film Unit I) 




















^MajiorM M3 $MJi£Ma (npoflOJisceHK©) 


BEPE3KMH: 

KATA: 

EEPE3KMH: 

KATfl 3 /BHXOflMT B 

nPOBOAHUK: 

HATH: 

nPOBO^HMKt 

BEP|3MH: 

HATH: 

EEPfi3KHH: 

KATfl 3 

EEPg3KKH: 

KATfl! 


2) You'll have a good 

U) That's a good Idea, 


Bh, naBepHoo, ycTajin, Hy, 6yfl©u Ha 
homb ycTpaMBaTBCH. TenepB bh OTfloxHeT©. 
Kan cjieflyeT ^l £0 yTpa HHKaKMX cTaHi^Hii 
doJiBine h© 6yfleT • 

Kan ro y Tpa? ..• 

fl 3 a©cb b flopor© Bee pacnMcaHM© H3yMMJi'* 

KOpM^Op/s TOBapMm npOBOAHMK, CKopo 6yfl©T 

Pa3AOJIBHaH CTaHI^HH? 

A bot ona . Tojibko mh Ha Heft h© ocia- 
HOBMMCH « Mh - 3KCnp0CC, 

A Kor^a me 6yp > e r r c JieflyiomaH ? 

Eaejm 2 3 ^ no-Hanieny, no-flaji£H©BOCTOMHOMy, 
to yTpoii. A ©xgjim no-Bam©My, no-uocKOB- 
CKoiiy, to 6jimh© k B©M©py. 

ToBapHEj KBanoBa, Ky/ja se bh nponajiK? 
PfflMTe, Bam© m©oto totoboo 

Cnacn6o! Oft, Pa3flOJi£HyK) npoexajiH, a 

MH© 3S TaM BHXOflHTB HyHHO 6HJIO o 

A MTO y Bac TaM, - pOACTBeHHHKH? 

$a HeT, y Hac TaM paftoHHHft ijeHTp, 

MHe npo Hamero flnpeKTOpa pacoKa3aTB 
HysHO * 

A b Mockb© pa3B© npo Hero h©jib3h 
paccKa3aTB y 

BepHO .Eojim npo Tanoro AMpeKTopa b 
Mookb© paccKa3aT£ ... 3 to 
Otb©phmt©cb , nosajiyftcTap 
CnoKoftHoft homm! 


rest. 3) - ©c jim 


17 - 


(Film Unit l) 



















^waJiorpi M3 $HJiBMa (npoflOJsneHH© ) 


4. B uujtvmmim 

MOHUKOHEP* /roBopMT no T©Jie$OKy/ Cjryniaio. • • CUyinaio... 
Kan (JaMMJinH Barnet TeTH? 

EEPfi3KHHi /ayMan, hto tot o6pama©Tcn k neuy/ 

A OHa MHO COBO 0 M H© TSTH ® 

MHJTOM0HEP8 /npoflojisaa pa3roBop no Tenefyoxy/ 

Aral B naKOM ropj nponajia sama t§tji? 


BEPK3KMHt 

B flecHTOM? OtieHB xoponio! 

IIpocTMTe, a roBopio xoponio e© to, 

<ito nponajia, a xopomo to, hto 6y^©u 
KCKaTB. /K B©pg3KMHy/ Tan KaK 30ByT 
Bamy TeTio? ... u - m. •. sHaKouyio? 

KaTeppina • 

MMIMUMOHEP: 

Ot^qctbo? 

BEPfi3KHHt 

IIgt poBHa. 

MMJIHIIMOHEP: 

BospacT? 

BEPfi3KHHs 

JI©t pa^aTt. 

MOMUMOHEPs 

Mqcto pOH^eHMH? 

BEPfi3KHHj 

H© 3Hai0o HaB©pno, r/ie-HH6yflB Ha 
^ajiBHeM Boctok©. OHa c©jia Ha 

CTaHijwH Tnxan. 

MJUHKKOHEPt 

npJICHflBT© Ha MMHyTOHKyl 


- 18 - 


{ fil/A O 














VI# HECHfl RATH 


Ecjim h ynuia M 3 floua, 
Heji©rK6 MeHfl HaiiTH* 

H oflHa Mory nojrcBQTa 
JIgrKHM niaroM o6owtm 0 

„ > i) 

Hu npocTop x h© McriyraeT , 
Hu nperp£flsr ' Ha ny«r k t 
y MeHfl Tanoft xapaKTep - 
Th oo mho© He inyTH! 





IIoe3fla oo Bcex flopor* 


He coBeTyio t© 6 © h 
H oBCTpe^iaTBOfl Ha nyTHi 
7 MeHfl TaKo# xapaKTep - 
Th co mhok) He myTH! 


1) The wide world 2) obstacles 


3) threshold 


19 , 


(Film Unit I) 







Tim UNIT II 


THE BOXERS 


/ EOKCEPfci / 


<20 


(Film Unit II) 



I* COUNTS TO THE FI UU - 


1) "The Boxers® is a run-of-the-mill postwar Soviet film* Fraa 
the technical point of view it is very weak* especially at the end* 

Thera are no stars in th© cast* , 

2.) The primary aim of the film is to glorify, Soviet sports* A 
quotation from the Soviet poet laureate, V* Mayakovsky, at the beginning 
of the film* states the main objectives of the official philosophy of 
sports* w Study English and French boxing not to dislocate other 
people’s jaw3, but in order to be able, without fear of bayonets or 
bullets, to disarm single • handodly an enemy patrol*® Thus, purpose¬ 
fulness, morality, and patriotism make the Soviet sports what they are* 
Later on in the film, the hero, Kochevanov, emphasises th® ’’intellectual 11 
qualities of boxing, the ability to think correctly in a split-second* 

On the other hand, capitalistic boxing is put in as bad a light as 
possible* The country, although not named, is obviously Franco© Ther© 
boxing is pictured as based on cruel competition, completely lacking 
in human qualities* Boxers are used by the managers as long as they last 
and then cruelly cast aside* 

3) The organisation of sports activities in the USSR is peculiar 

to that country* Although there are professional athletes, officially all 
sports in the USSR are amateur and all athletes must also have another 
job (in many cases a sinecure)* In the film the hero is in military 
servic©, while the professions of the other athletes are not specified* 

4 ) The terminology of Russian boxing is taken almost entirely 
from English* Exampless MaTW, HOKayT, HOK3ayH f pH:Hr,payHfl* 

The French boxer, lance, is played by the Russian middleweight champion, 
Oradopolov (it was obviously difficult for him to pronounce French, and 
therefore the director reduced his spoken part to the minimum)* 

The villainous French manager is made to appear even more villainous 
by his confession that he took part in anti-Soviet foreign intervention 
in the South of Russia in 1919, during the Civil War* 

*>) At the beginning of the film, the boxers parachute from a plana* 
This is part of the Soviet Preparation for Labor and Defense Program 
( GTO - totob k Tpy#y m o6opoH©Kwhich is sponsored by th© 
government as part of the unofficial "militarisation’ 1 of the country* 

As part of this program many levels of requirements or "norms® have been 
set* Persons meeting these requirements receive a GTO badge 

6) The custom of exchanging kisses between men is an accepted 
Russian form of expressing feeling between friends under certain cir¬ 
cumstances? e„g© a meeting after a long separation, to express congra¬ 
tulations after a victory or success, or when bidding farewell before 
a journey* 


- 21 


(Film Unit II) 




XI, KEY WORDS AMD PHR ASES 


rpom i*©Ha 

3 aTHJKHfiif (npH?EK6M) 

noAroT6BKa k ot^po^khm 
CO p©BHOBaH5iaif 

OaMOyB^p©HMHft 

TaseJIIlft B©C 

AgrKHtt B©0 

aa oBofl xapaKTep a ovB©*iaiQ 

OCTaBBT© M©HH B nOKO© 

noftajiGTB 

ynpHMCTBO 

paarafldTB njia« npo tmb^kk& 

Ha pj«?re th nysoft 
y^acTH© 

noropH^HJioH 

KOMMCCHH 

3a ofliioro dMToro Acyx 
K©6 hthx Aa»T / a proveiij/ 

TO^HOOTB 
no OAHO Vi KP^»K© 

KpenKo pado^aioT 


not worth two e©nt» 

using a delay jump 

preparation for selective 
competitions 

cocksure 

heavy weight 

light weight 

ny character is my 
business 

leave me alone 

to give sympathy 

stubborn©ss 

to anticipate the movement 
of the eneny 

in the ring you*re a stranger 
to me 

participation 

team 

loet my temper 
board 

One who 1 s beaten is worth 
two who never wore 

accuracy 

one glass each 
/literally n one wnig 19 ) 

they*re doing a good job 


22 


(Film Unit IX) 



Key words and phrases (Cont’d) 


Hadpajm fleTeii b KOMaHAy 

H36m6hm© MJiaAeHn;eB 
Oh xoneT Ka3aTB0H cmjibhg © f 

M0M 6CTL 

ncMXMMeoKafl aTaica 

bhsob jrrodouy cobgtckoM y 
doKOgpy 

KonaHAa npMHMMaeT BH30B 

KanoE-TO Komqb^hob! 
KOTJi^Ty cA©Jia©T 

<5nHTH0© 

HMGHHO B 3TOM HtaHC 
npoA©P*^.Ti»CH 

yxoAMTB b rjryxfro 3am$Ty 
He cymecTByeT 
MaTH Ha nepB9HCTB0 


- they sent us a bunch of boys 

• a massacre of innocents 

- He wants to seem stronger 
than he is 

• psychological attack 

- a challenge to any Soviet 
boxer 

• The team accepts the challenge 

• Who is this /unknown/ Kochevanov? 

- He*11 make a beefsteak 
out of you 

• more experienced 

• that * s where the chance is 

• to hold on 

- to cover up 

• does not exist 

- championship match 


23 


(Film Unit II) 


Ill 


flgftCTBy iPME IMJSA 


- o$flmep f doKcep no .?ty the e-noro 

Beca 

- j&e this 15 a 

- tieMnwoH b nojryTH22GJIOU Beoe 

- TPD Hep 

- HeMiiHOH EspoiiH b no Jry thhShom 

B0C© 

( Lane©*® manager) 

- MaccaanoT( masseur ) 

- 6oKcep jigrKoro Beca 

- #paHn;y 3 , 6HBnmii 6 ok cep 

- Herp - 6oKcep 

KPATKOE COflEPJKAHHE 

nOKa3HBaeT IK3HL tfOKCepOB MOOKOBCKOrO CnopTHB- 
Horo o6m©CTBa* Boncep KoneBaHOB m JigT^wqa MpnHa joo6ht 
A pyr Apyra* ^©mhhoe .HopoxoB - xopoiawft 6 ok cep, ho oh o^ohb 
ropnH h cjimiukom jho6ht c©6h m cbo# ycnex. KoneBaHOB - 
o6pa3@Dt ( a model) coBeTCKoro nejioBeKa h cnopTCMeia ,kekhm 
ero xotat bhaotb b CCCP • Oh ckpomgh ( modest ) , mhoto 
padoTaer h HaKOHeij AejiaeT hs c©6h ohqhb xopomero 6oKcepa® 
Oh joo6ht 6okc h© paflH ( for th© salt© of ) caworo 6oKca, a 
Ajijt Toro, hto6h BtipadoTaTB Ka^ecTBa ( qualities ), nysHHe 
o6op6hei ( defense ) CTpaHH. Oh Tanse cHMTaeT, hto 
6okc - "KHTGJiJieKTyajiBHHfi" cnopr, rA© HysHo 6 hctpo h 

«2li» 


Ko^eBanoB 

ilQ-pQXOB 

SzmJ&mm. 

IaHC 

MimpecoapHO JHaHca 

XT> 6 mH©HKQ 

Hyxa 

Eojibbio^ AseK 

*IeT>HHft IlBeTOK 


(Film Unit II) 















KpaTKoe ooflepsaHKe (npofloJiseHHe) 

xopomo AyMaTB b flecHTNe aojkm ceKyH^n* 

B Hanajie $miBMa 6oKcepH HaxoflHTCfl Ha aapoflpoM©# 

Ohm oflaioT hopmh Ha 3 Han ok TTO no npHSKau c napamroTOM 
(See comments §5)* CaMOJieT BeA©T JieTHMija Hpuna 0 
HewmioH ^opoxoB xoh©t noKaaaTB eft cbo© repoftcTBO h 
npurHyTt 3aTHKHBiM npHKKOM, ho cTapmuft rpynim, K©tj©Ba'HOB, 
©anpe^ae^ flopoxoBy npnrairB c©Bceii # 

HannHaroTOs ot6opohhh© cop©BHOBaHHH ajih no©3 ^kh b 
EB pony • TpeHep Bojio#h UHoro 3aHHMa ©tch c 6okc8- 

paMH K CMOTPHT 3a MX B0COM• KOHGBa HOB CTaHOBHTOfl XO- 
ponuM 6oKcepoii. B tp©hmp6bohhom 6ok> .HopoxoB nojiynaeT 
OT H©rO HOKfl^yH^ 

Mpuna h© jik>6ht 6oKca w flase p©BHyeT ( i® jealous ) 

K H©My, noTOMy nTO bo bp©mh 6oh KoneBaHOB Ka&eTCH eft 
tiysHM* Oh fla xe 6ep©T OTnycK y cBoero ko MaHflHpa flJia 
TpeHMpOBKH, a H© flJIfl TOTO, HT 06 h npOBOflMTb Bp©MH C 
MpHHOft o 

Ha ©TbopoHHHX copeBHOBaHMHX ^opoxoB nodesflaeT 
( defeats ) KoH©BaHOBa f ho kommcchh Bce-TaKH KoneBaHOBHU 
flOBO^BHa. MpHHa npiixoflHT k HeMy nocjie 6oh m xohqt no- 
»aji©TB ero b h© cnac tb®, ho bh^mt, hto oh h© chh TaeT 
c©dn h© cnacT hhm• OHa pa3onapoEaHa ( disappointed ) # 
^OPOXOB XOH©T HCn0JIB30BaTB 3T0T cjiynaft, ho y Hero 
HHH©rO H© BHXOPT* 

BoKcepn ©flyT bo ^paHijino. Ha nepBoft bctpqh© c $paH- 

- 25 - 


(Film Unit II) 


KpaTKoe coflepsaHHe (npoflOjrseuM© ) 

Ijy3aMH COBeTOKH'M 6oKo^pa.M TpyflHO. Ohm h© npMBHKJIM X 
” KanHTajsjicTPinecKOMy n doney* Ha 3Ty bcT pe^y npMXo^HT 
$paHD;y3CKH$ hgmiikoh 6onca laHe oo cbomm HMnpeccapno• 
Miinpeocapwo Jlanca ynacTBOBajK b hht©pb©hii;mh npoTiiB CCCP 
bo BpeMH rpas^aHCKoir bo £ihh m no 3 to My hqmhoto roBopiiT 
no-pyccKM* Ohm Hadjno^aioT, nan #epeTCH ( fights ) ^opoxos* 
Ilocjre doa flpysBa no 3 #paBJiflioT .ZJopoxoBa* ho KoneBaHOB Kpii- 
TMKyeT ©ro vl roBopHT, hto ^op^xob node^mr dojiBiae ncM- 
XOJIOrMHeOKM, H©M T0XHMHGCKM, M HTO yMHH# npOTHB HHK, 
KOTopnfi dy^QT 3HaTB ero m©toa, JierKo node^ffT ero* 
HMnpeccapiio JlaHca iipurjiaiuaeT Bcex cobqtckhx doKC&poB b 
KJ iyd "Tojiydan jreHTa* 1 , HTodn noKa3aTB, nan flepeTca laHC* 
IIpOTMBHMKa JIaHCa - MaJIBHHKM M CTapMKM 9 H OH JI0TKO H 
rpydo dBeT mx« KoneBanoB 3aMena©T, hto JaHC xoh©t Ka- 
3aTBca CMJiBHee 9 neM oh ©ctb« Ilocar© don laHC #ejia©T 
BH 30 B jnodoLiy coBeTCKOMy doncepy. CoseTCKaa KOMan^a npM- 
HMMa ©t BH 30 B, ho odemaeT odBHBMTB npoTMBHHKa Islec a Ha 
cjieflyioipift a©hb• Be© scflyT* hto ©tmm itpotmbhmkom dy #©t 
^OpOXOB, HO BOJIO/JH HQOSMflaHHO Ha 3 Ha HcLOT KOHQBaHOBa, 

KOToporo 3arpaHHn;eS hmkto h© 3Ha©T. ^opoxos ohohb h©~ 
flOBOJieH, HO BOJIOflH OdBHGHHQT ©My CBO& MaHGBp % 

laHC BHfleJi* Kan flepeTca ^opoxos, h m 3 y hjiji ero hgaoctcLtkii 
(weak points ), a KoHeBaHOBa oh h© 3 Ha ©t * 

IIjiaH BojioflH: Jfanc dojiee ciuiBHHii m onHTHHft 


- 26 - 


(Film Unit XX) 


KpaTKoe coflep&aiine (npoflojusemi© ) 


doKcep, tj©M KotieBaHOB, IIo OTowy b nepBHX p&yHflax Ha^o 
tojibko 3 amunjaTBCH h 6 mtb bc© BpeMH b cepfln;©© Korfla 
laso ycT^HGT, Torfla Haflo HacTynaTB© 

HauwHaeTCH MaT^, KOTopnft cjiyniaroT w b Mockb©. JaHC 
odemaji b ra 3 ©Tax HOKayT Ha h©tb©ptom payHfle. Boft flJia 
Ko^eBaHOBa ou©hb thsqji, ho oh cjreflyeT ooBeTy flflflH 
Bojroflw h node&fl&QT© 

B c bo©m OTGJie C 0 B 9 TCKH© doKcepn np&aflHyiOT ( celebrate) 
nodefly. KoueBa hob roBopwT no T©Jie$OHy o Mockbo#. B 
MooKBe /JopoxoBa h Ko^eBaHOBa s^eT MaT^i Ha nepBeHC tbo 
CCCP© 

$HJIBM KOH^aeTCfl neCHQii M 0 TT>© 3 fl 0 M COBQTCKHX 
dOKCgpOB flOMOft. 

IV© BOnPOCU K SftJBMy 

I© IIo^eMy doKc^pn nptiraioT c napamroTOM? 

S© Kto Tanan HpMHa? 

3 © Koro OHa jmdHT? 

4© Kto ^©MnwoH no doncy? 

5 * Kano# xapaKTep y ^opoxoBa? 

6© Kto TaKoft Ko^eBaHOB ? 

7© IIoH©My oh h© no3BOjnui /[opoxoBy 
npnraTB c napannoTOM? 

8 . K HOMy TOTOBHTOH COBQTCKH© 6 oKC$pH? 

9. ^to flyMaeT MpHHa o donee? 


27 


(Film Unit II) 



BonpocH K (npoAO-HEeHne) 


10* Kto nc 6 © 3 x^a.eT na oT 6 opotiHHX cope bhob&hmhx? 

II* non©My Mpi'ina nocji© 6oh H©AOBOJH>Ha Ko^eBaHOBHM? 
IS* Kto ein;e yxasHBaaT sa MpUHoU? 

13. Kan npoxoflMT nepBaa BCTpe^ra cobgtckmx m 
ftpaxmyscKMX 6 okc^pob? 

14. 3ati©M na ©Ty BCTpo^ry npuxoAWT $paHijy 3 CKnft 
tjenniiOH? 

15* Kyfla npHrJiamaeT cob©tckhx 6oKcepoB 
MMnpeccapMo JIaHca* 

16. ^tq Ko^eBaHOB ^ywaoT o Janco? 

17. ^to Jane o6 , &HBJiHeT noojie <5on? 

18. Kan npMHMMaeT coBeTCKan koM aH^a ©tot bhsob? 

19. IIo^eMy Bojioah bh 6upae t A-aa 6 oh 

c JtaHCOM Ko^ieBaHOBa? 

80. *lTO TOBOpilT 06 ©TOM BHOop© ^OpOXOB? 

SI. ^to roBopMT 06 ©tom HMnpocQapiio JIaHoa? 

22. Kano# njraH a^AH Bojioam? 

23 0 ^to JaHO o6©BTajr b ra3©Tax? 

24o Kan MAeT CHa^ajia 6oft? 

25. ^TO npOMCXOAMT B ©TO Bp©Mfl B MOCKBQ? 

26. ^Igm koH^ aeTca 6o$? 

27. q T0 roBopiiT MMnpeccapiio o laHce nooji© 6 oh? 

28. C k©m Ko^ieBa hob roBopMT no T©jie<$OHy? 

29. ^ to EAeT Ko^eBaHOBa n .ZlopoxoBa b Mockb©? 

30. l lGM KOH^aSTCH 

31. Ectb jih ? no-saiaeMy, pa3Hm$a MeacAy aMepuna hckhm 
n pyccKMM 6 okcom? 


- 28 - (Film Unit II) 


V* 


OTAJrorK H3 $HJLMA 


JOPOXOB t 

HPHHAs 

flOPOXOB: 


KPKHAl 

.ZIOPOXOBs 

KPHHAS 
KO^EBAHOB i 

■30P0X0B s 
KO^EBAHOB 1 


I* B CaMO^gTQ » 

3#paBCTBy$T©, KpMHa! 

SflpaBCTBy^T©. A a sac He anaio® 

3to HQBasHO« 3aTO a Bac 3Haio« s 
BoKcep, 3Ha©T© jih, flojiaeH Mrno- 
BeHH0 OPH©HTHPOBaTBOa I' 
b jik)6om o6cTaHOBK©« Mnaa© ©My 
rpon r^QHa* 

A BOT nOCMOTpHM , KaK BH B 
B03#yX© OpH©HTMpy©T©CB® 

IIpOB©pMM* 

A BH H© 6 ojtT©CB. X 0 THT©* 0 ©$^a£S 
aaTHSHHM npnrHy? 

H©t, h© xo^y, 

3 to kto me eaTa&HHM npnraTB 
XO*J©T? 

A VTO? 

JlHT©p©OHO® BXO$HT@» TOBapHip[^ 


1) to adapt himself 


KPHHA t 
KOqEBAHOBI 


KPMHAl 


B ♦ Hpcjs© 6 oa na QTdopoaHHX 

COPOBHOBaHHaX 9 

^TO C TOdoft? 

Tan a s t© 6 ©. roBopmu done - 

3 TO H© JIO TO % ' A aTO O TOdoft? 

Teda bojihvqt odmecTBeHHoe 
MH6HHQ ? 2 ' 

A T© 6 a,Boo 6 m© t Kaa©Toa f HH^ero 
H© BOJIHy ot . 


1) lotto 2) public opinion 


29 


(Film Unit II) 
























$najiorii M3 (jHJfBMa (npQflOJiEeHMe) 


KOHEBAHOB: Hy Hero th cepflHiflBca? Th Aynajia, 

a cm sy s^ecB oamhokmS, paccTp6©H- 
hh j$« Th npufleniB m noHakeems 
MGHfl» A H B3M H_MOn6pTHJI 
B©CB TBO14 saMHCOl ^ 


3) I went and spoiled k) plan 


HQPOXOB: 

KOHEBAHOB l 

AOPOXOB: 

KOHEBAHOBl 

itOPOXOB: 

KOHEBAHOB t 

ffQPOXOB t 

KOHEBAHOB : 


.flOPOXOB t 

man. BoioiLHf 


3* KoMeBaHQB m .ZIopoxob «> 

Ho noftMM, Kn'pkjuig a to rjiyno* 
Th BeflB HasepHHKd npoMrpaemiri 

Mok©t 6htb« 

B©ab a to 6yrqt no3QP^ ) ajih 
Bcel? KOManflH» l/l h© tojibko 

A-fffl KO MaH,QH • 

A th h© nyraii* 

Hy CKasM moctho, kto ohjibh©©, 

TH M JIM a? 

He 3Haio* 

A nopa 6 h 3HaT£. OTKaaHCB, 
noKa h© no 3 j\ no © 

n©TH» Hy HTO TH BC§ 

XBacTaemB? s ' h 9 a 9 

BXOflMT BOJIOAH® 

BOJIO^H, laHC BHSBaJI M6HH t 
a h© KoH©BaHOBal 

Jane BMgeji Te6n Ha pmhpo f 

rojroBa !^) no hmmbtb Ha#o! 

KpoM© Toro, th popHM m Mac TO 
A©jraeniB rjiynocTH* 



1) disgrace 2) boast 

3) © you fooli 


(FiSri Unit IT) 





















^najiorK M3 $MJiBMa (npoAOjrseHHe) 


. 2 I 0 P 0 X 0 B i 

Ho noftMMTe , lane M3 Hero ko tji ©Ty 
cfl©jiaeT! 

AKM BOJOiiat 

IIpOTMBHHKOM laHC a oG'BHB.ffeH 
Ko^esaHOB c 


^H4g B0J0/tg» 

4• Ilepefl 6 o©m c JaHCOM. 

laHO T©XHM^eCKM CM JIBH0© T©da M 
OIIHTH©© • H BCe-TaKM TH MOK0HIB 
BHHrpaTB 6oft* 

KOgEB4HOB» 

XoMy BHMrpaTB© 

naan Bojroaai 

JaHc cTapme t©6h* h y soro 
c©p#n;e xys© tboqfo* Hm©hh© 

B 3 TOM inaHC* 

KOHEBAHOBt 

06pa6aTHBaTB o6jiacTB oepana? 1 ) 

iiana boiouhi 

y^apaMM m 6hctpoto# T@Mna« 


1) Work on the region of the heart 


31 


(Film Unit II) 












V# 


HBCHH HA C KAME&KE 


Cma©jih ABa m©ab4a& 

Ha B^TK© 3 0JI0T(5 H{j 

OflHH cma©^ KaK oji^AyeT l) 
/(pyroft 6ojiTajE^^ noroii* 

CjreTe^M 3 ^ABa mgabqah 
C B0TKM 30JIOTO& , 

Oamh JX0 T0Jff KaK CA©Ay©T, 

.Apyroft 60 JITQ.JI Horo#* 


1) the normal way 2) was swinging 3) fell down from 




>32< 


(Film Unit II) 





FILM UNIT III, 


TWO SOLDIERS 
/ £BA BOill JX / 





\ ■ 



•33' 


(Film Unit III) 










I* CO ^MTS TO THE FILM. 


1) This film was made in Tashkent, Soviet Central Asia, during the 
last vrar, and a few views of Leningrad were added from newsreels* The film 
contains surprisingly little Communist propaganda* At that time, the 
Cosmamist party temporarily withdrew its familiar slogans and soft-pedaled 
tho glorification of Stalin (his name is not mentioned once in the entire 
film)* Tiio story is about the friendship and courage of two simple soldiers 

2) In the film, one may 3 ee many of the bettar^known sights of 
Leningrad: St Isaac»s Cathedral., the banks of the Neva River* The Fortress 
of St Peter and Paul, tho Nevsky Prospect, etc* The front is located in 
the suburbs of Leningrad , an area of luxurious palaces, beautiful parks 
and statues, which was one of the former residences of the Czars* 

3) The soldier, Sasha, is a blacksmith from a plant in the Ural 
Mountain Region* His friend, Arkady, is a welder from Odessa* Odessa is 
a port on the Black Sea, the Marseille of Russia* The inhabitants are 
noted for their city patriotism and their love of jsusic and poetry* 

(Note Arkady's answer to Tasya'3 question "Are you an artist?" 

"No, I'm from Odessa.") Many people from Odessa speak a peculiar dialect 
of Russian, full of charming irregularities in grammar and usage* 

Arkady's speech i 3 a mixture of slang, proverbs, poetical clichds, puns, 
quotations, and expressions coined on the spur of the moment; it is highly 
ornamental and humorous; moving abruptly from one topic to another* 

Examples of his grammar are: 3a Ofleccy ( instead of 06 Oflocce), 
flO flepeBa ( instead of na AepsBO ) » 

At the time the film was made, Odessa was under slags and bom¬ 
bardment by the Germans. Among the soldiers there i 3 a Ukrainian who 
speaks his own language (e.g* He moeho ( instead of 
6 k tiKE!3b ( instead of bhammb)* 

4) Arkady very often makes fun of Sasha. In the first long scene 
in the dugout, he tells a long story in which he describes how Sasha 
practiced shooting a captured German Mauser, by firing at a flower and 
how the Germans mistook that for Russian artillery and opened fire on 
him* A little later in the film, Arkady receives a letter describing the 
result of a German bombardment of his dear city of Odessa# When Sasha 
fails to distinguish between the damage done in Odessa and in other places 
by the Germans, the patriotic Arkady gets angry and accuses Sasha of being 
insensitive and of lacking appreciation of Odessa, "the finest city in the 
world*" 

5) Tasya is an engineer and, therefore, is treated with respect 
by the two friends* In her room, Arcady says, looking at her slide rule, 

"An intellectual girl* 5 * 

6 ) The only deviation from realism is in the last scene of the film 
where dozens of Germans try to seise the pill-box from the two Russian 
machine-gunners, regardless of the cost# This fcypii cS xiotek was typical 
of Russian, rather than of German, tactics# 


- 34 - 


(Film Unit III) 



II* KEY WORDS AND PHRASES, 


onepeflftTB aTany 

IipOTftBH MKa 

rJiaBHan nacTB Kas^oro 
opy&HH ecTB roJiOBa ero 
BjiaA© JiBxga. 

no JiMTrpdMOTa 

np6nycK 

yracKa 

colloqo for $yr&cHan 6oM6a) 
3©MJIHh6k 

( dimin 0 of seMJD -1 k) 
naSK 

Boatman TpeBdra 
E© th o 61 ij\qji 
nocHJiKa 
Bh odfefleJiMCB? 

IIpofleps^TeoB EeMHoro 
naTpoHH Ha wcxdfl© 


- to anticipate the attack of the 
enemy (to beat the enemy to the draw) 

« the main part of each weapon is 
the head of its owner 

« political indoctrination 

- password 

- demolition bomb 

- buddy 

- individual ration 
air raid alert 
It's her you insulted 
package 

Are you offended? 

Hold on a little longer 
we’re running out of ammo 



III* jffiftCTByiOHHE 1VLUA * 




nyjieMgTtiHK» nepBHfi Howep 
( machine “ gunner ) 


C&ma Cbhhu 6 b 

T&oh 


nyjieMgTtiJiK, BTopo# Houep 
( machine - gunner^ assistant ) 

JieHiiHrpaflCKaH fleBymKa, 

3 na koM an CantH 


Ma^op 


KOMaHflHp no flpasfleJieHHH 


AKy jifiTa 


ynpawHei^ - riyjieMeTqHK 


•34~A" 


(Film Unit III) 








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^ewcTByioipie jnma (npoAOJi&eHM© ) 

"CTYfleHT* - nyJI©MSTtIHK 

kVTVuuiemiQ y 
IIpO$©CCOT) MaTQMaTHKM 

MegcecT m 

KPATKOE COilEPJKAHK E . 

B 1941 r. OC© HBK), BO Bp0MH BTOpOM MMpOBO# BOftHEJ, Ha 
$poHT© no a JeHHHrpaflOM cJiyaaT pa cojrAaTa-nyji©M8TnMKa, 
ApKaflMfi n Cama. 0 6a ohm xoponin© cojiflaTH m 6ojibhm© 
flpy3Bfl. ApK&AK^ ~ CB&pmMK ( welder ) M3 ropofla Oa©ccn; 
oh jik>6mt myTMTB h nrpaeT Ha rHTap© ♦ Canra*“Ky3H©ij 
(blacksmith ) c 3TpaJia, cepBS3HHii, cm ji bhlt£i 9 h© o^qhb 
yM hhm, ho A©6pnft. ApKaAwft qacTO myTMT Hafl Cam©#, ho h© 
n0 3B0Jifl©T aToro A©*«aTB HMKOMy Apyroiiy • 

£py3©ft nocHjiaioT Ha cy tkm b JleHMHrpaA • TaM ohm p©~ 
maK)T 3afiTM k Tace, A©ByniK©, c KOTopoii Gama no 3 Ha ko mm ji c h 
paHBin© b oqepeflM 3a ji mm o Ha a om ( lemon soda )* C Tex nop 
oh ©0 h© bha©*« Tacn yxe 3a6nJia 3Ty BCTpeqy, ho bc©—T aKH 
npMrjiamaeT APya©^ k c© 6© Ha tia#. KorAa ohm cmaht y H©g, 
HanMHa©TCH BOSAynrHan TpeBora* Ohm 6hctpo MAyT b 6om6o- 
y6©EMH^ ( shelter ). Caia h©a©boji©h t©m , hto ApKaAH# 
ojimiukom MHoro roBopMT o c©6© c ©ro AeBymKoft, m yxoAMT 
Ha yjiMny © Ha Kpmtry Roita naAaioT 3aKnraT© jibhh© 6om6h 
( incendiary bombs ). HanMHaeTCH noscap. Cama Ji©3©T Ha 


-3 5- 


(Film Unit III) 







KpaTKoe c oflepsaime (npo^ojisenKa ) 

spumy h tviuht nosap* Kor^a apy 3 *^ ©AY^ odpaTKO na ^poHT, 
Cama paccKasnsaeT ApKaAWK) (i<DTOpHft cott) o c bo eft aio<5bh 
k Tace. Ha cppoHTe, no Ka APysBH HaxoAMJmcB b ropoA©#6HJra 
6 ojiR maq aTasa HeMijeB* MHoro comAa T B mx nOAP33A©«H 0HMM 
y6ftTO mjiii p^hoho* ApKaAHft xotieT pasBeceJiWTB ( cheer up ) 
cojiasit m paccKa3HBa©T mm c ioMopoM o Cam© h ero a®** 

BymK©. Oh rosopiiT* tito A©syniKa h© oq©HB KpaoMBan h 
C arny oh a m jiio<5ht • ^py 3BH ccophtch ( quarrel ) * Cama 
HA^T K KOMaHAMpy M TO BO pMT t TITO OH 6 oJIBm© H© XOTIQT 
6 HTB B OAHOM OTAOJieHHH C ApKaAMQM. KOMaHAMp n© p© BO AMT 
©to b Apyroe oTAQJieHMe • Cob©tckh© tiacTM hayt aTaKH npo~ 
THBHHKa* HeMpH A©JiaiOT CTpaHHH# MaH^BpS TaHKM HAY? B 
coBeTCKHe ok6ixh ( trenches ), a no tom BApyr noBO pa mimic t 
m hayt o6paTHO* Maftop riociuiaeT ApsaAHH y3na t r , uto xotht 
CAOJ iaTB H 0 MPH* ApKaAHf[ BMAHT, TITO TaHKK 110 ABO 3 HT n©XOTy # 
KOTopan rojuxesl npoAo^saT b ara.i<y 0 . Oh a©-©t shetb o6 3tom 
CBOMM TiaCTHM. HeMl^ HaTJMHaiQT CTp©JIHTB no ApKaAHEJo Maftop 
nocHjraeT ©My Ha noMonp> Carny* PyccKK© OTKpHBaioT otohr no 
npoTJiBHMKy, h h© mum OTCTynaioT # 

PaH© hh^ Cana ji©smt b rocnnTa.«© * Oh bc© em;e cepAMTOH 
( is angry ) Ha ApnaAMH h h© xoq©T ero bmaotb© 

Hepes Tpw uecai^a, norAa Cam bhxoamt H3 rocnHTajiH, 
oh bctp© TjaeT na yji*me Taeio* Tacn OjiaroAapiiT ero aa no- 
chjikh m sa jiio6obhh© niioBMa * Cama Hntiero h© rroHHMaeT* 


-36- 


(Film Unit III) 


KpaTKoe coflQpscaime (n'poRoJiuemie) 


noTOMy xito oh He nocHJiaJi ©ft HHKaKMX niiceMo HaK0H6i*,0H 
noHMiaeT, tiTO ApKaflH# nocHJiaJi nocHJiKH m niicBMa Tace 
h noflnwcHBajrcH ero hm©h©m. 3a 3 to bp©mh Tacn oti©hb no - 
jUD6njia Camy. Cama bmaht, hto Api<a am# cobcgm h© yxaiHBaeT 
aa ero a© BymKoft h bc© bp©mh 6hji xopomnw ApyroM. 

Kota© Cama B03Bpama©Tc« Ha $poHT, h©md;h onpyxiuiH 
ApnaAMH . 3T ApnaAMH HeT naTpoHOB. Maftop nocHJia©T Camy 
c naTpoHaMH k Apna ahk>. $hjibm koH^ aercn aTar.oi* pyccKHX, 
koto pn© OKpyacaJOT HeMijeB. 

IV. BOIIPOCH K #MJEMy, 

I. Kan 3OByT AByx cojiAaT? 

8. H'3 KaKOro ropoAa Api<aAHfi k OTKyAa Cama? 

3. rA© HaXOAMTCH dfpOHT, KOTOpN# no Ka3HBaK)T 
B &HJIBM0 ? 

4. ^TO rOBOpMT ApKaAM# apTMJIJiepMCTy , KOTOpN# 
nonpo6oBaji myTHTB HaA Came ft? 

5. IIotieMy ApKaAwft He nwm©T nwcoM Acmofi? 

6 . 0 tj eu noJiywJi nnc bmo ApnaA*$? 

7. notiewy ApyaBH noexajui b leHHHrpaA? 

8. K Kowy ohm aaxoAHT? 

9. Kan Cama no 3 nano mm ji ch c A©BymKoii? 

10. Vto cjiytm jiocb, KorAa ohm 6hjih y h©© b 
tocthx? 

11. KyAa ohm no ihjim TorAa? 

IS. no tie My Cama ymeji Ha yjiMny hs 
6oM6oy6eswma ? 


-37- 


(Film Unit III) 



BonpocN k tyvuibuy (npo$o.5s©M8 ) 

13. Hto 6hjio Ha $poHTe, noi<a $py3 bh 
6hjiw b JleHHHrpa^©? 

14. IIOHQMy ApKa^nft paccKasHBaeT HeiipaBfly 
o Casa k 6TO ,n©BymK8? 

15. 3aq©w Gama MfleT k KOMaH/jupy? 

16. Kanoft 6 wl otbqt KOMaHflMpa? 

17. Ky#a Man op nocHJiaeT ApKaflHH , Korfla TaHKM 
HflyT Ha HMX? 

18. IIOH©My Maftop noTOM nocujiaeT Camy k ApKaflHio? 

19. ^to cjiyHHJiocB c Came ft? 

30. Il0H8My Carna ne xohqt bhaotb Apna# wh b 
roonMTaji©? 

SI. ^to AeJiaeT ApKaflHft c 6yK<§TOM? 

22. PacoKasMe o BCTpene Camw h Tacn<, 

23. Kto micax nwcBMa Tace? 

24. IIotjeMy Cama Tan o6paflOBaJi ch ? 

25. ^Ito b 3to bp©mh flejiaeT Apna^Hft ? 

26. IIOH©My HMKTO HQ MOSteT ©My IIO MOHB? 

27. Kto Cam© Ha iiomoihb? 

28. ^©M KOHHaeTCH $HJtBM? 


-38 


(Film Unit III) 


v. mkiorm ms shjs ma 


I« SeKJiH HK a ( dueout ) * Ho*n>p 
Bee cn ht,K po us Apnafl mh m 
C arol. 


APKAjqi#: 


Caina! 


CA1A: 

APKAflKfi* 

CAEA? 
APKAHttft S 


Ho 

Th Ha M8HH ocepti hji ? ) 

P } 

C Hero a to ? Bq t. toto «*• 1 

A th h© cepnaft. Th &@ 3Haenn» # mto 
h fljiH xopomero cJiOBa nanamy He 

no aa jeioo 


CAEA ? 


3HaK>o 


APK kAVR ? 


Me&fly npouMM, HanpacHQ th Tan 
ffyMaem B * 4 > A ©cjih h nryq^, Ta 

TH nJEJOHB M - HO JIB BHMMaHKH • 5 


CAEA? 

APKAJHft: 


CAEA ? 
APKAHM^ : 


A a ii n^.K)iOo 

Bot 3to Tose, Me&fly npoMHM, 
nanpacHO* H x t©6h KaK po^H&ro 
jiio6jiks, Ckojibko mh c to6o ft h©mh;©b 
noKJiajiM oko,ibko HaTepnejiHOB 7 / 

- 3TO i KomMap 8 nogynaT bI 

3to npa B^a « 

Taxon flpyxdn, KaK Hama, Ha bc 
CB©T e H9T» Th r#e 6 hji? 


CAEA I 


M©hh noBeJiH k KOMaHflHpy* 


rOJOC? Pe6&Ta, xoponio 6 h nocnaTB! 

APKA.AMM : /mono tom/? K Kano My KOManflupy? Th mto, h© 

MoxeniB 6HCTpee roBopKT? 

I) « pa c cepflHJiCH 2) Why should it be? Of all things) 

3) I would^t spare my own father for the sake of pretty phrase. 

4) You shouldn't think so 5) (lit.) spit on it and - zero of attention* 

, v ignore it and pay no attention 

6) (slang) - y 6 mJIM 7) endured B) nightmare 


- 39 - 


(Film Unit III) 


































.ZJnajiorM H3 (npoAOMeHHe) 


CAKAI 

K Kowai iriiw nojrica. 

APKA.MM 8 

3aueM? 

CAKAs 

Oh xotg-s mghh bm^gtb© 

APKAilH® 8 

Sanets? Th noHKMaeiHB pyccKM^ 

H3HK r aaHQM? 

CA1AS 

CnacHfio, roBopMT, Tosapsim CbhhiiobI 
Xopomo BofoemB. 95 

APKA.AH01 

A hto th TaKoe ys© c^QJtaJi? 

CAlAl 

A a noKJiaji neMHoro H©Mn;©B b 
pvKQHamHofto 10 ' 

APKAiUffts 

CKOJ5BKO ? 

CAHLAi 

A h c ©mb niTy k noKJia-a * 

APKAiMiit 

Room© htvt ok ? J 

CAMAS 

A Hero? To^dHO* 

APKAJWih 

Bot 3 to $a! ) 

Bot 3to Cauia c YpaJi Manta I 

roioc t 

£a&T@ cnaTB, TOBapMn*Hl 


9) you*re a good soldier 10) hand-to-hand combat 


ll)no kidding? 

12) (exclamation of admiration) 

APKAflJtfi 8 

8* B JleHMHrpaA© # 

3HaqiT hh , HMeeu ©s^g n;eJiHX mtb 
tiacoB * .B;TO & mh mo seif npeflrrDK- 

HHTB 1' 

CAlHAs 

yr He SHaio* * * Ectb y m©hh 

npm&Tejii, 2 ) ouhh *.. Haao 6 
©My no TeJie&oky 3 B&khytb 3) 

1) undertake 
g ) « Apyn 

3) (slang) s nosBOHMTB 


40 ~ 


(Film Unit III) 




























^Majioni ns JiRua 

(npoflo JisteHH© ) 

APKAHHfi s 

IIpHHT © JIB? 

CAMAS 

Hy, H© npHHTe^B, a Tan aeiurntiftK ♦. ♦ 
Boone nan 4 ' 6h ctyhqht• *ito jih... 

APKAHHH * 

Th mqhh, KOHe^HO, m3bmhm Camas 

TBOM 3GMJIOT0K H0 B Sd6k©? 

CAMAS 

Hy... 

APKAHHHt 

Hy, Bee hcho. A hto, ©cjim mh noftflgu 
RO Toro 3©MJIHtII©,? 

CAMAS 

£a ym h© 3HaK>... Ona-TO, BOc6^© g 
ko He ^ho, M©Hfl npwr Jia ma ..ia , KQp$a 

MH C H0H ITO 3 Ha KOMMJKCB ... 

APKAHH& : 

Cmotpmt© m. Hero! J Hero ©ctb 
r ©bt MKa ! Ona b Hero 6©3^mho 7) 
BJiio6jieHA! A oh 3to cKDHB&eTl 8 ' 

Hy, roBopn &e, Ky^a KflTHl 

4) something like 

5) skirt 6) (ofleccn.) • k TOMy 

7) madly 

8) conceals 

CAMAS 

3. y flB©T>M b KBapTHpy Tacw. 

OHa O T KpN B a© T AB0PB* 

Ohsu 

TACJIS 

Ban koto? 

CAMAS 

SApaBCTByiiT©, TacJl 

TACH: 

3 ApaBCTByHT © ... A bh ,npo ctht© $k to ? 

APKAHH0: 

Th He o him 6 on ? 

CAMAS 

HeT , OHa. 

APKAHH0: 

Bh - Tacn? 

TACHS 

Tacs* 

APKAHHih 

A oh Cama.Cama c ypajiMama • Bh * 
ero 3 na ©t©. 


-41 


(Film Unit III) 


























M3 %$uihy®. (npoflOjraoRH© ) 


CAHA: 

j\ a mh c sawn b otiepe^n na JiHUOHa# 
no 3 na ko mmjtmcb. H em;e cnpai!iMBa.a f Ka K 
sac 30 bjt, a bh cnaaa^M - Taca* 

APKAJUfl : 

R a, mh cneiiMaff bho c (£poHTa npn~ 
©xaJiM, *jtq6h sac noBM^aTB. A bh 

Hac b ABepax flopMT©* 

TACHt 

Hy, n to is, 3axoflHT6 ! 3axo#HT©, 
pas bh yace 3 fl©cB#/npoxoAflT 

B KOMHaTy/. A BH 3Ha©T ©, C 0 “ 
roflHB b aoonapK© $yracKa yna-sa© 
TOBOpHT p y^MJia GJIOHa* 

APKA.fi Mil t 

AM-aii-a^ I Th cjihiumhib , Cama 9 hto 
nejiaeTOH b thjs# 2 ) Hy Tan h Bac 
cnpaniMBaK)? aojtjsqh 6hji tot cjioh 
yeasaTB ms cBOoft po£Hoft M jho6m- 
M©ft IlaTaroHMM, mto6h t yT noT©p«T& 
cbom xo6ot? Hey^a^a! 

I ) since 

2) rear area 

TACHs 

40 B JleHMHrpafl© « 

Cama! Cama! Bh tejlvi ko mh©? £a ? 

Bh noxiewy Ha mghh TaK cmotpmt©? 

Bh, trro, He y3HaJiM m@hh? 

CAIHAs 

H©t, y3HaJi, Tacfl# 

TACH: 

Bh, HaB©pHO 9 npHMO M3 rocnMTajifl? 

CAULA : 

M3 rOCnMTaJIH“TO H flaBHO BHIIMCaJI on » 
Ym© xiGTHp© flHH# 

TACtf* 

3naHHT, bh 6hjim y mqhh? Bh npHurJiH, 
no cTytmjiMj, bem hmkto h© otkphji 
m bh ymjiM? 

CAIHAs 

H©t , k© CTyxiaJie He 6hji h. 

TACHt /o6frseHHo/ 

H© 6hjim? A a Bac s#ajia! ... 

CAEAt 

A bh mto, o6ftAejnicB f Tacn? 


“42 


(Film Unit III) 

















^MaJIOrM M3 $MJI&Ma (npofloji hqhi?© ) 


TACHt 

Bh, noxaJiyMciB , He ayMai&Te, hto mho 
H ysHH 6 hjih BamM nocHJiKH. 3 th 

ITPOflYKTH I) QJll/l Bee. bch KBapTMpa. 

CAHIAS 

KaKM9 nOCHJIBM? 

TACH: 

Banm. H aflajia mx He M3-3a rrpoflyKTOB, 
a M3-aa nHceM. Ha-3a BamHX nnceM* 

CA1A: 

MOMX nHC9M? 

TACH: 

Ha! H mx 6epert*^) Homy c co6o# - 
Bee BamM HeTiipHaflUjaTB iimcsm! 

BOT OHM,B03BMMT©I 

CADIAs 

norofl^T©. 3 ) Taofl. Kyaa bh? Haao 
paSOOP^TBCH 4) B 3 TOW jieji©. 

/BepgT nMCBMa/o 

taCh: 

A bh em;e ctmxm nncajiH: 

Koraa MHe 6HBa@T.Tyro 5) 

B ropHMeM jimx6m 6 / 6oro. 

H noMHio t©6h, noflp^ra, 

H nOMHIO JH 06 OBB CBODo 

CAIHA: 

Apna^Mii! 

TACH: 

Hto? 

CAMAi 

ApKaflMft , roBopK). Hpyr y m©hh ©ctb* 

Ha bh ero 3Ha©T©. IIomtm tpm Mecnr^a 

He BM^eJiMCB. A bh 3HaeT© Tau KaK?I 
noBM^aTB MHe ero Haflo, ceftMac *e # 
HeweflJieHHO • Ho cBMflaHBfl, Tacn I 

TACH: 

IIocToiiTe, ny^a x bh? 

cahia: 

A rnicBMa bo 3bmm t© ,Tacn ! B hmx bcS 
BepHO HanMcaHO. Moigt,koh©hho,h© 

TaK KpaCMBO, HO BCS BepHO M tohho* 

/y6era©T/ 9 


1 ) food 2 ) keep 

4 ) straighten out 

3 ) “ nOflOKflHTG 

5) difficult 6 ) spirited 


-43- (Film Unit III) 





















VX« IISCH5X "TEMHAfl 

Te u h an ho , to Jib ko nfrjnt 1 ) cbh c -[|| 2 bo c t ©nil 9 
TOJIBKO BGT0p ry/lflT B npoBO 3jT TfrOKJIO 3Bg SffIJ 

MQpq&'k)T T ~3T 

B TeMKyK) HO^IB TH, Jlia6MMaH 9 3HaiO, H© CnHJSB 
M y fl©TCKoft kt>ob a tbi Taii k6m ■5) th cjse3Y vTKpaemBo S) 

Kan h juo6jik) rJiy 6kh£ tbohx j^ckobi^ * 7 * ) rjraa! 

Kan h xotty k hmm npM&TBca xotb paa ry6a.Mii!..* 
TSMfias hotib pa 0 ^e'S'fieT 9 .hioom mzlh ~~ 9 iSTc7“ 

M TpeBcfsc BaH 9 f tiepnan cTenis npoaepja Me%jyv Halm. I°) 

B©px> b t©6h, Aoporyio no^pyry mo id, 

3j>a Bepa ot nyjni m©hh TeMHOM hoxjbh) xpaHHJia. 
PaflOCTHO MHO , H CIIOKOeH B cm©pt6jt BHOM 6ofo, 

Snaio, BCTpoTinnB c jiio6obbk> mqhh, g?o 6 co mho# 

HM CJiyxiMJIOCBe nrT 

CwepTB H© cTpauraa: mh m pa3 c h©$^ BCTpexiajiHCfc 

b cTenn; 

Bot m TenepB iia^o mhod ona Kpyn foTCH * 12) 

Th 22 MQHfl SflgfflB M y fleTCKOM KpOBaTKH H© CnMIHB, 

M noaTOwy, smio, co mhoh HHqero H© c.nytmTCH• 


1 ) bullets 2 ) to whistle 

4) stars twinkle dimly 

6 ) wipe a tear 7 ) kind 

9) full of anxiety 10 ) stretches 
11) whatever happens to me 


3) hums in the wires 

5) stealthily 

8 ) to press my lips at 
least one© 

(lies) between us 

12 ) is circling 


3BW8 


- 44 “* 


(Film Unit III) 


















FILM UNIT IV, 


A MUSICAL STOR Y 

/ MY3HKA. ILHAH MCTOPM / 


• 45 < 


(Film Unit IV) 



COMMITS TO THE FUEL 


I* 


1) Thi 3 film was released in 19.40 in Leningrad* It was the first real 
Soviet musical-comedy , released as an answer to the "capitalistic 11 musical 
t»1000 Men and a Girl" starring Deanna Durbin, which was a great hit in the 
USSR* The part of the hero in this Soviet-style rags-to-riches story is 
played by the still fasous Russian tenor, Lemeshev, of the Bolshoi Theatre 
in Moscow* 

2) The film contains little propaganda and even presents quite 
realistically a Soviet "communal apartment M — i*e© an apartment in which 
many families live together due to the permanent living-space shortage in 
the USSR* The apartment shorn in the film has one kitchen and only one 
bathroom for a dozen families* (One of the characters, Tarakanov, wooing 
the heroine, tries to attract her with the prospect of living in a less 

11 overpopulated" apartment with a "private" telephone in the corridor and 
a bathroom "where one could do one # s laundry.") 

3) There are many scenes of Leningrad which show the famous 

"white nights," St. Isaac Cathedral, the monument to Nicholas I, and the 
Palace Square with the Winter Palace, the former residence of the Russian < 
czar* ■ 

4) Lemeshev sings many numbers during the film* In the taxi, he sings 
excerpts from the operas "Prince Igor", "A May Night" and "The Queen of 
Spades"* The whistle of a policeman trying to stop them for violation of 
traffic rules, is jokingly considered as an insult to the singer, since 
whistling in Russian theaters is the equivalent of American booing. 

In the bathroom, while shaving, he sings the popular folksong "Snowstorm" 
(see the text), and in the park he sings another folksong "Ah, you, my 
darling girl*" At the examination at the Conservatory her performs the 
well-known aria from Flotow’s "Martha*" 

5) Love scenes are presented in the modem Soviet "Victorian" style* 
Scenes of kisses and embraces such as are usually shown in American films 
are avoided* 

6 ) The garage shorn in the film is a taxi terminal* Notice how the 
employees hang their metal numbers on the board to show that they are 

at work* This is common practice in Soviet institutions* 

Like all institutions in the USSR, the garage has its local 
union ("mestkom")* Its head is the bald fellow who likes to give speeches* 
Here,the "mestkom" is presented as favorably as possible;it arranges 
a year of study at the Conservatory for the hero* 

7) Some scenes take place at the Auto Workers 1 Union Club* Such a 
club has reading rooms, a room for playing chess, political indoctrination 
lectures and amateur theatrical productions* In the film a production of 
the most popular Russian opera, Tchaikovsky*s "Eugene Onegin," is being 
rehearsed. The hero sings in that opera the part of Lensky, a romantic 
poet who dies in his youth* 


» 


(Film Unit IV) 



Comments to the film (Cont'd) 


The most famous aria of that opera is " Kyfla,Kyfla" (v/here to. 
Where to), which practically everyone in Russia knows by heart* During the 
rehearsals, there is a conflict between Soviet "longhairs" and "jazz-lovers* 11 
The Polar Ball at the club (complete with snow confetti and a freshly 
painted white bear) is probably being held in connection with a Soviet 
Arctic Expedition which took place at that time* 

S) The Russian custom, shown here, of throwing a person in the air 
and catching him is commonly used to show affection for the person or to 
congratulate him* (The Russian word for this is " Kaq&TB " which means 
literally, "to shake*") 

9) For an explanation of the custom of kissing among men see the comments 
to the film "The Boxers," § 6* 

10) The hero 1 s debut in opera is in the part of Levko in Rimsky-Kor sakov* s 
"A May Night," an opera with a Ukrainian background, the plot of which is 
taken from a story by Gogol* 

11) Tarakanov is the villain of the story. He is stupid, likes money (at 
the end he gets a job in another garage where they pay more money), and is 

a liar (part of the plot depends on his lie to the hero during the performance 
of the opera at the club.) It is typical Soviet propaganda that he is also 
shown as being pro-western* (He changed his Russian name to Alfred)* 

His speech is filled with misusages of language , boorish expressions and 
newspaper cliches; sometimes it sounds almost like gibberish, thinly dis¬ 
guised as intellectual speech* 


-47- 


(Film Unit IV) 


II 


KEY WORDS AND PHRASES, 


HHTQpeCHHM HiaT^ K 
pasroBop ho OKOinieH 

A&pow AOBesy 

ecJiH 6 bh 3 Ha jiu p KaK bh 
MHO HaAOOJIISl 

nojzytj^Te nap&fl 

r<5p© th moo! 

peneT^miiH 

pen©T&po BaT i» 

A&as 

h ©ss©ah4bho patfoTasa 
na a co 6©ft 

3&naB©c 

npOB^JIMBaT fcCg ) 

npoBajrlTBCH ) 

Aasa Vl mmp^tbch 

Tpa^AaHKa BeJiKHPia b 
leHMnrpaA© h© npomMB&@T 


handsome man v/ith brown hair 

the conversation is not 
over yet 

1*11 take you without charge 

If you only knew how you 
bore msI 

take this call (the dispatcher says 
it to the taxi-driver) 
you*re my burden! 

rehearsal 

to rehears® 

Jazs 

I work on myself daily 
curtain 

to flop, to fail (as a theatrical 
production) 

let*s make up 

citizen Belkina is not a resident 
of Leningrad 


III 9 HEfiCTBTOIUKE JHHA. . 


n&TH (n©TBKa) POBOpFdB« lHGCpep Ta KGlf 

KMsa (Kji^bahh Bae&jiBeRBa. AncneT^ep rapasaa 

Tancit 

TapaK&HOB» Ajis4>p6a Top<&htbobh*i „ mo <p 8 p TaKcn 

MaKe A 6ncKMM , Bao 6hbhikm on©pHHfi neB^i* 

( a former opera singer ) 


**48“ 


(Film Unit I?) 









^eftcTByionme ninja (npoflojmeHH© ) 

Haqa^BHPiK KJiy6a. 

^HpMsgp x ^asa . 

MaTB n©TM e 
CecTpa n©T h e 
npexceflaTejr b moot ko hb . • 
Pa6oTHHKM rapasa* 


KPATKOE COHEPJ&AHME * 

mp$ep TaKCM n©Tfl FOBOpK< 5 B OH©HB JIDdHT onepye 7 
Hero xoponiHM ronoc, ho oh h© xyna©^, hto mo»©t cTaTB 
neBijOM ( singer )• OflHa&XH, b TeaTp© , Ha onepe "KapM^H* 9 
OH 3 H a KO MHT CH C 6HB1HHM OTI©p HBIM n© BIJOM MaKeflOHCKHMo 

no xopore flOMoft MaKeflOHCKHft OTKpaBaeT ,hto y II©th ©ctb 
rojiocfii roBopwT ©My, tito gapes ro# Tobopk6b 6y#©T n©TB 
b onepe • 

II©th h Kjrasa EeJiKMHa, XHcn©TH©p rapaxa, rfl© H©th 
pa6oTa©T, jho6ht flpyr xpyra. Ho IIoth 6omtch cKasaTB o 
OBoeii jiio6bh* B HJiasy mnse BmodngH nio<£gp TapaicdHOB# 

Oh xypdK m aro&QT • KjiaBa ero b© jho6ht» 

HaKOHen; IIoth CKasan KnaB© o cBoeft juo6bh » Ohm 
CH aCTJTMBH, HO 3 fl©CB Ha HH HR © T CH KOH^JT^KT MOSfly JII06OBBK) 
H S© Jia HH 0M II©T H CTaTB OnepHHM n©BH,CM . II©TH XOHGT 
cHanana cn©TB napTioo lencKoro b KjrytfHofi noc trhobk© 
(production )onepn "EBreHHM OnornH", a noTOM sohhtbch 
H a KJiaB©• KjiaBa hg BepiiT, hto II©th 6y^©T apTftcTOM, 


- 49 " 


(Film Unit IV) 



KpaTKoe coAep^aHwe (npoA©Jiseime) 

M eft He HpaBMTCH, hto oh npoBO amt MHoro BpeMeHH HO 
c neft, a na penoTimMHX* 

Korfla oh ono 3 Aa*s Ha 6 a^ , rA© ohm aojishh 6 hjih 
bct peTHTBCfl , KJiaBa qoopMTCH ( quarrels )c hmm h HatiHHa©T 
TaHi^eBa tl c TapaKano bum. 

npwxoAMT a©hb npeMBepn ( opening night ) • IleTH noST 
JleHCKoro c 6 ojibiiihm ycnexoM • KJiaBa xohot yen a© tb ero b 
aHTpaKT© h noMHpiiTBCH ( to make up ) , ho eg He nycKaiOT 

k IleTe. TapanaHOBy yAagTcs nonacTB k n©Te,H oh roBopKT 
ewy, hto KJiaBa ero 6 oABme h© xoh©t bma©tb h npooMT He 
nwcaTB nMceM* 

Ilocjie aToro paarosopa Tobopkob h© mdi©t n©TBo 
Ha APyr oft A©hb apysbh npuxoAHT k He My h npuHOCHT xo~ 
pomyio hoboctb: aAMHHMCTpanwH rapaxa nocmiaeT ero b 
KOHC epBaT 6 pHK) yHMTBCH n©TBo 

KJiaBa nepexoAMT Ha pa6oTy b APyroft ropoA* HeAaJieKO 
ot JleHHHrpaAa, H IIoth h© MoateT HaftTH eg© 

IleTH KO HqaeT KO HcepBa TOpHJO H noST B TeaTJ>e B 
nepBHft pa3» Kjiasa cjihutmt no paAMo ero rojioc h ©a©t b 
JSeHHHrpaA• IleTH rnieer 6 ojiBinoft ycnex* Ilocjie cneKTaKAH 
KJiaBa BCTpetiaeroH o hmm, m Bee ko HHa© tch xopomo* 


-50- 


(Film Unit IV) 


IV, 


BOIIPOCH K ULMy 


I• pa6oTaeT IIqth Tobopkob? 

2. KtO TEKO^ MaK©AOHCKM^? 

3* Kan Hqth bct psHa ©tch c MaKeflOHCKHM? 

4 o HaKyio A©ByniKy jiio6mt Tobopkob? 

5. Kto TaKaji KjiaBa? 

6 • Kto ©me bjho6ji6h b KJiasy? 

7* OnMmKTe xapaKTep TapanaHOBa. 

8• B Kanoft KBapTMpa embSt II©th? 

9 • PaCCBaSMT© O KOMMyHa.HBHOi’l KBapTHp© • 

10. 0 qeM IleTH MQ^TaeT nocjie pa3roBopa c 
MaKe^oHc kmm ? 

11. *Ito TapanaHOB noAapmi KnaB© Ha a©hb ©6 
posAQHHH ? 

12. IIoti©My IleTH flojiro h© roBopHT KJiaB© o CBoeft 
jiio6bh? 

13. Korfla oh xohgt sqhhtbch na KJiaB©? 

14. Kanyx) onepy totobht b nay 6® h kto 
b h eft ynacTByeT? 

15 . notieMy KJiaB© h© npaBHTca, hto IleTH noST 
b onepe? 

16. lion© My npoHCXOAMT ccopa Me&Ay MaKeflOHOKHM 
H Asa30M? 

17. Kto rD 6 ©&fla©T (wins) b 3 tom onop©? 

18. noneMy IIoth ona3flHBaeT Ha 6an? 

19. ^ITO Torfla A©JiaeT KjraBa? 

20. y^aeTCH Jm KnaB© noroBopHTB o n©T©ii? 

21. J\ji& nero TapanaHOB npnxoAHT k II©t© 

BO BpOMfl onepH? 


•51- 


(Film Unit IV) 



Bonpocn k 

(npoao JDK ©HE© ) 

22• 

^Ito nocjie 3Toro tipohcxoakt? 

23. 

Kan IleTH qyBOTByeT cgoh nocJie 3Tor*o? 

24. 

Kto npuxo^HT k H©My na cJia^yKinH^ AeHB? 

25. 

KaKya HOBOCTB npPiH0CJIH ©My pa 60 THHKH 
rapasa? 

26. 

noMy n©T© h© y^aeTCH iiomjiphtbch 
c KjraBOii? 

27. 

HpaBJlTCH JIM OCTaJILHHM SMJIBIja ll n©THHO# 
KBap'fHpa, HTO n©TH yHHTCH n©T B? 

28. 

no^ewy n©Ta H8 ^sgt HaftTH KJiasy? 

29. 

n-TO n©TH AeJiaeT nocJie OKOHHaHMH KOHcepBa" 

TOpMH? 

. 

o 

CO 

HaKMM o6paso>i K^iaBa ysHaST, hto n©TH 
nog? b onep© ? 

31. 

^to OHa Tor^a A^JiaeT? 

32. 

noneMy n©Ta h© coBceM cnacT^MB nocjie 
ycnexa b onepa? 

33. 

Kto moc^gp TaKOM, b kotopom ©AyT n©TH 
m KaaBa? 




MAKEflOHCKHii; 

rOBOPKOB: 
MAKEJOHCKHR; 

rOBOPKOB: 


JHAJOPH H3 $HJ£MA. 

I . nocjie one pH, 

3to hto - Bama? 

TaKCM! EyffB oho tip6kjihto1 I) 

TaK bh mo$Sp? a AywaJi, bh 

MysiiKa ht # 

Ey^eraB TyT wy3HKa htom! » . . 

A BaM ny^a exaTB? 


1) a curse upon iti 


52- 


(Film Unit IV) 











IV, 


boiipoch k $MLiay 


I# Trq pa6oTaeT IIoth ToBOpKOB? 

2. Kto raico Vl MaKefloncKnft? 

3* Kan IIgth bctp©H a ©tch c Man© a o ho k mm? 

4 o Kaicyio fleByniKy jiio6mt Tobopkob? 

5. Kto Tanan KjiaBa? 

6. Kto ©me bjik>6j!Sh b KjiaBy? 

7* OronnHT© xapaKTep TapaKaHOBa<> 

8. B KaKoft KBapTupa khb^t IleTH? 

9* PaccKa&MTe o KOMMyHajiBHoii KBapTup© • 

10. 0 neM IleTH weqTaeT nocjie pasroBopa c 
MaK©flOHCKMM? 

11. ^Ito TapanaHOB noflapHJi KnaB© Ha fleHB ©6 

posc^eHHH ? 

12. IIOHeMy IleTH flojiro h© ro bo pHT KjraB© o cBoeft 
JH06bM? 

13* Korfla oh xotj©T ighhtlch Ha KJia Be? 

14. Kanyio onepy totobat b KJiyC© h kto 
b h ©H yqacTByeT? 

15. noq©My KjraB© h© Hpa bmtch , hto IleTH noST 
b onep©? 

16. IIOHeMy nponcxoAMT ccopa M©s«y Man©flo hokum 
k ^sa30M? 

17. Kto ix> Se&flaer (wins ) b ©tom cnop©? 

18. none My IIoth ona 3 flHBa©T Ha 6aji? 

19. "'Ito Tor^a fleJiaeT KjiaBa? 

8Q. yflaeTCH jm KjiaB© noroBopMTB o neTeft? 

81. £jih Hero TapanaHOB npuxoAHT k II©tq 
BO BpeMfl on© pH? 


-51- 


(Film Unit IV) 



BonpocH k 

Ob kjibM y (up gao JDiceH He ) 

22. 

Vto nocjie 3Toro rrpowcxoAHT? 

23. 

Kan H©th tiyecTByeT cedn nocA© otopo? 

24. 

Kto npMXQAHT k neyy na cAeAyK>mMft a©mb? 

25. 

KaicyjD hobgctb npMHecAM ©My pa6oTHHKH 
rapasa? 

26. 

no^©My n©T© ho yaaeTCH nouMpMTBca 

c K Jia bo ft ? 

27. 

HpaBUTCH AM OCTaABHHM HHABIjaM IlGTHHOft 
KBapTM|M, HTO II©TH yHHTCH H©T B? 

28. 

IIOHeMy n©TH H9 UDSOT HaftTM KAaBy? 

29. 

VTO n©TH AGJiaeT nOCJie OKOHMaHHH KOHCepBa 
TOpMM ? 

30. 

KaKHM o6pa3DM KAaBa y3Ha8T, hto H©th 
noeT b onep© ? 

31. 

Hto ona TOPAa A©AaeT? 

32. 

IIOtieMy n©TH HO COBC6M CtiaCTAPIB nOCA© 
ycnexa b onepa? 

33. 

Kto mo<£Sp tekcm , b kotopom ©AyT II©th 
m KAasa? 


AMAJOTH M3 SMJBMA. 

I» Hoc a© one pH, 

3to hto - Baioa? 

Ta kcm ! Ey^B o ho np6KJiflTo! I) 

Tan bh mo$8p? H AY^aA, bh 
wysHica HT* 

EyAemB TyT uysHKa htom! • • . 

A BaM ny^a exaTB? 


MAKEJIOHCKMfts 

rOBOPKOBs 
MAKEJIOHCKHfts 

rOBO PKOBs 

1) a curse upon itj 


52- 


(FiLm Unit IV) 











^MaJIOrH M3 $HJIBMa 

(npoflo^^eHMe ) 

'■ *. ■ ’ : r i • ,? ,*■’ , v v * • 

MAKE^OHCKM : 

A a mhq He^a jiqko . • * 

H na flsyx TpaMBaax floe^y. 

TOBOPKOB s 

CaAMTeoB, h Bac ^apOM flOBesy. 

Kan JiiodMTeJia MyaNKM # 

MAKES OHCKHfl : 

H , MMQ^Te BBMAV .&HOHia . 2 ) 

6jiarOTBO P&T0JTBHOCTM H0 jik)6jiio# 

A bot y mghh 0 OTB hhtb py6jr©ft - 

B03MT0 MGHH nOKa OHM H© KOHHaTCH. 

A noTOM h Ha t pa mb a© floefly# 

MAKES OHCKHS S 

CaflHTCH b ManiMHy m ©Ayr® 

Hy mto a, lOHoma, /taBaftr© no 3 Ha - 
KOMMMOH. Mon $aMMJIMH MaKGAOHCKH# # 
BaCMJIM^ $QMMH* 

TOBOPKOB: 

A MOH - TOBOPKOB# 3 Ha©T© 9 OH0HB 
npMHTHO no 3Ha KO MMTBCH C TaKHM 
JIK)6 mT© JI0M^ 1 . 

MAKESOHCKHih 

Haflo, K)Homa, AyMa tb np©EA© h©m 
roBopMTB. 3 imjiuPi moIi , h© 
JIIoOMTeJIB* 4 / m - aPTMCT. 

H TpMflijaTB jieT n©Ji B onepHOM 
TeaTpe# TenopoM# 

TOBOPKOB x 

H b nopBuft paa BCTponaio HacTOH- 
mero onepHoro apTMCTa. 

2) young man /youth/ 

3) charity 


4) a pun upon two meanings of the word " jik>6ht©jib* ; 

a fan and an amateur# ^ „ 

2 # Ccopa Man or ohckoto o 


makesohckh# t 

;iKP0 kt opom A&asa# 

y Bac ©CTB COBGOTB? l) 

SHPKSEPt 

^TO 3HaHHT, y MGHH ©CTB COBGCTB? 

MAKES OHCKJtftl 

IIOHGMy BH H© XOTMT© p©IieTM~ 
pOBHTB B TMMHa CTMH0CKOM 3aJI0? 

SHPMfiPs 

A riOHGMy 3 TO H AOJHS0H p©n©TM- 
pOBaTB B TMMHa CTMH0CKOM 3aJI©? 

1) conscience 



-53- 


(Film Unit I?) 






















^MaJrorM M3 (pi Jl BM& (npO^O^2£©HM0 ) 


MAKEflOHCKldh 

usipragp: 

MAKEJOHCKHai 

MPMflfiPt 
MAKEHOHCKHft i 

2) disturb 

rOBOPKOB : 


EEJKMHA: 

rOBOPKOBt 


EEIKMHA* 

rOBOPKOBt 

EEJKHHA t 


no to My trro bh nan MemaeTe ) 

Mh Ban Memaeitf! A bh HaM h© 
MenraeTe?! 

XopomaH wyaHKa hmko rfla HMKOMy 
h© MeiaaeTo 

TaK no^ieMy sail MemaeT MOift flaaa? 
noTOMy wo y Bac mioxofc flscaa* 


3« Ha 6ajiy« 

KitaBa, h TaK cnemiffl! I) 

Th flaBHo rrpMnrjia? CKopee 

Tan 13,© Ba TB ! 

Bh 8 ) HanpaoHQ Tan topoiihjikcb 3 1 

He ceppcB, KJiaBa. ©cjik 6h 

th 3Haja, Kan bc§ xoponro* H nan 
fl CqaCTJIMBl 

Rsl&B CtiaCT JttMBH? 

OqeHBe tiTO C T 06 o# OJiyqMJIOOB? 

HMMero He cjiyxni jioob* HpocTO h 
h© jno6joo 


1) I was in such a hurryl 2) Klava, being hurt,usss the polite 

form, " BH * * 

3) You shouldn*t have 
hurried so* 


- 54 


(Film Unit IV) 



















VI* 

IIECHH "METEJIM1IA n 

BflOJiB no yjume m©t6jiK m I) Me-rS?* 2 ) 

3a M©T©JIH13;©^ MO# MftjieHBKKil I1/J0T <> 

npnn©B8 
(refrain ) 

Th nocT6ft # 3 ) nocToft .KpacaBima moh. 
Hosbojib 4 ) narjinaeTBCH. 5 ) naiiocTB.Ha 

t©6h 0 

Ha tbok) jivl Ha npHHTHy KpaooT^, 

Ha tbo 8 Jin hto jib Ha 6 ©jio© jum6* 

Kt>acoTa tboh c vMa m©hh cb©ji4* 6 ) 
Mccym&.m» MCTOMftjia. M3 b©ji&. ?) 

1) blizzard 

2) sweeps 3) « ocTaHOBMCB 

4) - II03B0JIB 

5) take a long look 6) drove me out of my mind 


7) shrivelled me, exhausted me. 

-55- 


(Film Unit IV) 











FILM UNIT V« 


LUCKY BRIDE 

/ A3 If $EPT / 


~ 56 ~ 


(Filte Unit V) 



I 


COMMENTS TO THE FILM, 


< 


1) This is a post-war musical whose plot is taken from an old short 
comedy* Such short comedies were performed in theaters at the beginning 
of tho 19th century accompanying and complementing a serious production* 

They were called "vaudevilles' 9 (as used here, the term does not have the 
meaning which it customarily conveys in English)* Such "vaudevilles" always 
contained songs and dances * This particular "vaudeville” was revived be¬ 
cause of its patriotic overtones and its similarity to the situation in 
the postwar period* In 1945* as in 1814* Russian troops were returning, 
victorious, from abroad and were enthusiastically received by the populace* 

The happy ending is also patriotic* No one inherits the money, which is 
used instead for the reconstruction of Moscow, which was burnt by the enemy* 
On© scene of the film shows a view of the Red Square and St Basil 1 3 Cathedral* 

2) The whole plot is constructed around a misunderstanding in which 

several letters of the Old Russian alphabet play an important part® Some of 
these letters were changed or abolished in the alphabet reform of the 
20th century® At that time the modern letter "A" was called "As" and 
two letters, $ called " $©pT ” and 9 called " « were pro¬ 

nounced the same as the modern letter # © Thus the name of the hero, 

Fadeyev was pronounced with an "F% but did not meet the requirements 

of the aunt*s will, since it was spelled with @ rather than 3?* 

3) It is very difficult to understand the speech of the characters 

in this film, since it is highly stylized and many old expressions are used* 
The speech of the character, Mordashov, is particularly hard to under¬ 
stand, as he uses the ancient Russian bureaucratic language and super¬ 
latives of his own construction, which are sometimes fantastic 
(e.g* Han$epTe ae; naMaano jiotj&tb bc© OKHa) 0 

4) The songs of the films are often stylizations of sentimental 
songs of the period® Luba*s first song tells of the Moscow fire in 1812 
and of their first meeting with Fadeyev* The hero*s orderly sings a patrio¬ 
tic song relating the heroic deods of his master. Fadeyev*s song with 
guitar accompaniment compares Russian and French beauties, to the ad¬ 
vantage, of course,of the former® Most of the remaining songs are love 
songs* 

5) The custom of throwing a person in the air is explained in the 
Comments to the Film "A Musical Story," § 8. 

6) "Gor*k©” (It*s bitter) is a customary exclamation of guests 
at wedding party® Upon hearing the word, the newlyweds are required to 
kiss each other® 


-57- 


(Film Unit V) 



II. K EY WORDS AND PHRASES . 


a s 

$epT 
TSTymisa 
no k6 ft h&& 

3aB©mdHH9 
aaBoia^ Tb 
npiiA^HOO 

Ml4 r ^ eCTB0 

B©H3© Ji6 (plur.) 

se nfsx 

"qyp MQHfll* 

TP7 c 

Bane 6jiarop6flH& 
"IIoct6m nameJi* 3 

BJIK)6MTBCiI 

6&PHIHHH 

w BHTB MH8 3aMyjX©M W 
"Reno wacTepa 6owTO« tt 

6&PMH 

6&PHH# 

ryc&p 

"Hapa^" 

3aM0 JIOTfiTB OKHa 


the old Russian name for the letter "A" 

the old Russian name for the letter H 3? 8 

aunty 

deceased 

last will 

to will, to bequeath 

dowry 

property 

initials (obs*) 

niece 

bridegroom, fiancfc 

(a magic expression used to ward off 
evil spirits) 
coward 

(the way of addressing nobility used by 
common people) 

I* ire found a billet 

to fall in love 

master*s daughter (unmarried) 

I*m destined to marry (him) 

(proverb) lit* s "Work is afraid of a 
master ,, ,i*e» In the hands of a master any 
work goes smoothly* 
master 
mistress 

hussar 

Helpl Policel 

to board up the windows 


-58 


(Film Unit V) 




Key words and Phrases (Cont*d) 


hji6thmk 

- 

carpenter 

6ATK)H!Ka 

- 

daddy 

b©kc©jiA (plur*) 

• 

promissory notes 

"BpHCBl" 

- 

Scat! 


- 

the name for the letter "O'* 
(now abolished) 

csaABda 

- 

wedding 

yB©3TH 

- 

to elope with 


hi . mMiszmm MM « 

Kean AHjrp^eBwq MopAarndB, EHTeJiB Moc kbh (an inhabitant of 

Moscow) 

J&6yniKa, ero floq b 

AKf JiBKa ft ©e GJiysaHKa (her servant) 

Aht6h IleTpdBHTi $aA&©B« ryeape km ft o$nn;ep (an officer of the 

hussars) 

§aflA&&» ©ro fl©HmiiK (his orderly) 

EBnt>aKc6H §6pcHKOBa, 6oraTan s©HmnHa 
ABrvci 1 homoi* 

MaJiyrp /iijiothmk/ 

K6jieHBKa, o$Jm©p 
qeTHpe T^TymKM $MpcnKOBoft 

KPATKOE COHEP&AHHE » 

1814 roA« BoHHa c HanoJieoHOM ko hhji jia cb • PyccKH© Boficna 
B 0 3 BpamaiOTCH M3-3a rpaHMEp • Bch Moc KBa paAooTHO BCTpenaeT 

no 6enkreJiQ %. Mhoth© cojiAaTH leHHTCfl. Tojibko rocnoAWH 
MopAartiOB He Beceji . y Hero AOMamHMe npo6ji©wn # 


~59~ 


(Film Unit V) 













KpaTKoe coflepaainse ( npoAOJKOBK© ) . 

T^TyruKi ero jiouepw 1 106 u 6nJia ( crazy ) 

s©Hni;piHa. Ona 6Hjia bji io6ji©Ha b oAHoro h© jiob ena 9 
kotoph^i yM©p pan bis© , ona ycne^ia bm#th 

©a Hero 3aMy&* Ho T^TyniKa , ©mS Kor^a ©tot 
tieJIOBGK 6 bIJJ 29KB # HOCTaBMia HHHUHaJH ©TO HM0HM Ha BC©X 
CBOMX B©E£lX» 

3th HHHHMaJIH - A (KOTOpO© HaSHBaJIOCL B CTapOM 
pyccKOM ajt^aBHT© ’’as 1 ’) vl <±> (KOTOpoe nasHBa jiocb "^epT 11 )* 
Ho tom T§TyuiKa tojs© yMepm. Ona saBenjam boS /v 

ceo§ imymecTBO JsxSymx©* Ho ona nocTaBiuxa oaho 

ycJiOBMes JlK)6yisKa goji&na. bhmtii saMys aa tieJiOB©Ka c hhh- 
uinajiaMH w a8 w h n <£©pT w * MHane ( otherwise ) Beg wnymecTBO 
noii^gT H© to6yinK@, a ropoAY Mockb©. 

MopflamoB xoflMT no Moc kb© m mhx©t H©JiOBeKa c HyxHHMK 
HHHEtwajiaMM, hto6bi leniTB ero Ha cBoeft Ao^epH# Oh Ka^e- 
0TCH HaftTM TaKOTO tieJiOBSKa cpe^K <30 JI#a.T 9 KOTOpH© B03Bpa« 
thjihob TenepB b MocKBy a Oh bcgm paccsasHBaeT MOTOpHio 
TgTysiKH, h jnoRit ayMaiDT, sto oh cyMaome^MMt* 

Ahtoh Mojioflofi o$he,©p, BepnyjiCH b MocKBy a 

Oh nojioH naT pMOTftnecKHX ^ybctb, ho o#Ha mhcjib rojislov ©ro 
neqajEBHHM* $Ba ro^a TOMy naaa^, Kor^a pyccKH© Boficna 
OTCTynaJiH ms Mockbh, oh BCTpeTna na Aopore A©ByniKy, ko- 
Topan HasBajia ero TpycoM. Oh ao ch nop ho mosgt sadKTB 
3Ty A^Byrany h xotjqt yMflew ©e a MopAamoB ojihisht, xito 
o$imepa sobyt Ahtoh $afleeB t n Ayna© t 9 tJTo Hamejx HyxtHoro 
nQJi ob ©Ka, ho TepneT ©ro b ?o,sn4 ( crowd )« 


80 ~ 


(Film Unit V) 


KpaTKoe co^epmaHit© (npoflo/meHMe) 

4 © By bike , KOTOpaf? Tor^a HaaeaJia ^a^eesa TpycoM n 
©ctb AO^-iB MopflamoBa, JtadyniKa • OHa to m He mos©t sa- 
6 ntb Toro ootiin;epa m h© MoaceT cede npocrMTB, hto ona 
od^fleJia ( insulted ) ero* Tor^a ^ees naxo^HT KBapTMpy 
("nocTdft") b flOM© doraTow k@hh{hhh $mpcmkoboJi. Ron $HpCH- 
kobo^ ii flOM MopAamoBa mm©iot 6 dm mm flBop<» <£>aA©©B bhaht 
b OKHe JIiodyniKy, ysnaiT eg m BHdMpae t b aom© KownaTy, 

M3 kotopom mosqt ©g BMA©TB* CjryuaHKa ( servant girl ) 
JIiodymKH, AKyjiBBa , BJHodjmeT ch b A©Hm;HKa (orderly) 
o$sno[epa, §aAA©H* 

^HpcHKOBa aawetiaeT, hto $aAe©B k JIiodymKa jnodaT 
Apyr flpyra, m xo*i©t 3TOMy nowemaTB. OHa paccKasHBaeT 
MopAamoey, tiro ero aohb jik>6mt neji ob ©Ka c MHHii;ji£jiaMH f 
KOTOPL© H9 nOflXOAHT, 

Mo pa am ob nppfKasHBa gt seko jiotpitb OKHa b KOMHaTe 
JlJodymKH m HHKoro He nycnaTB b aom h bo ABOp* ^to6h yBH- 
A©tb JIiodyiiiKy # $aAe©B nepeoAeBaeT ch w&jihpom, ho ero BH3&T 
KOHnaeTCH i©yAatmo ( unsuccessfully ) Ero r6 paoctb ( pride ) 
o$Hii;epa h© mo egt bhh©cth, hto otgd; AaeT ©My, Kan Ma- 
JiHpy # w Ha boaky" ( tip money ), h oh roBopwT # KTO oh TaKoit# 
OTen; He yasagT ero h rrpoenT yito-H mb a ona. 

$MpCHKOBa HaxoflHT A-®& MopAamoBa neJiOBeKa c HysHHMH hhh- 
ijwaJiaMH* 3 to h©m©ij ABrycT Oh aojiscgh eft 150 pydoie# 

M He MOXGT 3anJiaTHTB« CpoK (deadline ) - c ©r oA hh © 
fHpcMKOBa oTAaST b©kc©jtA H©Mi;a MopAamosy* TenepB MopAa- 
rriOB wdkgt aacTaBMTB ( to force ) Hernia 3k©hhtbch na JiodyiiiKe * 


- 61 - 


(Film Unit V) 


KpaTKOe coAepxa.Kae (npoAOMemie ) 

$HpCMKOBa OXieHB ^OBOJIBKE * TQI10pB 0(|)IfH,©p 9 KOTOpHft Hpa — 
butch eft caMoft , He seHUT.oa la JliodyuFK© © 

^aflees ycjiHiitaj[ o6 qtou h npiixoAKT b rou Mop^anroBa, 
r#© bc© yse xc^yT iseHHxa“HeMi^ja 0 MopflamoB TenepB ysnaeT 
$afleeaa h penraeT bbhtb b sghkxh ero, a He HeMnia. ^afleeB 
iuiaTHT 150 py6jieft aa HeME^a H3 cbo© po Kapwana ( see ero 
saJiOBaHB© } © MopflamoB ohqhb pafl s mwmnajm no^xoflflT (fit), 
seHMX 6ora f r ( oh Tan jier.KO aanJiaTHJi aa H©Mi*a 6o,HBinyio 
cymsy) , ho ^wpcHKOBa npoflo-nsaeT M©inafi> 0 Ona npHBO3HT 
nopTpeT lK>6ywKM, KOToptift ^afleeB Haimcaji y ne§ b flows# 

Ha nopTpeTO gtoht mH nn,MajiH "as” m , a He "as 

ii $epT w « MopflamoB ex rut cbok> onni6Ky. $afleeB Hwnero 
H© M0S6T nOHHTB: OH BS 3HaJI HOT OpHM C HHME^Ha JiaMH © 

/teHipiK poraaeT non pa bmtl a©jio. Oh 3Ha©T, hto ^wpcii- 
KOBa oh©hb xotieT BHftTK saMy®, m npefljraraeT eft Myssa, « 
caMord MopaanroBa* $npcKKOBa Be xohot, ho flenmnK yroBa- 
pnBa©T ( persuades ) e§* JlioSymKa ysse nepeo^eJiacB b njiaTR© 
AnyjiBK^ h xoneT y6esaTB c o$ni(epou. Ho see KOHnaeTOH 
xopomos <£iipcHKOBa bhxoaht sawyi 3a Mop#amoBa n flagT 
mhoto flener na npH^aHoe JiotfymK©; jK>6ymKa bhxo^mt aaMys 
aa o$xm;©pa , a AKyjiBKa ~ sa ero aghipirs., ^©hbph cyMa- 
cmeAmeft tST yMKH MflyT ropoay Mockbo* 


-6S- 


(Film Unit V) 


iv* BonpocH k ||jw 


I. B KaKOM ropoA© u b KaKoe bp©mh Bee 3 to 
npOHCXOflHJIO? 

2* OTKy^a BD 3 Bpa TMJ5MC B B MoCKBy COJIAaTH? 

3* Kanan Boftna KOHqmiacB b sto Bpeun? 

4, noxi@My AesyinKM 6eraioT 3a ocfomepaMM? 

5* Vto fl©Jia©T MopAamoB Ha yjmpax Mockbh? 

6* Kan 30Byr ero ao*ib? 

7« Kano© aaBemaHif© ocTaBm TgTymKa? 

8* IIoq©My OHa ocTaBoa Ta Koe 3a B©maHM© ? 

9. Kto TaKofi Ahtoh §aAe©B? 

10* KorAa oh bot pe tpijich b nepBHM pa3 c 
JIioSyniKO# vl pa© ? 

II. *Ito ©My TOPAa Jro6yiiiKa cnasajia? 

12* 3to 6hjio npa bhjibho? 

13* ^ero TenepB xotier $aA©eB? 

14* IIoxieMy MopAanroB 3aHHT© pe cob aJicn $aA©©BHM? 

15* noimHT jm jK>6yiiLKa o$jm©pa m qTO ©Ha 
Ayna©T o u§u? 

16* B XIB^M AOM9 #aAe©B Haxo aht KBapTHpy? 

17* OriHfflHT© X 03 H^Ky 3T0P0 AOMa. 

18* no tie My $aAe©B BHSpaji KOMHaTy, ta© Majio 

CO JIBUTI ? 

19. Kan 30 ByT cjrysaHKy IiodyiUKH w b kopo OHa 
bjiio6jih©t oh ? 

20* noti©My $npcMKOBa MenraeT joo6bh f 

21. Kan OHa noiiainaJia BCTpeti© mojioahx juofleii? 

22. HaKoro scoHMxa ona np©AJiara©T oTijy 
J[io6ymKJi? 


- 63 - 


(Film Unit V) 



BonpocH k $wihisy (npoROJimenm ) 

23* IIoqeMy oHa Ay&aaeT, ^to Keueu; se hutch m 
JlK)6yi!IK©? 

24• notie^y JiodyuiKa m ry cap 6ojn>me He uorjT 
bh a Qtb a pyr Apyra? 

85. KaK ^aAeeny yflaSTC h bctpqtmtbch c Heft? 

26 * ^to oh fleoraeT, Kor^a npiixOA^r otqij? 

27* Kan otoij HaxoflHT ©ro? 

28* IIoqeMy oh oTKpuBaer OTijy, ht o oh oftimep? 

29* noneMy Jjo6yniKa TaK nenajrBHa? 

30. noHewy otoh; TenepB xopoino BCTpenaeT $aflo@Ba? 

31. IIo*i©My TenepB oTi;y He HyxeH HeMeij? 

32. Kto nJiaTHT sa ROJirk ( debts) HeMqa? 

33. Kan $HpcHKOBa BTopoft pao MernaeT cnacTBio 
mojtoahx jltorqH? 

34. KanaH pas hkh^i wescAT w $epTcM'« n "^kto^ 1 ? 

35. IIoti©My TenepB otoi; hoco rjiacen na 6pan 
rycapa m flonepM? 

36. ^Ito ^npcMKOBa cob eTyeT o$Mn;epy TenepB 
c^eJiaTB? 

37. Kanow nJiaH y Aenmnna? 

38. Kai<oro Myssa oh Ha lire Jr ^mpcmkobom? 

39. ^Ito pemif^a Ae^aTB JK>6yuiKa? 

40. Kto a^St jr»6ymKe Aoner vl noqeiiy? 

41. KaKM© TpM napH eqhhtch b kohi*©? 

42. KyAa noMAYT a©hbfm TeTyuiKH? 


— 64 *** 


(Film Unit V) 


RUSSIAN BALLERINA 

/ CO.IHCTKA. EAJETA / 


- 65 - 


(Film Unit VI) 



I 


UPMMtiNTS TO ?\W FILM© 


1) This film was produced in 1947 * It stars several young dancers and 
a young singer, otherwise completely unknown. It vividly and realistically 
shows the life of students of music and ballet in modem Russia© 

2) All Russian theaters are federal institutions. All of them are 
repertory theaters * i.e*, they show one or two dozen different shows 
a year© The actors are permanent employees© The best theaters also have 
their own academies where they prepare young actors • The relations between 
thater and school are symbolised in the film by the old usher and the 

old ballet school janitor© While at school, the young singers and dancers 
are discouraged by their teachers from performing in public because they 
are ’’not yet ready” and may develop "bad taste"© 

The pupils, however, seldom follow this advice, being in need of 
money or wishing to build a reputation. Therefore, they seek a chance to 
participate in the numerous concerts in worker^ 1 clubs ( J\ou& KyjiBT^pH) 
which are often presented on Communist holidays. Because of such per¬ 
formances the students are often criticized in the school wall newspaper 
(as is the case with Olya in the film)© 

3) At the beginning of the film Alyosha cannot get a ticket because 
the performance is already sold out* His friends help him by taking his 
overcoat with them© Cloak room in Russian theaters are located inside. 

Tickets are checked before the people check their coats. After that many go 
out again to smok®. In winter and fall people without coats are readmitted 
without checking tickets, as it is presumed that they have already entered 
once & checked their coats* 

4) The ballet performed on the stage at the beginning of the film is 
"The Swan Lake" by Tchaikovsky© The ballerina is Ulanova, recognized by many 
as the greatest classic dancer in the world at the present time* At the end 
of the film is another of Tchaikovsky’s ballets "The Sleeping Beauty," 

a fairy tale in which the heroine of the film, Natasha, dances the part of 
Princess Aurora* 

5) The conflict between Natasha and her teacher arises out of the 
fact that Natasha, while preparing her part, is dissatisfied with the 
accepted dance pattern created by the famous 19th century choreographer 
M* Petipas and changes the end of the dance. After that her teacher 
vetoes her selection for the part in the concert. Later she explains that 
she punished Natasha not for her "rebelliousness" but for her "half-measures" 
in changing only the ending and not the entire dance* 

6) The melody which servos as a signal for Natasha and Alyosha is 
from the opera "The Barber of Seville" by Rossini* 




(Film Unit VI) 



Comments to the film (Cont*d) 


7) The professor at the Conservatory criticizes Alyosha for ju3t 
singing brilliantly without trying to put his soul in his song. He men¬ 
tions as an example worthy of imitation by Alyosha the work of a 
Stakhanovite bricklayer whom he saw at work on the reconstruction of 

a house which was destroyed by German bombs; that bricklayer 1 s work, says 
the professor, has rhythm and purposefulness which Alyosha's singing 
does not have. 

8) Several views of Leningrad are shown, among them the banks 
of the Neva River and St. Isaac's Cathedral. 


*67- 


(Film Unit VI) 


II. KEY WORDS AMD 

h HeT Jifmnero 6njieT a? K 

CO Ji/lCTKa (f) 

6py c 

cne kt diaL 

hom©p6k Ha naJii»T6 

"KtO T©6h 3 a H3HK?" 

"H OqeHB xopomo pasdHp&QCB 

B MCKf p CCTB@% 

KapB^pa 

BEinyCKH6JI 3 K3 a M9 H 

"CnninaH 18 a contraction of 

"Cnfrujaa Kpac&Bnija" 

n© b6ij 

"HeCTHOe cjiobo ! " 

'H ofl © ji aji 6 o ji hmy io rJiyno ct b w 

t^QJIbkh 

paccTp6©HH 

"H Bac ceroflBH o^hopo h© 
OOTaBJK)" 

tiyTB-xjyTB, CaMyiO Md JIOCT £ 

"CnMHy flepsaTB!” 

OT66poqHaa komhcchh 

h vl nfxa, hm nepd ( idiom) 

”Bh cyuejm nepo^aTB” 

"TaHuyMT© no-CBOOMy" 

"He ocTasjiH&T© m©hh cero^aq 
o^Hy w 


PHRASSS o 

- Do you have an extra ticket? 

- soloist 

- tier in a theater 

- a performance 

- coat check 

- Why didn’t you hold your tongue? 

- I have an understanding of 
the arts. 

- career 

- final examination 

- ("Sleeping Beauty") 

- singer 

- On my word! 

- I did something foolish 

- slippers 
« depressed 

- I’ll keep you company all day 

- just a tiniest bit 

- Hold your back straight! 

- board of judges 

- I wish you good luck 

- You were able to express 

- Dance your own way 

- Don’t leave me today 


—6S« 


(Film Unit VI) 




Key Words and Phrases (Cont*d^ 


a$fnna 

"IIp0H30EIJI0 HQflopaayM^HMe 
BBICT3HIJI6HM0 
w 3to bh ©8 flOBejm" 
n n©p©nyr&Jia Bcex" 
cyM&ein6 aura# 
nepti£ tkh 

n 3ati©M onpaBANBaeTecB?” 
"B03BMJI 0©6fl b pyKH 
III. 


- hand bill 

- There*s been a misunderstanding 

- public appearance,performance 

- You drove her to it 

- You alarmed everybody 

- madman, lunatic; crazy fool 


gloves 

Why do you make excuses? 
„ - Take hold of yourself 

ilEMCTBramME JHUA . 


Aj0Ko 6 % 03epoB (Angina) . CTy#©HT KOHcepBaTOpuM. 


HaTdma Cy666THHa 
OjBra Be , p6^0Kag (Ojie^Ka) 


yii©Hftn;H dajreTHoro 


(students of the 
Academy of Ballet) 


Bapa re(5-prM0BHa a nperro flaB&T©JiBH>ma ( a teacher at the Academy 
6aJieTHoro Q f Ballet) 

Aiioji.?i 6 h ^BOJirHH , aKKOMnannaTop 

JB©p4^cKM^, HHseHep-nJiaHOBriK, ot©ij; Ojib^km 

Ero s©na 

^e^yniKa h 6a6ymKa HaTamii 

CTOpo* 6aJi©THOro y^MJiPnrp. ( the janitor of the Academy of Ballet) 
C hh 6jib hm KOB a . 3HaM©H MTa h 6aJieppiHa 

KPATKOE CO ^EPIA-HME 

CTyfl ©ht ko HC©pBaTopnM AJieKceii 03 ©poB (AJiema) 
nocji© Boftmi BepHyjic^ b cbo# ropofl, - JleHMHrpafl, h 
npoflOJiaaeT saHMMaTBca n© hm©m ( singing). 

—69"* 


(Film Unit VI) 











Kpa TKoe co # op s a hh© (. npo A o jis ©h h© ) 

B T©aTpe, Ha 6 aJi©T© » oh 3 Ha komiitch c yqemco;©'# 6 aJioT- 
Horo yqM-omp. HaTauieM Cy 6doTKHo.fi. EaTaia shbSt c AeflymKon 
k 6a6yuiKO>i; ee fleflymKa KaneJiB/j&nep (usher ) b TeaTpa* 
Ilo^pyra HaTamn OmBra (OjieqKa) BepeftcKan tos© yqMTCfl b 
daJieTHOM yqjfjmi^e . Qua floqB MH$:eHepa if Bine# (former) 
aKTpftcN. Ee MaTB bcqmm cfi-iaMM cTapaerca ycTpoMTB flJiH flo- 
qepH KapBepy; ajih btopo ona nojiB3y©TCH MHTpnraMH* 

AJiSma m HaTama CTaHOBflT ch flpysBHMM. OnasHBaeTca, qTO 
OHM M SMByr pflflOM* 

B KOHC0pBaT6pHM If B 6 aJieTH 0 M mK0J5© CTyfleHTH rOTO- 
bhtch K 6ojiBiiiOMy KOHijepTy. Cnei^ndjiBHaH kommcchh 6yfl©T 
BH65fpaTB yq^CTHMKOB 3TOrO KDHI*©pTa* HaTaia rOTOBHT TaH0B[ 
ms 6aJi©Ta "Cnaman KpacaBJata” • OHa h© xoqer TaHi^eBaTB ero 
no Tpafltann m mghhgt KOHei^, 3 to h© Hpa bmtch ©8 yqMTejiB- 
HMD[© , KOTOpaH H© n0 3BOJIfl©T eft yqacTBOBaTB B KO HHiepT© , XOTH 
Apyrmi qjieHaM kommccmm HaTama om©hb nonpamJia cb. 

AJiSma toss noST nepe# kommccm 0 ft m mm©qt 60 jiBmoft 
ycnex* 

HaTarna thkqjio nepe&HB&©T (takes to heart )cbok> Heyfldqy 
m npocMT AJigWf 6htb b 3tot Beqep c h© so. Ho AJiSma yse 
o6©maJi n©TB b KJty6e b 3tot Beqep bmqct© o OjreqKoft (no** 
Tony mto #yuaji, mto HaTama toi© 6y^©T TaM) • Oh roBopMT 
Ha Tamo, mto h© moist 6htb c Heft, ho h© roBopMT noq©My # 
HaTama b 3Ty homb xo^mt o#Ha no yjinijaM ropo^a m h© npM- 

XOflMT flOMOii, HMKTO H© 3HE ©T , MTO C H©ft CJryqMJIOCB ,M BO© 


-70 


(Film Unit VI) 


KpaTKoe coflep&aHMe (npo^ojiateiiHa ) 

oh©hb 6ecnoKOHTCH. A-ffema Min;eT ee Be3fle m o6bhh£©t ©S 
yxniTe^BHimy b tom, tjto cjiy hmjiocb . HaTama HaKO Hen; npn- 
xo^mt k ytuiTejiBHime w o^bhchagt eft bcS* BHnycKHoro 

3K3 aMQHa HaTama noJiytiaeT rjiaBHyio napTMio b 6a.n©T© "CnnmaH 
KpacaBMi^. n • Ho flpysda c AJigmeft y h eg KOHtiaeTCH nocoie 
Toro, nan OHa y3Ha§T, ht o AJienia b tot Benep nejr b KJry6© f 
BMecTO Toro, hto6h 6htb c h©so • AJiSma co6Hpa©TCH yesaaTB 
b Cb©paji6bck (ypaji) n©TB TaM b on©p©. B stot bgh©p y HaTamn 
BHny ckh 6ft cneKT&KJiB "Cnflineii Kpaca bH iim* • OHa y3HagT # HTO 
AJigffla y©3sa©T h cnem&T Ha BOK3aJi«, Ho Aaiema roBOpHT eft, 
xito oh BcS-TaKH y©3saeT, h OHa b cjr©3ax (in tears ) bos- 
BpamaeT oh b t eaTp* HecMOTpa Ha sto, HaTama HfleT Ha 
cn; 0 Hy h c 6ojibiiimm ycnexon TannyeTo AJiSma b noc JreflHroio 
mm nyTy pema©T H© exaTB b CB©pflJi6BCK h npn©3xaeT b T©aTp 
cmotp©tb HaTamy* 

IV. BOnPOCH K SHJLMy. 

I. KTO TaKOM AJIQKCeft 03©pOB? 

2« C K 0 M OH 3 Ha KOMHTCH B T©aTp©? 

3, Fro yt©iTCfl HaTama? 

4. KaK euy noMoraroT nonacTB b t© aTp? 

5« Kto Ha Tam tih fleflymKa? 

6* Kanoft 6aJi©T AJigma cmotpht b TeaTpa? 

7. Kan aosyr no^pyry HaTanm? 

8 w Kto poflHTeJiM Ojighkh? 


-71- 


(Filra Unit VI) 



Bonpocn 

9 . 

10. 

II. 

18. 

13. 

14 . 

15. 

16 . 

17 . 

18. 
19. 

2 ( 5 . 

81 . 

28 . 

23. 

24 . 

25. 

26 . 

87 . 

88 . 
29 . 


K <#HJJBMy (npO^OJSZCQHMO ) 

Hero xoqeT uaTB OjTeqKH? 

Kto MBeT b flow© HanpoTMB AJiemPi? 

K ti©My potobktch HaTama? 

Kan ona xoqeT TaHQeBaTB? 

noqewy Amgma onoaflam Ha ypon neHUH? 

notiewy npo$©ccop n©H hh hq^obojigh AjiSibo#? 

Kto b kommccmm 6lw npo tmb HaTaum? 

0 q©M HaTaina npoonT AmSmy? 

Hoqewy Amema h© woseT bluiojihhtb npocB6y 
HaTaina? 

Hto flemaer HaTama ©Toil hohbio? 

Hto npoHoxoflMT Ha flpyroft #©hb? 

PaccKasHT© o qgM roBopHT y^HT© jibhhii 3, 
c HaTam©ft? 

noq©My HaTama 6ojiBmG h© xon©T flpy»HTB c 
AJiSmeii? 

Hto p©ma©T fl©JiaTB A-nema nocjie ©Toro? 

B KaKOM 6aJi©T© TamjyeT HaTama? 

Kan ona y3Ha§T, ^to Amgma yossaeT? 

Hto ona fl©jia©T Tcrrfla? 

y©asa©T jci Angina? 

Kan HaTama y3 Ha eT, qr o AmSma h© yexam? 
JlK)6MTe JM BH 6aJI©T? 

Kanne 6aJi©TH bh BHflexw? 


-72- 


(Film Unit VI) 


V. /IHAI O FM K3 C I>M -J1LM A. 


AJIEIGA: 

KOJIHS 

AJEBIAg 

KOJE5IS 

AJIEfflAs 

KOJIHS 

AlfffflAs 

OIKi 

HATAHA* 

OJfl: 

HATAfflA: 

A jgfllA: 

OJEH z 

AJlSciA: 
HATAfflA t 

KOJIfl: 


1) tho Navy 
4) dressing 


I* B foofce TeaTpa* 

iMKiHero CMJieTa h©t? Hgt jmmHero 

6mi0Ta? 

no^xG^Hf K0.SH5 HaTama m Ojih d 

03©POB? SflpaBCTByMT©! Pfl© BH 
6HJIM? Beg Bp© MH BO &JIO T© ? 

H©T , H© BC g Bp©MH 0 

A ceiitsac? Oiihtb b ko HcepBaTopMM? 

OnflTBo 

^GByniKM, no3Ha kombtqcb: 3HaM©H&- 
th?i nop AJi©KC©ft OaepoB. 

KOJIH* xit6 BH? 2) 

CojiMCTKa Hamer o TeaTpa HaTama 
Cy66oTKKa, 

HenpaBfla! 

BaJiepHHa OjiBra BepeftcKan,/ cmqx/, 

A b caMOM fle,a©, tit o 3£©cb cm©bih 6~ 
ro? H 6y^y 6ajieppiHa! 

Hy, KaK a© c 6MJi©TaMM? 

npMflgTCfl MflTM flOMO#. 

3Ha©T© tito? ^aBaMT© Bam© 
naJiBTo! 

To-uctb, KaK? 3) 

Kojia bo3bm£t ©ro k c©6© b 

y6opHyio. 4) 

npaBMJiBHo! H BaM npuHecy ©ro 
nocji© on©KTaKJifl« 


2) Oh, come now! 3) What for? 


-room 


-73- (Film Unit VI) 

























^wajiorM H3 (npoAOJiseHMo ) 


Ai MAA 


Hy, a AaJiBS©? 


HATAHIA: 


AI&IIAs 

OIH: 


AJgfflA^ 


Hy, a ^aJiBui© .. • AaABine yn 

KaK HM6y^B CaMH IIPOCKO JIBS H^TQ 5) 

Ho fl H0 yM©K) CKO JIBS &TB. 

IIocToftTe, BefiB y HaTanm b T©aTp© 
A©AyiitKa. Oh aaHMMaeT bhcokh^ 6) 
nocT. CaM&ift bhcqkh&. Ha iihtoii 
& pyc©* 

Ha hhtom? •♦ » 

Pacxo^HTca# AJiSma 6 ©hht Ha riHTNii Hpyc© 

IlHTHJi apvc. AJiSma h fleflyHKa HaTaura - KanaJEB” 

HMH 8 T) . 7 ) 


ilWHIKA t 

A J EISA s 

jEiiyniKAt 

AJIEIHA : 
jEiiymKAi 

AIElHAt 


Kan se s to bh 6©3 6wJieTa? 

H • • • Mena Bama BHfgna 8) 
npwcjiajia* 

Aral A bh onasflHBaeT© . Ajnierpo 

y®0 KO HHH JIO CB« I1PH2KMHT0CB K 
CT0HK0. 9) 

EyflBT© £o6p& - h©jib3h jivl 6mh6kjib? 

ByABTe Ao6pn - homopok Ha naJiBTO* 

HoMepdK? Ceiixiac . Bhawto jivl f 
h ero c/sajs bm©ct© c najiBTO. 


HEHyHIKA* 


Hom©pok na najiBTO cflajiH bm©ct© 
c najtBTO? 


AJlKfflAi 


y M0HH ero H0T, 


HEiOTIKA t 


naJIBTO HOT? 


AJIEIHA t 


H©t, najiBTO 6 hjio ... 


.SMEMLl HflMT©, HAMT© , nOTOM pa36©T)6MCg 10) 

5 ) to sneak through 6) a pun: Natasha speaks about her grandfather*s 
7) usher high position and actually refers to his being 

B) granddaughter an usher in the gallery. 

9) stand back against the wall. 10) straighten out 


-74- 


(Film Unit VI) 


























^naJiorH M3 gmiBua (npoflo jziceHM© ) 


0 JKs 

MBO JirHH 2 

OJLEi 

HBoirrai 

MM 

M9MML 

MM 

MBOlTMIl 

OJgt 

MBOJrMHs 

MBOJiriffls 

AJEfflAs 

HBOJrHHt 

AJlfilSA i 
1) at least 


2 o B 6aJie t ho >t ywk jl mse « 

KuoJui6n BjiafliMMpoBMM , bh 3Ha ©t© 
Tanoro nBBH.fi - 0 3 epoBa? 

K comajieHMio, 3Haio 0 

Pa3B© oh njroxoM neBen;? 

K cosajieHMD, np©KpacHH$i. 

A notjeMy s© " k co sajreHMK)” ? 

A noTOiiy,tiro MejiOBeK. npoM© rojioca, 

o6fl3an MM6TB XOT B I) H©MHOm©MKO 
bot Tyr /nonasHBaeT Ha jio6/. 

H© 3aM©T mia • H xoxjy, mto6h bn npir- 
TJiacMJiM ©ro pacTBosaTB b HameM 
KOHMQpT© TpMHaAHa TOTO MMCJia* 

Eecriojif 3ho ? ) duenna » H ©My npefl- 
Jia ra JI KOHD.GPTN, om©hb Bi&roflHNe 3). 
H© M#§T» OTKa3NBa©T0H. BMflMT© 
jim, "©My ©mg paHO BNCTynATB" .. • 

A BC§“TaKM, AnOJIJIOH BJiaflMMMpOBMtl, 
vroBQt>MT0 4)* H xogy nocjrymaTB 
©ro rojioc. 3 to mom Kanpus* 

Bam KanpMs #jih m©hh sandH» 5) 

Mbojipmh m AJiema • 

Om©hb xopomo, tjTO bh s^ecB. y 
M©HH K BaM MHT©p©CHO© np©flJIO*©HM0 • 

3naio a BaniPi np©fl jios©hmh! 

HeT , h© 3 Ha © t© « CeroflHa oco6©hho 
mht©p©cho© np©fl jtoe©hm© ♦ 

Cnacndo, h© HHT©p©cyiocB* 


2) useless 3) profitable 4) convince 
5) law 


~75« (Film Unit VI) 























/(MaJiorM M3 (npo,z;o jm©HPi© ) 


HBOJtrPIH? 

AJ&HAf 

KBOJirHH? 

A J EISA S 
MBOJirHH: 

AJfiHIAt 

HBQJirHHt 


0 IX: 

AJEEIA: 

OJfli 


AJlfflUA? 

HATAHIA { 

AlEm : 


£a norofl&T© I 6) H k sa u ot oahom 
M 3 Tepncif x dp . 7) CaMoft npeJi^CTHO# . 8 

KaK, paaB© oiia ynacTByeT b 
ko Hn;epTax? 

Kon© mho! 

Hy, xopoino• Torfla h corjraceH© 

3an6MHMT© , MOJioAoft m©jiob©k: 

I3*P0 MMCJia, pOBHO b a©bhti> 
xiaCOB, B AOM© KyJIBT^pH. 

Xoponio© 

Ho bh He no jib© r 8t© 9) AnoJiJioHa 
®BOJirMHa? HecTHoe cjiobo? •. © 

A BO T M OHa ! 

IIoflxoAHT Ojrtra BepettcKan© AJieiiia yAMBJiSH 0 

3flpaBCTByiiT©. A bh m©hh h© 
ysHajan? 

Ko h© mh o o 

A Koro bh 2 kaSt©?. #0 a, noHMMaio: 
Pom6o ea§t cbok) AieyjiBlTy. Ho 
6©cnoi<o$ t© cb , Moil Apyrs OHa 
c ©m tjac nepeo a^hqtcjh m bhma©t © 

/yXOAMT C HBO JIPMHHM/ 

AJi^nra h HaTama« 

3ApaBCTByPiT©! Hto e bn Ta k AOJiro! 
Mh© Ta k xotojiocb Bac bhaotb! 

H om©hb paAa© 

HaTaiua, bh ono3AaJin Ha oflHy 
MMHyTy, m a cnejraji 6ojibmyjo 
rjifnocTB* 


6^nOAOEAMT© 7) (Greek mythology: Muse of Dance) 

8) charming here: a goddess of ballet 

9) you won’t let me down. 


76«» 


(Film Unit VI) 




















^naJiorH M3 c|)HJiBMa (npofloji&©HMe ) 


HATAMA : 


AI&HA t 


Xopomoj qro h H© onoa^ajia na 
flB© mm ny th o AJigma, bh mho 
OtJ0HB HyKHH. 

A tiro Ta ko© ? 


HATAMAt 


MfleMT©, h BaM paccKasy b MeM 

AeJiOo 


3 ® ITocJie KOMMCCMM* 

A JEM A? HaTama, ycnoK 6 fcTe cb* I) Hy, j 

ko rc He 6 HBa©T HenpnATHOCT©^? 
Bot nb^ca 2 ) H 6 xoBa n v L& MKa* 3 ) 
Ha nepBOM cneKT&KJie npoBaJilf~ 
jsa cb * * * 4 ) HaTama * Aep&ftTecBl 
Hy* KSK BaM H © CTMHO 5 ) 

cjaBciTBCfl 6) paHBine bp©m©hh 0 
Mh ©m§ mm • *. Ohm em§ yBMAHT, 
Kto npas! 

HATAMA x AjiSdb. , h© ocTaBJiH^T© mghh 

ceroflHfl o#Hy• 

AJEMA. : Hy, KOHetiHO, HaTama* Bh *e 6 hjim 

Torfla co MHoft* nocjie KOHcepBa- 
TOpMM. nOMHHT©? /nOHBJIfl©T Cfl 
M BOJIFHH/. 

KBOJirHHs /monoTOM/ AJieKceii Aji© kc©©bmm , Ha MMHy- 

TOHKy * 

npocTMT©, HaTama* /Otxopt/ 

Bh h© safinjiM o KOHB;epT©? 

KaKoii KOHijepT? A bhh© nojiyMMJiM 
MO G& 3 a BMC KM c 0 Ttd 3 QM? 7 ) 

Pa 3 B© HaTama BaM h© riepeflajia? 

n©p©^ajia, ho acMma 6 njia yace 

B6nym©Ha♦ 8) 


AJEiMAt 

MBOJrHHt 

AJEMA: 

HBO JirHHt 


1) calm yourself 2) play 3) "Seagull" 4) was a flop 

5) aren*t you ashamed 6) to surrender 7) refusal 

8}tb© hand bill van already printed 


- 77 - 


(Film Unit VI) 


























^najiorM ws (npoflOJisoHM©) 


A 3 Em g 
HBOirifflt 

AlElA* 

KBOirMH? 


Ajfim i 

HA TAMA t 

AIBIHA ? 

HATAMA | 

AJEMA t 

KBOjrHHl 

A3EMA : 
KBOlTHHi 

AJfim t 
HBOJtrifH: 


H He Mory® 

Hto? 

To, hto bh cjiLmriiTe - h© mo ry! 
Hey&eJiM bh e© bm#ht@?S 

H BMXy, HT O BH HPpa©T0 CJIOBOM 

Anojuiona Mbo Jivwm • Bh e© 

YBaaaeT© 9} ny6jiMKy Aouzi KyoiB- 
TypH« Mojrofloii apTMCT, a Kanpft- 
3EHHa©T© , Kan CTapaH npMMa^OHHa• 

Hy, nofloa^HT© mm Hjf TKy /bo 3Bpa— 
n^aoTCH k HaTanr©/* Bhaht© jim. 

HaTama, npoM3onrjr6 HeflopasyMeHH©. 

Hto TaKO©? 

4©JIO B TOM, HTO H 3aHflT CePOftHH 
BetiepoM * 

/xdJIOflHo/ IIpOCTMT©, H H© 3Ha.ua, 

HTO BH SaHATH, 

H nocTaparocB ... /otxoaht/ 0 
AnOJJlOH BjFa^MMMBOBMMa QTny ct6t© 10) 
M©HHo 

fl Bac oTnyiE^ cpasy nocji© Bamero 
BHO Tymx& HMH * 

H©t, ceMtiac * 

IIocji© Baiero BHCTyn jiqhmh 0 
Hy, 3Ha©T© ... 

kJie kc4# Aji©kc6©bmxi f mh onas^H- 
Baeii, 


9) respect 10) let me go* 


-78- 


(Film Unit VI) 



















FILM UNIT VII# 


GENERAL SUVOROV 
/ CyBOPOB / 


79 - 


(Film Unit 



1 , 


COMMENTS TO THE FILM. 


1) The film was released shortly before World War XXa It was directed 
by the famous director* Pudovkiiu The music was written by Shaporin* a pupil 
of Rimsky-Korsakov* Suvorov is played by the Moscow actor CherkassQV*who 

is not to be confused with the famous movie star of the same name* 

2) Alexander Suvorov (1730 - I8Q0) was the greatest Russian troop 
leader and unquestionably the foremost military genius of his time* His 
troops were never defeated* Suvorov served under three Russian esars and 
during his brilliant career rose from a private to a generalissimo* 

He participated in wars against Prussia* Poland* Turkey and France® He is 
also the author of the famous book "The Art of Victory” (Hayica no oesr* 

)• Socially Suvorov often behaved eccentrically* The film starts 
in 1794 during the war against Poland when he is already the most popular 
Russian general® He is later shown during his vicissitudes after th© Eupsror 
Paul I ascended th© throne® Paul I reorganized the army according to the 
Prussian pattern* with excessive parade drill and the treatment of soldiers 
as cogs in a machine* Suvorov did not conceal his disagreement with the 
new order and therefore v/as exiled to his village by the Czar* Russia 8 s 
allies* Austria in particular, persuaded Paul to give Suvorov the position 
of supreme commander in their war against the Napoleonic armies (Napoleon 
himself was at that time in Egypt* and thus Suvorov never met him in 
battle)* Suvorov drove the French out of Italy* Hov/ever* the Allies resented 
Suvorov 1 s popularity and even created obstacles in his path* Further pursuit 
of the French did not interest them* and they insisted instead that Suvorov 
march to Switzerland to rescue another Russian corps which had been 
abandoned there by Austrian troops that withdrew to winter quarters. 

Suvorov made a brilliant march over the Alps under extremely difficult con¬ 
ditions* When he arrived he found that th© Russian, corps had already been 
deserted by the French and that he himself was surrounded* The end of th© 
film shows his escape from encirclement by means of his legendary crossing 
of the abyss on the Devil®s Bridge* 

3) Although in general the film follows historical facts very closely* 
the slanting and bias sometimes distort the historical perspective* 

Thus* Suvorov* in his patriotic expressions* distinguishes between the 
Russian rulers and the Russian people* This is nonsens® for th© 18th century 
and is included in an attempt to show Suvorov as a hero of the Russian 
people rather than of th© Russian finpire® 

Paul I was not as antidemocratic as he is shown; indeed* his re¬ 
lations with the nobility were the worst in the history of Russia* 

Paul 1 s henchman* General Arakcheyev was a sinister figure; however* he was 
never a clown as portrayed in the film* 

4) The habit of men exchanging kisses is explained in th© Comments 
to the Film "The Boxers” $ 6* 


-90- 


(Film Unit VII) 



Comments to the film (Cont*d) 


5) In Suvorov*s village, the old veteran Platonych relates to the ; 
peasants Suvorov*s heroic deeds during the attack on the Turkish fortress 
Izmail (the most brilliant of Suvorov's victories). The story is told 
like a fairy-tale with a predominance of legendary and even fantastic 
elements© 

6) The man who wears a patch over his eye, who is greeted by Suvorov 
at th© Court as the only kindred soul among "flatterers," is the famous 
Kutuzov, the future hero of the 1812 campaign against Napoleon© 

7) The dialogue is an imitation of the speech of the 18th century, 

both the common everyday speech and the military dialect* Examples are 
the words: noceMy « therefor®, pqjihi^mh z military report, 

flwpeKUMB • direction, THjeTHO ® in vain. 


—81— 


(Film Unit VII) 


II, 


KEY WORDS AND PHRASES^ 


rep6n 
cjiasa 
3 nam 

,j noMHJiyM Bor!” 

MyHA&P (obs«) 
cpoHHaa 3CTa$§Ta (obs*) 
no ycrdsy 
Hapyur^HM© ycT&ea 
"Boh!" 

Kpe c t6 

"Kouy nofl^KHseiBca ?" 

Kp6nocTB 

umam 

"Otaoxh^i o AoporH* 

Bane B©Ji&HecTBo 

nojiKOBd a©ii; 

rpa$ 

jraK^S 

C0&3HHKM 

coBepmdHHH# wexanfrau 
60JIB&H 

MM 0 HH 6 & yK&3 ( obs») 

HlB©^n;dpH>i 

s 6 jioto 


- hero 

- glory 

- banner 

« Merciful heavens!(Suvorov*s favo¬ 
rite expression) 

« formal military coat 

* urgent dispatch 

- according to the book 

- violation of regulations 

- Get outI 

- crosses (medals) 

- Whom do 3 >ou serve? 

» fortress 

- swords 

« Rest from your journey 

- Your Majesty 

- military leader 

- count 
«* lackey 

- allies 

- perfect machine 

- robot; fool 

- a personal order (from Emperor) 

- Switzerland 

- gold 


~ 82 - 



yfl&pHTB B TMJI 
npHr6poqeK 
12 p^&eft, 6 ©3 cy^d 
"Mh OKpy&eH&® 
OTCTyndTB 
CJIOS^TB Op^SH© 

npdnacTB 


- strike from the rear 

- small hill 

- 12 guns, vdthout trial 

- We are surrounded 

- to retreat 

- to lay down (our) anus 
~ chasm 


III. JEHCTByKtmME JHIIA. 

AJieKcaHfl -p BacdjtBeBPiq Cybc5i)ob 
I lJaTdHHtl . CTapHM COJIflaT 
MBaH Cund na. uojioaoPi coji^aT 
IIOJIKOBHMK TfcpH H 

IIp6xop (np6niKa), fleHmHK CyBopoBa (orderly) 

Mem6pcKHfi, aflBiOTaHT mTa6a 

IlaBeJi I, MMnepdTop (emperor) 

ApaKtideB, ero $aBopfiT 

BarpaTn6n, renepaji 

#Ba aBCTpuiicKMX no jikobhM ica 

KPATKOE COZIEPKAHME. 

HanaJio $HJiBMa nonasHBaeT CyBdpoBa bo bp©mh ndjiBCKO# 
k&mii^ huh, b 1794 r. Ero nacTii tojibko tit o saHHJW nocJie 
6 oh JidrepB HenpnflT qjlfl • CyBopoB xbAjiht ( praises ) oahhx 
oftimepoB vl coJi^aT n HandsHBaeT ( punishes ) flpymx* 
IIpii 03 ®aeT afliOTaHT ns rjiaBHoro mTa6a . Oh npHB03HT npH- 
Ka3 CyBopoBy bm©ct© c apyrwM reHepajrou b3htb JiarepB He- 


-83- 














KpaTKoe co^epsaiiM© (npoflOJiHeHKa ) 

npMHTejiH. Ho CyBopoB yse bshjt JiarepB, BTopofr renepa^ bcS 
©mg no xopontHM moporaM, a CyBopos, 6©s #opor, irpo- 

m©ji nepes Jieo m Heosn/iaHHO HanaJi Ha H@npMHT©JiH« CyBOpos 
cmogtoh Ha# npMKaaoy » 

MMnopaTpjma EKaTQpftna II yM©pj?a* Hobhm MMnep&Top, 
ndB©ji I, h© jho6mt CyBoposa. naBex bboamt b apMHH H©M©i^KHfi 
no pH# ok* ApaKti§©B, caMBiit 6 jiii3kh^ HMnepaTopy n©JiOB©K, nn- 
Ta©T IlaBJiy hmcbmo CyBopoBa, KOTOpoe nonajio k Hewy b py km « 
B nitCBMB CyBopoB KpMTMKyOT HOBH© nopnfl KM B apMMM 0 IIaB©JI 
npHKa3HBa©T pacnycT mtb ( dissolve ) niTa6 CyBopoBa. K MMne- 
paTopy npM©xajiH c o^mixmA^bhhm nwo bmom ot CyBopoBa abb. 
no .n koBHMK a. 0 #mh ms hmx ~ jno6MMHii 0 (|)Mi^©p CyBopoBa m re poft 
no jikobhkk T&phh. WMnepaTop raroxo bct p©na©T no jikobhmkob, 
npMKa3HBa©T ap© ct oBaT b mx sa to, hto y hmx cTapan fropiia. 
TiopHH ct peJifiGTCH . OflMH co Ji^aT b 3 to bp©mh poh^ot (drops) 
pysBg. 3a 3to IIaB©Ji nocmiaeT b©cb nojiK b Cm66pb. 

KypB©p npMBo3 mt CyBopony hmcbmo « HMnepaTop nMmeT, 
n to oh on© hb h©£oboji©h CyBOpOBmt « CysopoB C 06 Mpa©T 
0<£Hn;9p0B m npon$a©TCH c hmmm: oh pourmi yfrTM m a apuMM« 

Ha hmcbmo MMnepaTOpa oh h© otb ena@T , IIotom oh npomaeTcn 
C COJIflaTaMH M OCTaBJIHOT MM CBO M Op^©H^( Kp0CT&) . 

CyBopoB scmbSt TenepB b cbo©m £ep©BH©« K Eeuy npn- 
xoflHT ©ro cTapHe coji^aTH, KOTopn© KonnMJiM cjiy&HTB b 
apMMM* IlJtaTbHHn tojs© npnxo^piT b 3Ty ^©peBHK). Oh paccKa- 


"84- 


(Film Unit VII) 




KpaTKoe coflepsaime (npoflOJisceHM© ) 


3 HBa© T KpeCTBHHaM, KaK CyBOpCB BOeB^JI C T^pKaMH. CyBOpOB 
B flep©BH0 riMIUQT CBOIO KHury* T©H©paJI BarpaTH6H t£#HO 
( secretly ) npw©32ia©T k H©My b rocTM « Oh npnB03HT CyBopoBy 
nopTp^T ero flonepn h paccKa 3HBa©T ©My 06 ycnexax Hano- 
Ji©6Ha b Esp6na . CyBopos no Hum ©t , hto nJiaH HanoJieOHa - 
HTTH Ha Poccte. 

JlMnepaTop nasejs BH3HBaeT CyBO poBa k c©6© . HanojreoH 
yrpoaaeT (threatens ) cok>3ho*i Abctphh, h IlaBeJ! xo^eT, 
hto6h CyBopoB KOMaHflOBaJi ohhtb bo $ic ks,mm • Ho CyBopoB h© 
XOqeT KOMaHflOBaTB apMH©ft # ©CJIM TaM 6yfl©T H© MeBjKaH M©xa" 
H^ocKan 

Hopes ro# HMnepaTop bo@-*t aKH nooHJiaeT CyBopoBa 
C pyCOKMMM BOfiOKaMM b Ht&jshiq nOMOTaTB ABCTPMH. CyBopoB 
0 CB 060 Sfla©T MTaJIKK) OT (ppaHIQf30B H flyMa©T WTTH BO $paHIJHK>, 
HO ABCTpMH H© X0H6T 3TOTO H nOOHJia©T CyBOpOBa B HlB© 
pwio noMoraTB BoftcKaM reHepajia P^mcK oro~K6poaKOBa• 

^Ba aBCT pmwckmx otfuniepa - <£paHn;y3CKHe ihhmohh. Ohm 
coo6m;aioT $paHi;y3aM o njianax CyBopoBa. OflHoro H3 hmx 
paocTp^ JiHBaiOT (execute ). 

CyBopos fleJiaeT ohqhb 0M6jiHJi ( bold ) h TpyflHHft 
ManSBp. Ero coji#aTH MflyT nepea ca me bhcokh© ropn h 
aTanyioT $paHn;y 30 B TaM, rfl© ohm He osMAawT. Kor^a Ha koh©£( 
pycoKH© npwxoflHT Ha no moihb cbohm, to y 3 HaioT, hto $paHn;y 3 H 
yse pa3 6 hjih Phmcko ro-KopcaKOBa* Apmhh caMoro CyBopoBa 


~85~ 


(Film Unit VII) 


KpaTKoe coflepscaHKe {npo£OJi seHHe 1 

B OKpySeHHM. COJI^aTH Mep3HVT HI rGJIO£&30T. Ohh xqtht ot- 
CTynaTB. Ho CyBOpoB flejiaoT o^mh cMeJin# ManSBp *“* 

nepexofl ^ep ©3 H6ptob moot. Oh o6 , bhchh©t cojr^aTaM wa* 
hSbp• $hjibm KOHnaeTCH ycneiaHHM (successful ) nepexo^OM 
tiep©3 HopTOB MOOT® 

iy. BOIIPOCH K eHJLlflr® 

I® Kto 6hji CyBOpOB h Kor^a oh emjs? 

2 . C k@m oh Boeeax? 

3* IIotieMy co.^aTH ©ro xk)6mxh? 

4. r^Q Haxo^HTCH CyBOpoB b Hanax© $jfJiBMa? 

5. IIoneMy oh HasHBaeT Mojiofloro cojiflaTa repoeM? 

6® Kan oh HarpaseflaeT Mawopa TropHHa? 

7. Kano# npwicas npiiso smt BiQTa ht ? 

8 « nogeny CyBOpos hs moist bhhojihhtb 9tot npHKa3? 

9. IIOHeMy CyBOpoB npwnre.ii cio^a pa hbsi© , h©m 
flpyrofi re Hepaji? 

10* 3aweM oh irpocwT npMuecrH ©My JioiKy? 

II® Kto cT ail pyccKHM mapeM nocjie Ena TopHHH? 

12® Kan naBex peopranwsyeT apMMio? 

13® Kto Tanot ApKaneoB? 

14o now ©My MMnepaTopy IlaBJiy h© Hpa butch CyBOpoB? 

15® Hto npHB03Jm minepaTopy cyBopoBCKH© hojikobhhkh? 

16. Kan BCTpewaeT wx HMn©paTOp? 

17. Hto fle-ffaeT no jikobhmk TiopwH? 


86 


(Film Unit VII) 



BonpocN k $MJiL>My (npoflOJXEQHMa) 


18, noneMy naeeji nocHJiaeT nojiK b CwdupB? 

19. ^Ito 6hjio b ixmcbmq, KOTopo© nyptep 
npMBSs CyBopoey? 

80. Hto fleJiaeT CyBopos nocjie Toro > KaK 
oh npotfflTa.5 mohm? 

21. Hto oh roBopHT cojiflaTau, ko r#a npom^eToa 

C HMMM? 

22. Kyfla oh yea&a©T? 

83. Kanoft coji^aT npwxoflHT b $©p© bhe> k CyBopoBy? 
24. 0 xi Sm cojiAaT paccKa3HBaeT Kpe ct bh h&m? 

85. ^0M saHMMaeTCH CyBopoB b fl©p© bh© ? 

26 o ^TO OH nMIHGT B KHHr©? 

27. Kto npKeasaeT k CyBopoBy b flepeBHB? 

28. ^to npMBes CysopoBy EarpaTHOH? 

89. 0 kom ohh paarosapMBaiOT? 

30. ^Ito CyBopoB AYMaeT o HanoJieoH©? 

31. IIotieMy MMnepaTop BH3HBa©T CyBopoBa? 

32. 0 xieM MMnepaTop roBopHT c CyBOpOBHM? 

33. Kan KOHtiaeTCH mi paarosop? 

34. *Ito npoMcxoAHT xj©p©3 rofl? 

35. Kto xotieT, hto6h CyBopoB kd MaHflOBaJi BoftcKaMH? 

36. Kan H^eT HTaJiBflHOKafl Kawnan hh CyBopoBa? 

37. Kyfla nocJie otopo xoxigt mttm CyBDpos? 

38. noxiewy oh h© MOseT mttm Ka IlapHS? 

39. Kyfla nocHJiaioT ero T©n©pi>? 

40. 3axi©M oh flojisen mttm b HlBeMijapMio? 


-87 


(Film Unit VII) 


BonpocH k fyiuimiy (npo.n'o jiegkhg ) 

41. Kto 6hm mmiOH? 

42. Kan CyBopoB ysnaeT ero? 

43. ^to co inn mo hom #ejiaiOT? 

44. noM©My CyBopoB He mosot noMOtiB PniiCKOMy-Kopca"* 
KOBy? 

45. IIOMeMy CyBopoB Tenept b TpyflHOM noJiosceHMM? 

46. nOMOMy HOAOBOJIBIftl COJIAaTH? 

47 o Hto ohm coBeTyxT CyBopoBy Ae-naTB? 

48. Kano# nJiaH y CyBoposa? 

49. PaccKaaHTe o nepexoA© nepe3 qopTOB moot. 

ilMAJOrH M3 SHJBMAo 

I. Ilocjie 6og no a CoKOJKoft. 

CYBOPOB : qf 6oraTH-p6 1 1) IlTeHnfi mom 1 8 ) 

PopdMlCJi^Ba sa hI 
/no a xo amt k MOJiOAoiviy cojiAaTy/ 

Hef 3RTO 3) TH 3H&MH B3HJI? 


niATOHHq: 

Oh* Bane CwA tg jibctbo! 4) 

CYBOPOB i 

Kan 3BaTB t©6h? 

COMATs 

CMHftnja. 

nJiATOHHq j 

MBan Cmhmii^ • nepBHft pas B 

CYBOPOB S 

Tbo# % njiaTOHHti? 

MATOHLiq: 

Moft, Bame CMHTejiBCTBO ! 


1) wondrous warriors 2) my flock 3) Heyaejin 
4) Your Excellency 


-88' 


(Film Unit VII) 

















^Hsurorn M3 (£h JiBMa ( npoj^ojiseHHe) 


CYBOPOB : CMHmi;a 9 roBOpmiiB? KaKaa see stq 

nTima ^cHHH ga? g ) Hot, h©t: cMHMga 
He roflMTCHl Th - repoft , ope^tl 6) 
Bot Ta k opjioM h ocTaBawcfl. Cna- 
ch6o t© 6© , IUiaTOHHti, 3a hoboto 

_repeal 

5) titmouse 6 ) eagle 


2 • npomaHHe CyBQ-poBa c 
co JijxaTa mh o 

CyBOPOB : Cojr^aTH, 3 tot KpecT bh flaan mho 

sa $okMhkt ,I) 3tot - sa PfSMa &ji I / 
3m 3B©3fla cBeT^Jia 2) mh© Ha He 6© 
BapiL^BCKOM • /cpHBa©T KpeCTN/. 

C BaMM sa cjy» hji , 3) Bay h ooTaBJiaK)* 
CopoK Jie t BOflHJi a Bac ot no 66 ah 
i< no 6©ffe <>4) C BaMM a h© 3 Has 
no-pa«e~HM%" «5) He OTCTynaa HMKorfla o 
PepoM! Revvi mom l npoma^Te! 
noMHMT© CyBopoBa - ^eJiBflMapmjia 
m cojiflam I XnaHMTe 6) (SoeByio 
cjiasy Bamy! XpaHMT© ee b cepflg^x! 
Hgcmtq ee Ha htthk^x 7) Bainx - 
Bnepgfl* Bcerfla snepefl! 


1) Names of battles 2) shone 3) earned 4) victory 

5) defeats 6) guard 7) bayonets 


~ 89 ~ 


(Film Unit VII) 



















FILM UNIT VIII 


SPRING 

/ BECHA / 


/ 


90 


(Film Unit VIII) 



I. COMMENTS TO THE FILM. 


1) This is a post-war musical comedy directed by Alexandrov, the 
director of "Volga-Volga," "Tanya,” etc* As always, th© star is his wife, 
Liubov Orlova, who plays two parts in this film. The music is by Isaac Du- 
nayevsky, the Soviet Irving Berlin* Besides Orlova, there are other big 
names of the Soviet movie industry; Cherkassov as the movie director, 
Kanevskaya as the scientists companion, and Zelyonaya as the make-up girl* 

2) The film tries to combine science-fiction (a research institute 
studying the possibility of the practical U 3 e of solar energy) and what is 
called in the USSR "lyrical"motives - i.e D , praise of love and spring, 
Soviet style. It is interesting to note that the mythical Sun Institute 
is a secret place surrounded by a high fence and that there is a careful 
check of papers at the entrance. 

3) A heroine of the film, Verochka, is like many young actresses In 
soviet theaters (always government institutions). She receives a salary, 
but she works very little* The boss has not noticed her for six years, and 
she has little hope of receiving a break * When she gets, by accident, a 
starring part in a film, the boss refuses to give her a leave* He is 
afraid of being accused of not discovering her earlier if she is a success* 
Instead he gives her the title role in an operetta (the primadonna re¬ 
fuses to sing, anyway) and later publicizes her as his "discovery." 

4) The film shows several views of Moscow* The background at the be¬ 
ginning, is the Bolshoi Theater 3 while during the "night of love" scene 
the banks of the Moscow River can be seen* Notice also the ubiquitous 
street loudspeakers* At the beginning of the film they announce the exact 
tin© 3 during the love-seen® they play music. Two makes of Soviet cars 
are shown in the films Nikitina drives a "ZIS" and uncle Lyonya has a 
"Pobeda" ("Victory") which often gives him trouble* 

5) When Nikitina and the director cross the studio, they witness 
various movie scenes either in rehearsal, or being filmed* All of them are 
about love* First the great Russian poet,Pushkin, on Petersburg street is 
shown reciting an excerpt about love and spring from his "Eugene Onegin," 
with a musical background by Tchaikovsky* Then the Russian classical 
composer, Glinka, sings his famous song "I remember the wonderful moment*" 
After the Mazurka for Glinka 8 s opera "Life for the Czar," an example of 
Soviet collective love is shown? a group marching with flags, singing the 
song "Comrade, Comrade*" 

6 ) Two morals are stated in the film* In the scene at the movie 
studio, where two actors , trying out for the part of the famous writer, 
Gogol, ask the director about the correct pronunciation of the word 

" no65.oeHiCl M (fancies, dreams, phantasies), the director reads an 
excerpt from Gogol which states that fantasies and fairy-tales play an 
important part in human life, that they live forever and drive men to 
action* At the end, the meaning of the film is stated in more modest terns: 
it is about some dry scientists and superficial moviemen, and the moral 
is, "It is bad to deny spring and song." 


-91- 


(Film Unit VIII) 



II 


KEY WORDS AND PHRASES, 


"BcS bo cnpemaeTCH w 
"PyKPi BBepxI" 

"Pa© 6h hm padoTaTB, 
tojibko &r H© pa 60 TaTB tt 

c<5 ji h© an © pr na 

c6jiH©qHH© Jiytitf 

nOCTOp6HHMft 

h Mh cHMMaeu KapTHHy* 

"HnpiT© ftli©HHO TaKOfi TMn n 

".Abomhhkob b npsipofl© h© 
6HBa©T" 

HMKIlTHHa H 

"Xoponio, bo h© no hast* 

3 TO nyOT^HHIIK B 

6ojibiiiom ropoA©" 

”Ilopa 36 T©jibho© ox 6 actbo!" 

y TB©p 3Kfle( SO 

Boonpen^K) 

r©H©p4JiBHaH penerfcjiiH 

"Ona cnood6Haa? tt 

"Mqhh npocTO yBdjiHT" 

rjraBHan pojib 

W B 3 to m flejie Ha a© pa3o- 
dp^TBCH* 

w y Bac omfidotiHO© npeACTaBJK§~ 
HM© O HHKHTHHOJi 11 

"PaaroBapKBafiT© co mhom Ha bh 


« Everything is forbidden 

- ’’Hands up!” 

- Wherever you work,the main thing 
is not to work. 

- solar energy 

- solar beams 

- outsider 

- We are making a picture 

- Look for exactly such a type 

- There are no duplicates in 
nature 

- She looks just like Nikitina 

- It*s 3 ood, but we can*t use it 

- A scientist is a hermit in a 
big city 

- What a striking similarity! 

- I approve 

- I disapprove 

- dress rehearsal 

- Does she have talent? 

- I will simply be fired 

- main role 

- We must look into this matter 

- You have a wrong idea of 
Nikitina 

• Don f t be familiar with me 


S2~ 


(Film Unit VIII) 




Key words and Phrases (Cont»d) 


"CynreHaH an^jia n 

Tienyxai 

"Mghh He ycTp&MBaeT 3 tot 
CHIQHdpHft n 


literally* 

"the dried shark" (the nickname 
used by Nikitina*s subordinates and 
suggesting her stiffneckedness and 
stricktness) 
fiddlesticks 

This script doe3 not suit me 


"XBaiaftTe ee, Tam foe b Mammy- Grab her, shove her into your car 
H BG 3 I 1 T© crofla " and bring her here. 


"Bot n^TaHHr^. id Jiy ^aeTcnl ** 
shjiiui 6n^aflB 
"y6np&i<T©CB bohI® 

CKopaH ii5moihb 

W H coniJia c y" 

"H flyMajia» hto pe^HccSpu 
6ojie© Hadjiro^aTejiBHEi w 


" What a mixed-up mess we*re 
gettingj 

« living space (here?apartment) 

- Get outj 

- ambulance 

- I*ve gone out of my mind 

- 1 thought that movie directors 
were more observant 


hi. flEficTByromKE mm. 

PIpftHa n©Tt>6BHa HMK^THHa. M3B6CT Ha h yqgHafl (famous scientist) 
AvK&Jluft Mmx^hjiobh^ r~p6MQB. KWHO-pesnccgp (movie director ) 
HfljgH JgHH a ero noMdmHHK ( his helper ) 

B6pa r©6pmeBHa IUaTp6Ba /B6poHKa /. apTftcTKa onep^TTH 

By6eHg6B. pa66THMK Mhctut^T a 
MaprapfeT a HBB6BHa. KOMnaHb6HKa Hhk^thho^i 
Mb&h CeMeHOBMii P6 mhh» penopTep 
IIpo(ft6ccop M6 jibhhkob 

TeTH , ero npMc Ji^ra ( housekeeper ) 


- 93 - 


(Film Unit VIII) 












^eftcTB y KBUKe Jiima ( npo# cxn mq hm© ) 

ACCHCTGHT KMHOp©KMCC'§pa 
rpHMKp 6 Bmnija (malce-up artist) 

^MpeKTOp TeaTpa 0n©p9 tth ( director of the Light Opera Theater) 
IIpHMafl 6 HHa onepeTTH 

KPATKOE COilEPMHHE. 

B MOCKB 0 , B MHCTHT^Te C 6 jIHI$i, , pa 60 Ta©T M3B6CTHaH 
( famous ) yHan HunfeTMEa , KOTopan fleJiaeT OKcnepHMdHTH 
C cdJIHQtlHOil 3H&PFM©# . KMHQ—CT^flHH XOH© T CflGJiaTB $HJIBM 
o 2 CM 3 HH TaKOK ytieHO&.Il 0 M 6 mHMK pe&Mccgpa, 

B63fle Mir^eT rjir $MJiBMa seHmimy, noxosyio ( resembling ) 

Ha HMKIlTMHy* OHM BM 8 CT© e#yi 4 B MHCTHTyT nOCMOTpeTB Ha 
HMKMTMBy m eg pa6oTy • Pa6oTa b Mhc THTy tg cenp^Tfian, m mm 
tojibko c 6 ojibiiikm Tpyfl6M ( with great effort ) yflaSTCH no- 

nacTB Tyfla. IShh 3 Ha kommt ch c By6eHH l 6BHM, KOTopnii 

cjiy^HT b xosAftcTBeHHoft nacTH MhcTMT y Ta ( Maintenance & Service 
Section )♦ By6©Hi;oB h© hhtg po cy©T ch paOoToft MhcTMT yTa 9 a 
xotieT to jibko 3apa6aTHBaTB fleHBrK • Ero npftHijMn - Tfl© 6u 
hm pa 6 o Ta t B, to jibko Oej ije pa6oTaTB n « U!to 6 n OoJiBine y3HaTB 
o HMKMTMHofi, lenn npeflJiaraeT ByOennoBy pa6oTy b 

KM HO . HMKH TKHa OH 0 HB H©fl®BOJlBH&, HT O no M HC TMTyTy XOflHT 
nocTop 6 HHM© • OHa He jiio 6 mt km ho m h© MHTopecyeT ch KapTHHoifc 
O C BO © id SH3HH« 

B KMHO-cTyflHK) npMXO^MT aKTpftca onep&TTH B 6 potjKa 
DIaTp 6 Ba, ynen^a flHfln JleHii. OHa xoneT nojiytjMTB paOoTy 


~ 94 ~ 


(Film Unit VIII) 




KpaTKoe cofiep&aHK© (npoflo JiseHHe ) 

b km ho , noTOMy mt o y H©e MaJio padoTH b TeaTpe. PesHccep 
3aM©MaeT, mto ona om©hb noxosa Ha HnKMTMHy. Em ^aioT pojib 
Hmkh tpiho^' • Cnanajia pesMccepy Ka se t oh , mto oh a h© cmok©t 
cHrpaTB pojsb. B cTyzj kio npMxo^MT By6©Hii;oB* Oh nyr&eTCH 
BepoxiKS-i, noTOMy mto flyMaeT, mto sto HMKMTMHa. Tor^a pe- 
sHccep p©ma©T , mto BepotjKa mosst MrpaT b» 

Ho b t© aTp© 9 r^e padoTaeT B©pomiq,, eft h© pa3pemaK>T 
yXOflMTB B KM HO & ^Mp©KTOp flaH© flaeT eft tfOJIBIiryK) pOJEB* 

BepoMKa H© 3Ha©T, mto fleJiaTBS OHa flOJisHa 6 htb b o#ho m 
to se bp©mh na pen © thi^hm b TeaTp© m b kmho 0 Ohr MflgT 
K HMKMTMHOft M npo OHT ©6 noftTH BU0CTO He S B KMHO-CTyflMK). 
HMKMTMHa corjiamaeT oh ( agrees ) . 

B CTyflMM HMKMTMHa cn6pMT ( argues ) c pesMCcepou, 
noTOMy hto eft h© hprbmtch cijeHlipHft. Pe&MccSp corjiamaeTCH o 
Heft m pemaeT, mto b ^mjibm© Haflo noKa3aTB jiio6obb. nocJi© 
pa^OTH ohm MflyT BM9CT9 ryjiHTB M bjix)6 jh! iot oh ( fall in love ) 
flpyr b flpyra• PeacMcogp bc§ bp©mh ayMaeT, hto 3T0 Beponna* 

B 3to bp©mh BepoxjKa noeT b TeaTp© m mm©©t tfojiBinoft 
ycnex© nocJie stoto ona e#©T Ha kB apTMpy k HMKMTMHoft, ho 
T aM ee BOTpetiaeT penopTep m otbo3mt b toctm, Ky^a HM¬ 
KMTMHa o6em;aJia npMTTM ©Oto flow rrpo&ecco pa , rfl© MHoro 
yxieHHX* Korfla BepoMKa xoner mttm flOMoft, penopTep MfleT 
bmqctq c h© ft• Ohm bjho6hhk>tch flpyr b apyra© PenopTep 

Beg B p©MH flyMaeT , MTO 3TO HMKMTMHa. 


- 95 - 


(Film Unit VIII) 


KpaTKoe c oflepacaHHe (npoflOJiacQHMe ) 

Maprap&ra iLBOsaa, ko Milan bo HKa Hmkhthhoii , bjiio6ji0H& 

( is in love) b BySeHii.OBa *By6eimoB cm^ht y nee h nLeT miBQ • 
CJiyndiiHO ( accidentally ) oh roBOpnT, uto ©My Hyxcua He 
ona, a eS aMJmJiomaAB.MaprapHTa npocHT By6eHn;oBa yiiTif* 

Ho b e t o BpeMH npnxo^HT Hhkh TMHa. 9 m £y6©Hi;oB npii- 
qeTOH ( hides ) b mKa<&* MaprapnTa He mo sot y3 HaT b HnKHTHny, 
KOTOpan oqeHL nepeueHMacB noc^i© pa3roBopoB o jho6bh h 
nporyjiKii c pe&uccgpoM. Beponna npnxoflHT k Hhkhtmho# nocjie 
cBoeft nporyjiKH c penopxepOM- Kor^a Maprapirra npMHOowT 
yTpo m sa bt paK, OHa BHflHT flByx o^MHaKOBHX ( identical ) 
senmiiH h flyMaeT, hto ona conuia c yj/a. Ha cJieflyiomHft fl©H£ 
boo eflyT b JfHCTMTyT ClojiHija cmotpstb Ha dojitnoii 3KcnepM- 
M 0 HT HHKHTHHOE o HMKMTMHa XOH0T KOH^0HC MpOBaT £ COJIHQHHyBD 
3HeprwK) # BKcnepHMQHT yfla^Tcn. By6©Hu;oB ynpaji (stole ) b 
jiaSopaTopHM KOH^eHCPlposaHHyio coJiHenHyio h^akoctb (liquid ) 
fljiH CBO 0 M 3asnraJiiai, ho 3to y Hero njioxo ko HnaoTcn 0 

HaKonei; Bee o6‘s>HCHtfeT ch . Pe&HcoSp m penopTep no- 
HMMaiOT, B KOTO KaiflHM M 3 MX BJII06MJICH . HHKM TMHa COBOTyeT 

pesMccgpy ^eJiaTB He c©p£e 3 hum $hji£m o Hmkmtmho^, a b©« 
c&Jiyio ( gay) KapTMHy o to u 9 hto c hmmm rrpoM30injio * $mji£M 
KOHtiaeTcn necHeS o Beene * 


- 96 - 


(Film Unit VIII) 


IV. BOnPOCH K cMlitlf , 

I. Kto TaKas Hmkm Tima m vrq ona pa6oTa©T? 

2 . *I©m 3aHM?meTCH Mhctmtyt CojiHija? 

3. £jth nero pestMccep m a** A** Jenn npnexaJiM b 

MHCTMTyT ? 

4. Kto TaKoii By6©Hn;QB? 

5* Kto Ta k an BeponKa m 3an©M ona npMmJia b 
KMHO-CT yflHIG? 

6* ^to 3aM©tia©T pescMcoep, Korfla BeponKa TaHuyeT? 

7. KaKMM AOJis©H 6 htb y^i^HHM no mhohmio pesHccgpa? 

8. IIoxieMy By6©Hn;oB McnyraJiCH Bepon km? 

9. ^to flejiaoT AMpoKTop TeaTpa , KorAa oh ysHaST, 
tiTO BopoMKa xoneT pa 60 TaTB b kmho? 

10. notiewy Beponna h© MOseT noexaTL b km ho— cTyAMio 

Ha peneTHu;MK>? 

11. 0 mSm BepoHKa i^ocmt HiiKMTMHy? 

12. Kto Tanas MaprapMTa Hbbob Ha ? 

13. B Koro BJiK)6ji©Ha MaprapMTa? 

14. ^TO HMKMTMHa TOBOpMT p©&HCCgpy O ©r O $MJIBM©? 

15. ^to posHccep Aywa©T o eg cjiOBax? 

16. *Ito b a to BpeMH AeJia©T b TeaTp© Beposna? 

17. Kan BeponKa nonaAaeT b toctm k npo$©ccopy? 

18. ^to OHa A©Jia©T b toothx y npo<|)eccopa ? 

19. ^to A©JiaiOT peHMCoep m HMKMTMHa nocji© pa6oTH? 

20. Koro OHM B CT p©T MJIM BO Bp©MH npOTyJIKM? 

21. Kto b koto bjiio6hjich 3Toii hombh>? 

22. ^to A©^a©T By6eHii;oB b KBapTMp© y Hmkhtmho*i? 

23. KyAa MaprapMTa npnneT Ey6©Hii;oBa? 


-97- 


(Film Unit VIII) 



BonpocH k gsui&My ( npoflojiatoHMe ) 

24© IIotieMy MaprapMTa #yMa©T, *ito oHa conuia c ywa? 

25* Ky^a ona 3 bohmt no T©jre$QHy n *ito oaa 
rosopMT? 

26. *Ito na cjieflyiomifz fl©HB nponcxoflMT b 
MHCT iiTyTo CojiHn;a? 

27© Kano# pe3yjibTaT 3Kon©pHM©HTa ? 

28. ^TO CJiyqMJIOCB c Ey6eHii;oBHM? 

29. Kan pesnccSp n penopTSp y3HaK)T, b h&u fl©.ao? 
30© *lTO HMKMTHHa COB©Ty©T OflGJiaTB c $HJIBMOU? 


y. MAJOrH M3 QIJLMA© 

I. B M HQTHTY Te COJIHIia. 


HflUH iERSL: 

EyEEHnOB i 


HKM THHA t 

EYEEHIIOB : 

mm jfiHg: 


qTO 3 to TaKoe? 

Cb©pxc©kp£TH aa unequal I) 

/K HUM nOflXOflMT Hhkh THHa • IIotom 

ApKaAHii MnxaMJioBjra / 

B xiSm a©jio7 

Bor TN MO#! ... 

Tocapum HHKHTHHa, OflHy mh- 
HyTOtiKy! ... 


HKKKTKHA S 


mm jfiHH: 

HKKKTHHA t 


Uo^euy bh nponycKa©T© no- 
CT0p6HHHX B Jia6opaT6pH»? 

ReJio b tom 9 trro a h© no- 

CTOpOHHMPi . H nOMOmHMK p© - 
sMccSpa • 

T©m xyme fljiH pexwccepa® 


APKAUltfi MKXAfiJ0BK*Is Kano© cm©iiih6© h H©jr6noe 

HeflopaayM^HHe. 2) 


1) a super secret gadget 2) laughable and ridiculous misunderstanding 


-98- 


(Film Unit VIII) 



















^MaJIOrH M3 $MJIBMa (npOflOJIEeHK9 ) 


AXA& JIEHH > 

HM M T HHA : 
ABRAM MKX.t 

MKHTHHA 2 

APKAM3 MMX,: 

HHKKTUHA t 


APKAilHM MMX. : 

HMKMTMHA $ 


APR AM M 

HMMTMHA : 
APKAJIM MHX»: 


HHKKTKHAl 
APKAflUB MHX, { 


noK6-pHeffnn e ixpoiny npHHHTB HaniH 
rjry6oKMe h3bmh^hhh« §1 

Il3BMHeHMH npftHHTH. TenepB BOS? 

A KapTMHa ? HeyjicejiH OHa sac He 
MHTepecyeT? 

Bmamtg jim, h 6oiocb , mto y Bac 

M3 3T0T0 HMtierO H© BH^IfleTo 

IIoqeMy ? 

IIOTOMy mto HMMero BecSJioro m 
• paaBJie kAtqjibho rt) 4) b mo©& 
padoTe H0T o H fleJiaKD cepB- 
§3Hoe AejiOo 

Ho BeflB Hama KapTMHa to»© 
cepBe3Hoe ^ejiOo 

Bn^eJia h BaM KapTMHH I Ban 
Hyj&H&I H9 $aKTH, a 3$$6 kTN* H 
He nOKJl6HHMm KM HO . 5) 

Omghb xopomo d 

He no HMMaio, newy bh pa^yeTecB? 

Aemo b tom, hto, pa6oTan HaA 
KapTMHo^, h coctAbmj cede 
IieKQTQPOe nT?QiI CTaBJI^ HMQ 6 ) 

O Bac* M H 0M9HB paA » hto bh 
OKaaaJiMCB 7) mmghho Tanoft, 
mt o u He omndcn 0 

Bcero xopomero! 

ByABTQ 3 AopoBH! 

/HMKMTMHa yXOAMT/ 


3) My humble apologies 4) entertaining 5) movie fan 
6) formed an impression 7) turned out 


w 99 


(Film Unit VIII) 
























^Mamorn M3 (rrpo£o xneHM© ) 


■flMfl JEHH: Hy, khk ona Bac ycrpaHBaeT? 8) 

APKAflHM MKX.s OHa npenpacHa I TaKOM ona flomsHa 

6ntb* Mh^mt© 6m©hho Tano# thii• 
H©m 6o^Bine Hama repoftHH 6yfl©T 
noxoia Ha HmkmTM iiy , t eu mytirae* 

8) ""How" will she do? 


TfiTH IIASIA t 

MEJLHHKOBi 

TBTfl IIAIIIA t 
KBAH CBMEHOBHHs 

MEIBHHKOBg 

MBAH CEMBHOBPra: 

MEIBHHKOB t 

HBAH CEM« t 

MEJLHKKOBg 

MBAH CEM.t 


MEJEHKKOB> 


2• KBapTMDa nr>o$©ccopa MemBHHKOBa • 

MBan Hmko Jia qbmm , a bo hh ma MpftHa 
n©Tp6BHa 0 OHa npnexaTB h© mo»©t 0 

KaK hg mos©t? noH©My? 

H© 3Ha!0« CKa3aJia. 

A HOT H h! 4o6pBlft B0M©p! 

Hy, npecca . I) nan Bcerfla, 
ona3^HBa©T 0 

Hy, BMHOBaT 2) 

C Ka SMTO 9 MBaH CeMSHOBHH, BH Ha 
Mann He? 3) Hy c^emaiiTO, 
ro my 6 hmk 4),flo6poe flejios npn- 
BeaiiTe mhg MpHHy n©T poBHy! 

HMKMTMHy? A ona hto,h© npnexama? 

B TOM TO H ReJlO , 5 ) HT O He T. 

Ona mh© caMOBty ohghb HyxHa . 
Pefl&KijMH 6) MHTepecyeTOH com- 
HetjHHMM ortHTaMM . „. CeitHac 
rrpHsesy* 

nocTOMT©, a eh aflpec anaeTe? 


1) "the press" (Ivan Senw is a reporter) 2) I'm sorry 
3) d<a you have your car?4) my dear 5) that 's it exactly 
6) (here) the newspaper 


- 100 — 


(Film Unit VIII) 
























^HaJIOrH M3 

(npo^o JIS0HMO ) 

MBAH CBM*: 

Hen, HHKMTKHoft? Hqt , He 3Ham. 

MEJLHMKOB * 

Bh, KaieTca, eg y mghh bm^o^m? 

MBAH CEM.J 

HpenpacHO noMHio. 

MEMLHMKOBs 

Hto 6h oHa hm roBopMJia, xBaT&ftT© 
©g 9 TamiiTe b ManiftHy h BeaftT© 

CIO^. « 

APKAJHfi MUX.! 

3* B KMHO-CTVAMM* 

Hykho noKa3aTB ©S BHf tp© hhmm I) 

MMp, MTO-TO JI&MHO0? 

HMKMTMHA. t 

A&, xp He mh o • • * MHaM© OHa 6yfl©T 
MaHeife h ••« 

APKAHMM MX* 5 

JX o ny c tmm^ ^ MH noKasdM b KapTHH© 

©e jiid6obb 

HMKMTMHA. : 

Hto? 

APKAJHfi MHX. s 

4a 0 JIk>6obb Hhkhtmho# ! 3to m 
y^gHan flojisna jik>6htb, mosgt 
jho6htb! Xb^tmt paocv&ndTB! 4) 
/[aBafiTe nonpo6y©M.,* 

K npMMepv* cicaxeM* p6nJiHKy* 5) 

B H sac Juo6juo n . • ♦ 

HMKMTMHA 1 

Kan? Tan cpa3y! 

APKAJH.fi MUX.. 8 

Hv. MOEHO H0 CDa3Y.. fl B3A0XH^T©!6) 
B6pa r©6prM©BHa, bh ,no“MoeMy, h© 


COBC0M nOHMMaeT©, 'IT O TaKOe juo(5obb 
TaTBHHa HBaHOBna^r^y Bac MaTepndjiH o juo 6 bm? 

npMHeOMT© cro^a I 

ApKaflKii MHxaftjrQBHH HHTaeT n;MTaTy o jiio 6 eh » 

1) inner 2) personal 3) Let's assume 4) enough theorizing! 

5) cue 6) sigh 


-101- 


(Film Unit VIII) 




















^HaJIOrM M3 (fcHJIBUa (npO£OJnS©HMs ) 


APKAHWf mix.: 

Bot. bot! Bo BsrjiHZie 7) ys© 
m to*” t o ©ctb. HasaiiT© saKpenftw 8) 
BsrJtHA* 

CMOTpHT© I©. MQHfl M 0 6 BHCHHHT©CB 

MHe B JIK)6hI • B HMMaHM© ! npM- 

totobmjimcb! Haxjajus! 

HKHHTHHA: 

H h© Mory 3 to, ApKaflH# MuxaftJiOBHti! 
K CO »caJI©HMI0, flJIfl M© Hfl 3T0 OtjeHB 
TpyflHQ « 

APKAAMK MHX.: 

Hv. Toraa noirDotfvftT© B6r>a3KTB 9> 
CBOM MyBCTBa 6©3 CJIOB. ^BMS©- 
HKHMM ♦ S^CTaMH . •o 10) 

B3rJIHflaMM 

HMKMTMHA : 

U[TO 3 TO 7 

APKA^H0 MHX.i 

Hame Bpewn oko HtjMJiocB• 

HaMMHa©TCH flpyrafl cB^MKa. II) 

HWKH TMHA. t 

Moshd nocMOTpeTB? 

APKA.3H0 MHX.: 

MOKHO, IIOCMOTpMT © j, 3TO Bail 

6yfl©T OM0HB nOJl63HO. 12) 

7) expression of eyes 

8) let*s keep 9) to express 

ID) gestures 

11) they*re going to start to shoot 
another scene 

12) useful 



102 - 


(Film Unit VIII) 
















VI, 


riECHfl 0 BECHE 


syp^TB 

Myv 

T^HTB 

n©HB 

6©p^3Ka 

him©jib 

ryfl^TB 

Tp© b 6 ra 

3afl6pHH^ 
cKBOp^u; /Plur* 
flop6ry + Dat* 


}Rypt |£t pytiBfi, jigtAt Jiy 
M Tk&T Jiefl, m c§pfln;e t£©t # 

M #&&© n©HB b anp^JiBCKMft £©hb 
B©P§3Ko 5 CHdBa CTaTB M©Ht£©T, 

BecejiHM him© jib ryfljfT bgcghhiok) TpeB 6 ry» 
KpMq^T 3a^6pHH© B©C gJIBie ckbo pu£i, 
KpM^dT CKBOPH^J BO BC© KO HI*6* 

"BecH& HflgT, b©ch 4 flop6ry ! n 


«* to gurgle 
« beam 
to melt 
« stump 
«® birch - tree 
- bumble-bee 
«® to hum, to sound 
» alert 

« full of mirth 
OKBOpn;6/ * starling 

«■ make way for 9V „ 


-103- 


(Film Unit VIII) 















FILM UNIT IX 


TANYA 

/ CBETHHft nyrL / 




(Film Unit IX) 



I 


COMMENTS TO THE FILM, 


1) This is a pre-war film directed by Alexandrov (director of "Volga- 
Volga," "Springy etc*)* The star is Liubov Orlova, his wife, who also starred 
in many other Soviet musicals* This film is an example of clumsy, and at 
times outright silly domestic Communist propaganda* It is one of the first 
attempts of the Soviet movie industry to glorify the Stakhanovite movement* 
This film freely folloi^s the Cinderella theme, with the heroine as Cinderella 
the engineer as Prince Charming, and the Communist party as the Good Fairy 0 

2) The Stakhanovite movement in Soviet industry started in 1935 © In 
that year the coalminer Alexei Stakhanov mined a record output of 102 tons 
of coal during one shift* This feat was given enormous publicity in the press 
and the Communist party started a large-scale campaign in support of this 
movement* Many workers in other branches of industry followed the example 

of Stakhanov* 

The usual pattern was as follows: individual workers announced 
their decision to produce above the regular "norm*" They were strongly 
supported by the local Communist cells* The increase was achieved by the 
careful organization of the production process to utilize even a split-¬ 
second and by attaching to the Stakhanovite a group of aides to do all 
of the auxiliary work* 

The Stakhanovite movement was,first of all, a means to increase 
the productivity of workers (industry was lagging behind the production 
goals set by the party)® It also divided the workers into regular workers 
and a Stakhanovite aristocracy with much higher wages,which strongly 
supported Soviet authorities* From the point of view of Marxist theory, 
the movement was declared by Stalin as the vanguard of a new era in which 
the difference between physical, and intellectual work would be abolished* 
Stalin considered the Stakhanovites as the first examples of the new 
man of Socialism* In reality, the Stakhanovite movement created a difficult 
situation in industry* The increase in quantity brought about a drastic 
decrease in quality, and the "norms" for non-Stakhanovite workers were 
raised in line with the production of the Stakhanovites* Besides, in spite 
of all the publicity in the press the whole thing was often phony* The 
film itself, is probably a result of Stakhanovite work in movies with 
traces of haste, especially at the end* 

3) The film gives an interesting behind-the-scenes glimpse into the 
administration of Soviet industry# Notice the important part played in the 
life of the factory by the woman who is the Communist party cell chairman* 

The factory director becomes immediately cooperative and even obsequious 
when she speaks to him# She is in charge of " Ihk6©3 " (contraction 
of ” JlHKBHflaiiPtH Eesrpauo THDCthJ the liquidation of illiteracy) in 
the town, and it is she who sends Tanya to school* The meeting where 
Tanya* s Stakhanovite plans are discussed is the regular feature of Soviet 
everyday factory life, the meeting of the professional committee 

( 3aceflaHMe npo$KOMa)® 

The factory director, the Party boss, the engineers, the foremen 
discuss at such meetings problems of production, personnel, etc® Notice how 


«105~ 


(Film Unit IX) 



Comments to the film (Cont 9 d) 


the factory director* who a minute before was reluctant to accept Tanya*a 
offer* changes completely after Tanya receives the telegram from Comrade 
Molotov himself® When Tanya* after getting a cleaning job at the factory 
goes around with the list* she is gathering data about the workers little 
children for May. Day presents® It is interesting to note*too* that Tanya 
lives in the dormitory which was formerly a church* closed during the 
Soviet pre-war fight against religion® Tanya*s girl friends are typical* 
unglamorized examples of ordinary Soviet girls® When Tanya is being con¬ 
gratulated for her wo lie on many machines* one can see in the background 
"The Board of Honor" for portraits of Stakhanovites and another board 
for portraits of " y^apEMKH " (” Shock* Workers) who also ever fulfill 
their "norn", but not by enough to be considered Stakhanovites * 

4) The custom of throwing a person in the air is discussed in the 
comments to the film "Musical Story*" § S* 

5) When Tanya goes to the Kremlin* together with scientists* generals 
and others* she receives a medal for her good socialistic work (notice the 
reflection of the medalcn her face as if the medal were a magic jewel)® 

In a symbolic scene before the mirror the whole idea of the film is stated: 
Soviet reality is more extraordinary than any fairy tale® Tanya sees in the 
mirror the stages of her life: a housemaid (it is hot quite clear who her 
mistress is* but obviously in the USSR of 1930 she couldn , t be a "Capita/- 
list exploiter"! she is probably simply the wife of some Soviet big-shot) * 
a weaver* and finally the fairy-tale Cinderella who modestly retreats 
before the more fantastic reality of Tanya f s real life® 

6) Tanya* at the beginning of the film* heavily stresses her ur>~ 
stressed "0 l s" like a peasant girl: after becoming an engineer 3 he loses this 
accent with fairy-tale like ease® Notice also that after her first Stakha- 
novite success* friends call her Tatiana Ivanovna (her full name plus patro¬ 
nymic)* instead of Tanya* in order to show their respect® 

7) The last scenes take place at the "All-Union Agricultural Exhibition" 
which was inaugurated in 1939 in Moscow® It is a kind of national fair where 
each region has its pavillion to demonstrate the best results of its main 
branches of agriculture* It was organized by the government for propaganda 
purposes and has become a permanent institution* Scenes of this Exhibition are 
also shown in the film "They Met in Moscow*" 


- 106 - 


(Film Unit IX) 


n. KEY WORDS AND PHRASES „ 


KHC-KHC-KHCI 

- Here, kitty, kitty! 

caMOB&p nocTaBMTB 

- put on the tea kettle 

Tnppyl 

- whoa! 

36jiyiiiKa 

- Cinderella 

cdsa 

« soot 

h6m©p 

- hotel room 

3a6ponfepoBaTB 

- to reserve 

"Me© flejia h©t" 

- That's not ray business 

BOjrm66HJma 

- the Good Fairy 

w 0 h t© 6 h 066 ^©^?'’ 

- Did he offend you? 

rp^MOTHaH 

“literate 

/me©/ c 6 b©ctho 

- (I feel) shy 

KypHdcafl 

- pug-nosed 

o6pa3 6 BaHHaii 

- educated 

cTOJiftija 

« capital 

y Bao HM^ero hqt 
no mi t a t b ? 

« Have you anything to read? 

IIpiicdsMBaiiTecB 

* caflHTecB 

"3aflanna h© bhxopt 8 

*• The problem won't come out 

"Hy bot hm cT 6 Jret^K 0 ,, 

- Not the least bit 

Wi Ito 3afl^MajracB? n e 0 

tieM th flyMaeniB? 

JinoT dyMam?" 

o CKOJ&RKO ctomt j&hct 6 yMarn? 

no fim t&%! 

«• sweep* 

«y Bac c kojibko pe 6 ht?" a Ckojibko y Bac fl©T©ft? 

KHBI ! 

- shoo! 


-107- 


(Film Unit IX) 



Key words and phrases (Coat'd) 

mnypKfr 

CTaH 6 K 

^to y Bac TaM? 

HencnpdBHH^ 

3acTyndeTecB 

BCTp^tja Hobopo Pofla 

"Hy h nycTB, nycTt!” 

”C HOBHH TOAOM, C HOBHM 
CHaCTB© M w 

"H© Haflo! n 

TKaxjfexa 

CT aXet HO BCKO© flBME^EM© 
MfiTMHr 

"H TyT H©npMXl6M B 

p© K<5 PAH 

a6ctPA 

CT© HH JIOMaTB 

"Haw h©t nperp^A he b Mope, 
hm Ha c^me® 

KOMcoMdjiBCKaH opraHH3^i;m 

yAdpHMKE 

rocyA^pcTBD 

6pA©H 

n BOJIH^©T0CB ?" 

BC0CO&3HaH CeJIBCKO X03M“ 
CTBGHHaa B&cTaBKa 
AQnyT^T b B©px6bhhM Cob6t 


- shoe laces 

- machine tool (here:loom) 

- What's the matter over there? 

- defective 

«* you*re taking (her) sid© 

- New Year*s celebration 

- Let it be that way! 

~ Happy New Year ! 

- Don't* 

- weaver (female) 

- Stakhanovite movement 

- rally 

- I had no part in it 

- records (performance) 

- nonsense 

- to tear down walls 

« There are no obstacles for us 
on land or sea 

- Young Communists' organization 

- "shock" workers 

-* the state (government) 

- medal 

*• Are you excited? 

* All-Union Agricultural Exhibition 

- deputy to the Supreme Soviet 


-108' 


(Film Unit IX) 


HI * jlEHCTByjOME JPfflA . 


Tans Mop63QBa /TaTBana KBanoBHa /, fleByniKa M3 flepeBHH, 
flOMpa 66 tkmx^ , (housemaid) 
no tom TKanfixa, no tom mhjk© Hep 

AJieKC&% HMKQji^eBMn le6© < g;© b, HH3K©H©p t©kcTMJ iBHois $a6pHKH 
TaJiflfuKMH ? saseflyroipii poctiihkx];© ft (hotel manager) 

XosHMKa TaHH 

^6pOXQ B , flPipeKT op $a6pHKH 

3y6k6b, MaCT©p ( foreman ) 

Arpact)&Ha « CTapaa TKannxa 

Uapfig Cepr^eBHa IIp6HHHa« napTdpr ( the Party organizer at the 

factory) 

CeKpeTapna AMpenropa, cgct pa xosnftKH TaHH 
Kji&Ba ) 

Happen } no^pyrn Tanii 

Bdpn ) 

KfpMKOBa MaCTep 

KPATKOE CO iIEP3KAHHE a 

TaHH MoposoBa, fleBynina M3 flepeBHM, padoTaeT flOMpa66T~ 
HHijeft ( housemaid ) b Ma ji©hbkom ropofl© b 1930 r. E8 xoanMna 
HMB8T B rOCTMHMBj© "MaJEElft PpaHfl Ot^JIB**. 3 aB© AyiO^MM O T6JI © 11 
yxaMBaeT (courts ) sa TaHeft* B ropoflon npnessaeT MOJtofloft 
mhxc©H© p JI&6efleB pa6oTaTB na tgkctmjibho^ $a6pMK©. Oh ocTa- 
HaBJIMBaeTCH B rOCTHRMlp M BCTp9Ha©TCH C TaH©ft. Oh Ha 3HBa©T 
©e 36jiynrKOM (Cinderella )* TaHH BJiio6jiAeT ch b Hero, 

X03HMK© TaHH TO.TO Hpa BH TCH MOJIOflOft MHieHep* 

napT6pr ( the local party boss ) Mapnn CepreeBHa y3HaeT, 
HTO TaHH He yweeT hmthtb k nncaTB, m nocnnaeT ©e b niKOjry. 


109 - 


(Film Unit IX) 












KpaTKOG coflepHaHMQ (npoAOJnc©Kne) 

TaHH yqHTCfl Jiytirn© bc©x® XosHftna peBK^eT ( is jealous ) k TaHe 
M bhtohh©t ee (throws out ) • napTopr nocHJiaeT TaHK) pa6o~ 

TaTB Ha $a6pHKy. TaHH pa 6oTa©T y6 6pmMii;eft (cleaning woman) 

M KMBeT C APyTHMH AQByMKaMM B OdmeHMTMMo 0 Ha xohqt 6htb 
TK aqjfxoft ( a weaver ) h mhoto yHHTCH ♦ Hano Hen, ona nojiytiaeT 
pa6oTy TKaqMXM • Ho nepBHM a©iil pe.6 otbi KoirqaeTCH HeyAaMHO 
( in a failure ) • MacTep AaeT ©ft nJtoxoft TKaijKHft o t aH6K (loom) 

a no tom sajiyeTCH, hto oh a He yMe©T padoTaTB. 

B 3Ty HOt£b B {£a6pMHHOM KJiyC© BCTp©tiaiOT HoBNft Toa* 

Tan SojiBinoft 6a ji Ha JiBAy# Tann cm amt Ha cnaMeftK© nep©A 
KJiy6oM* Ee HaxoAHT I©6 ©agb ? pasroBapnBaeT c H©ft f TaHi^yeT 
h Ha koh©h, ne^iyer ee. Tana y6era©T w nJianeT* OHa AyMa©T,MTO 
M©SAy hmmm cjimiukom 6ojiBinaH pa3Hnxraj oh mhjkghgp, a OHa 
npocTafl pa6oTHMna * 

B rasGT© "npaBAa** mnnyT o Hanajie CTaxiHOBCKoro abh- 
H&HMH ( Stakhanovite movement ) • 

TaHH xohgt CTaTB CTax&HOB ko ft ( female Stakhanovite ) 

OHa nwniGT nwcBMO MojroTOBy, mto mossho pa6oTaTB cpa 3 y Ha 
16 cTaHKax, Ho KOHcepBaTfiBHtrii ahpgktop hg no3BOJiH©T ©ft* 
/iMpeKTOp npoTHB Tams, a sa H©g - napTopr* m&ctgp h mh~ 
jkg h ©p JIg6©a^b• KopAa ohm cn6pHT,TaHH nojiynaeT toji©-* 
rpaMMy M3 Kp©MJi6 ot MojiOTOBa, tag Mojiotob no3ApaBJiH©T 
Tanio c ycnexoM, ^upeKTop, KOHenno, TenepB Beg nosBOjineT* 
TaHG R3.k>t HOByKBapTKpy . OHa pa 60 TaeT CHanajia Ha 30 


-II0- 


(Film Unit IX) 




KpaTKOe coflepsanne (npoAOJi&eHne) 

u Ha kohgd; na 150 CTanKax. IIocJieAHMft 3 KcnepiiM ©ht koh« 
naeTCH ycnexoM, ho Tehh nuTaer b ra3eT©, hto flpyran 
tK amixa pa6oTaeT na 200 cTannax m nJianeT ot Toro, ^to ho 
OH a nepBafl cAe^iajia a to . Map® Cepr@©B^a pyr&eT (scolda) 

©e sa arofiSM h roBopHT, hto ohe flojisna pa.noBaT boh, no- 
TOMy hto bc© paboTaioT h© rjir c©6h* a rocyfldpoTBa* 

Tana eflST b MocKBy b KpoMJiB noJiynaTB opfleH (medal) 

3a cbok) ct axaHOBCKyio paOoTy* OHa cTanoBUTCH mh?k©h©pom 
ii flenyT^TOM b Bepx63H£ift Cob&t* 

B ko hii© $miBiia ona BCTpanaeTGH o l©6©fl0BHM f KOToprf 
TenepB flupercrop $a6pnK?i h toe© mmqgt opAeHo 

Tana bhxo^mt sa Hero 3awya 0 

iy . BOnPOCBI I( SOLMy. 

I* Tfle cnanaJia pa6oTa©T Tann? 

2 • OTKyfla ona? 

3. KanyK) pa6oTy OHa fl©jra©T y xosh^kh? 

4. Kto Tanoft Je6e#@B w nan oh BCTpeaaeTcfl 
c Taneii? 

5. Kan Tan a nona^aoT b niKOJiy? 

6 # nonewy Tana T©pH©T pa 6oTy y xoshAkh? 

7. Ta© OHa paOoTaeT nocJie ©Toro? 

8. ^to OHa TaM cHanajia AOJiaeT? 

9* Tao Tana TenepB ehbSt? 

10* K©m OHa xoneT cTa tb h hto ona rjkl ©Toro 
AeJiaeT? 


-III- 


(Film Unit IX) 



Bon poc h k (Jjm m Buy ( up o p o ji a en h© ) 


II* non ©My nepsHM #eH5> ee pa6o*m na ct a hk© 
KOHnaeTCH He yflanHO? 

12* qTo b 3Ty hohb npoMoxo^nT b KJiy6©? 

13* Kan ona bct p© na otch c Ie6e#eBHM b 3Ty hohb? 

14. nonoMy ona nJianeT? 

15. PacoKasMT© , hto Tanoe cTaxaHOBCKO© flBMQHMe ? 

16. KoMy TaHH nnBieT hmcbmo h hto OHa nnmeT? 

17. Mto AywaeT flnpeKTop o ee nJiaH©? 

18. Kto 3am;Hinp.eT Tanjo? 

19. MtO KO HtiaeT HX flHCKyCC HIO? 

20. Mto nnin©T Mo hot on b TOJier paMM© ? 

21. qTo TaHH roBopii'r Ha ifliTpre? 

22* Kyfla TaHH ©fl©T c bgh^mh? 

23* none My JiowaiOT ct©hh Ka c£a6pMKe? 

24* PaccKajKHT© , nan TaHH pa6oTa.ua Ha 150 CTaHKax? 
25* non ©My ona nocjie 3Toro nJian©T flowa? 

26* Mto ©ft roBopiiT MapHii C©pre©BHa? 

27. 3anew TaHH ©#©t b MocKBy? 

28. Mto ona BMflMt b s^pKaJie? 

29. Kew CTajia TaHH nepeo hbokojibko ji©t? 

30. Mto TenepB flejiaeT Ie6e#eB? 

31. Kan vi vp © ohm b c t p© na jot ch ? 

32* q©M KOHnaeTCH <$hjibm? 

33* Kto Tanan 3ojiyiiiKa? 


T TO 


(Film Unit IX) 


BonpOCH K (npO^OJIH 0 HPIQ ) 


34 e PaccKasHTe 3Ty cKa3Ky* 

35* Hto bh M0JK9T8 CKaaaTL o coBeTCKoft 3oJiy]iiK©? 

y. iiMAJora m mi-buk. 

Io Ytpo^ PagHQo 

BHMMaiuie • ronopjiT MocKBa* Hhtb qacoB yTpa no 
MOCKOBCKQMy BpeMQHM, $0 6pO© yT pO 9 TOBapnmm npMro- 

tobmjihcb . • • HanaJiH! 


2 • Ha JiecTHHne b rocTHHPine, 


mapmh: 

CEPrEEBHA? 

Bh hto a mo ft h<5m©p He npn- 
dwpdeTe? I) 

TAHHs 


A h b rocTHHnn;© h© padoTaio. 51 
y mo ©ft xosnft km pa6oTaio. 

MAPHH 

CEPPEEBHAS 

Th hto M, A©p©B6HCKaH? 

TAHHs 


Ar& 0 

MAPJ1H 

CEPPEEBHA: 

Ppd[ MOTHaH? 

TAHHt 


Hot# 

MAPHH 

CEPrEEBHA J 

HTO X TH H© yHMUIBCfl? 

TAHHS 


C6b©ctho * 

MAPWH 

CEPPEEBHA l 

Hero coBecTHo? 

TAHHs 


1 (a Ky^a h noftfly yhmtbch? 

MAPWH 

CEPPEEBHA* 

XoneniB h t©6h BHyqy? 

TAHHs 


Th hto h* Bcex onto a©^oihb b 



yq^HBO? 2) 

MAPHH 

CEPPEEBHA: 

Hy, h© bcgx. , . A bo t KOTopne 
KypHdcH©, Tex mo ry onp©A©JiftTB 


to clean 

2 ) ts nocHjraeniB b niKOjry 


- 113 - 


(Film Unit IX) 























/l.HajiorM ira qvuihua. (npoflcuiHeHHe) 


JIEEEilEB: 

TAHH: 

JIEEEilEB; 

TAHH: 

JIEEEilEB: 

TAHH: 
JIEEEilEB t 

TAHHS 

JIEEEilEB: 


3 • C Ka Me m Ka neDQj kjiv6qm« 

TaHH I Bh wto Ty t fleJiaeT©? 

$oh£pb Ka-paf^io, I) 

Ara, Moscho c Ba mm nocHfl©TB? 

Hy wto &, cKaMeHKa y m©hh 
HeKfrnjie HHaa • 2) 

Taiu 

Em;g w©ro c Ka e© to? 

y Bac m b rocTMHim© TaKMQ rJiaaa 
6ujim? 

Hgt, a to mbs Ha &a 6 t)ttK© BHJiajm ft 3 ) 

Ha gpadpHK© BaM h xapaKTep 
flpyroft flaJiM. 


JIEEEilEB: 

TAHH: 


noiipyrA: 


C Hobhm ro^oM , Tana ! 

C HOBHM CWaCTB0Ml 

Jl 06 ©fl©B nejrfreT 4) TaHio* Ona y 6 era©T ot Hero 
h o njiaweM npMderaeT b o6ih0ihth©<, 

TaHH * TH WTO 3 TO ? 5 ) 

Hto 0 TO60S ? 


TAHH: /njiaweT/ Oh... Oh m©hh no n;eJiOB£ji a 

HO ilPyr A: A oh “to t© 6 © Hpa batch? 


TAHH: 

noiipyrA: 


KO H 0 WH O , HpaBMTCHl 

Tan wero g T©6 e 1i fly-pgxe . 
eme HynHo!? ~6T 


TAHH : Oh, H e66 cb t 7) HHseHep,o6pas6“ 

__Ba hhum wejroBeK f a h kto? 

1) I*an guarding a lamp-post 2) H© moh cKaweMKa (h ©g h© 

3) It was issued nynMjia ) . 

4) kisses 5) what's the matter with you? 6) what else do you need, 

7) you know you fool? 


-114- 


(Fiim Unit IX) 































IIECH5I 


yi. 


B c r rapoii CKaane roBOpHTCH 

npo I) BOJiig4 6mie ^geJia. t 

JKMJIM-6TJJIM 3) flB© cecTpftna, 
Tp© tbh 36jiyiiiKa 6HJia* 


1) « 0 2) magic 

3) once upon a time there lived 


- 115 ' 






FILM UNIT X 


VILLAGE TEACHER 

/ ceilckah rqjfTEULHjnu / 


- 116- 


(Film Unit X) 



I* COMMENTS TO THE FILM* 


1) Tliis film was released in 1947* It shows tho career of an out« 
standing Soviet teacher* The main aim of the film is to contrast prerevo¬ 
lutionary Russia with the USSR, The comparison is, of course, in favor of 
the latter* The teacher starts her career in a remote, dirty, Siberian 
village where peasants live the life of savages: at the end of the film 
the same village is already a clean city with a small palace for a school* 
Before the Revolution, the way to higher education for peasants was closed, 
under the Soviets, the possibilities for them are unlimited * The war of 
1914 Is pictured as a meaningless massacre, while the VJar of 1941 ~ 45 
i3 filled with patriotism and high purpose* 

2) Both parts of the contrast are grossly exaggerated* Sometimes the 
situations shown in the film are completely false. The story of Prov, a 
brilliant boy successfully passed the exams at the city high school but 
was not admitted because of his peasant origin, is not plausible* On the 
other hand, almost everybody during the Soviet regime, gets a government 
medal sooner or later (even the janitor, who,nevertheless, remains a janitor)* 

3) The main part is played by one of the best actresses of the modern 
Russian theater. Miss Maretskaya* However, there is not much to play in 
it, and even Maretskaya cannot make a success out of nothing* 

4) The beginning of the film takes place in Petersburg* Many famous 
places in that city are shown, among them St* Isaac f s cathedral, the canals, 
the Fortress of St Peter and Paul, Admiralty, and the monuments to 
Nicholas I and Peter I* While passing the monuments , the hero recites 
lines from Pushkin* s poem "The Bronze Rider*" 

5) At the graduation ball, the heroine sings the popular song 
"During the Ball," by Tchaikovsky* This melody is played throughout 
the entire film* 

6 ) The peasants in the village pronounce Russian words with a 
clear "0" in an unstressed position* The pupil, Prov, even when he becomes 
a professor of geology, retains his provincial " dnaHBe " (clear 
pronunciation of 0 in an unstressed position)* The speech of the peasants 
is generally in dialect and filled with proverbial expressions* 

7) The use of the exclamation "It *9 Bitter" during the wedding is 
explained in the comments to the film "The Lucky Bride", § 6* 


- 117* 


(Film Unit X) 



II. 


KEY V/ORDS AND PHRASES. 


Bh OOBCGM BSpOCJiaH 
Mh nox6sn xapaKTepaMH 
yn prf was 

fl0 6pOBOJIBH0 
M© qT aT B 

ot tiftcToro cepflip 

"ByAeT© dnaTB no-cM6rapc km 

"Ecjih 6 fleBymiei co iv/acjuact 

EflaTB ROJirm roflii® 

n Hafl©eniBCH? n 

TonliTB 

B^pTMTCa 

H noq©My HHKTO H© 3aCT^nMTCH 
"Btoto 6©306pd3jui h© no3BOJiio 
"Pa3roBapjfBaTB co cTapmuMH 

HySHO CTOfl" 
rpa mothh# 

H3 6a o6BaJi6jiacB 
"Bot 3to no-HanrGMy* 

He po6£ft 
otm6tkh 

cnoc6 6 hbim 

cc6jiKa 


- You are quite grown-up 

- We have similar characters 

- stubborn 

«* voluntarily 

- to dream 

- with a pure heart 

- You will stross 0 f s like 
Siberians 

- If the girl agreed to wait 
long time 

- You still have hope? 

« to heat(a room) 

» it spins 

Why doesn*t anyone step in 
and help? 

« I won*t permit such a disprder 

- Wien you speak with your elders 
you must rise 

- literate 

- the roof caved in 

«- That *s our wayl Now she is 
one of us2 

- don*t be bashful 

- grades 

« talented 

- exile 


118 


(Film Unit X) 



Key words and phrases (cont'd) 


"y Me H H KOHqOCH Cp OK 
CCLIJIKH n 


I've finished ray term in 
exile 


n y Hero OTija y6njiH K 


* His father Was killed 


nepeMOHa 


CT>G 3 fl 


change5 recess (the janitor makes 
a pun upon this word*When asked if 
he interrupted the class for 
"nepeweHa* (recess), he says:”^a, 
nepeMOHa n meaning change of 
government ), 

- Congress 


"Mh yfliiBfiM Mnp® 

P&HGH B 6 OK) 

3apd 3 etb 


-We'll astonish the world some day 
- wounded in battle 
—to kill with a knife 


KaK^Mii cyflR6dMH? 

npo63flOM 

COtlHHd HHG 


What brings you here? 
on (ray) way 
composition 


•Smtb SHauHT CJiysHTB - TO live means to serve one«s 

pOAMH© * fatherland 


6 ptf0H JleHMHa 


** The Order of Lenin 


3Aop6so! 


- hii 


III. HEflCTByTOIKE JMHA. 

BapBdpa Bac^JiBOBHa /BdoeHbKa /, y wi tgui h h jqa 

Ceprd# Au&tvkqbvivl Map Tfi hob « c Ty# © ht , no tom Mys BapeHBKH, 

KOMMCcdp* 

MdmeHBKa« cocTpa MapT^aom 

Er6p IIeTp63Hn 1t niK6ji&HHJi cTdpoac ( janitor ) 

B6pOHOB # KpeCTBHHHH 


-119- 


(Film Unit X) 








^eftcTBympxe JiMiia (npofloji kqbvb ) 

IIpo b , ero chh 9 yqeHMK, no TOM npo&ecoo p r©0Ji6rMJi 

( professor of geology ) 

0cTp6roBa« ynenwna, no tom yniiT ©JiBHMija 
E^kob « 6oraTHfi Kpec tbh hmh 
Ero chh 

HaqaJiBHnii^. khckoto MHCTHTyra (the director of the girl school) 
^Ba cgrnpiKa (two police agents) 

KPATKOE CO/IEPSCAHME . 

BnnycKHoft 6aJi ( graduation ball ) b «6hckom hhcth- 
t fT® b ropo^e Il0T©p6ypr© flo p©bo jnon;MK *£©ByiiiKW MenTaiOT o 
SH 3 HPI, KOTOP3 r IO OHM T©n©pB HaqHyTo Bdp©HBKPL XOq©T y^HTB 
KpecT bhhckhx fl©T©ft* Ha 6aJiy oh a BCTpeqa stch co CTyfleHTOM 
MapTi^HOBHM, 6paT0M e§ noflpyr h ManieH bkh • Oh p©bojhou;moh6p » 
m sa hum Ha6jrioflaeT no jihijpih »Ohh Bjno6jiHioTCfl flpyr b flpyra 
it xotht as© hhtbch f ho MapTHHOBa ap© ct OBHBaioT nepefl CaMOli 
CBaflB6o& (wedding ) • Bap©HBtca ©a©t b flaji gnyio cH6npcKyjo 
flepeBHB). Eg Be 3 gT ihkojibhhm ct6po& (janitor ) Er6p ne- 
Tp6BMq. Oh eft roBopuT, hto b flepeBH© h© HyaHti ytniTejM, 
a HyjKHH paboTHMHw * Ha hobom m©ct© yniiT©JiBHima CHaqajia 
BCTpeqaeT mhoto Tp$f ^hoct©# * HeKOTopn© Kpec tbhh© He xotht 
no cHJiaT b fleTeft b mm jry* nBHHHft kp©ctbhhmh 6b£t (beats ) 
cbok> aceny Ha yn mb;© , yxsi t© jibhmh^l o ct aH a b ji mb a © t ero* Chh 
3 TOTO KpeCTBHHMHa, npOB , nOTOM 0KE3H Ba© TCfl OH0HB CHO- 
o66h£M yqenMKOM. Kor^a obBajiftjiacB ( caved in ) H36a y 


-ISO- 


(Film Unit X) 






KpaTKoe co^epsaHKO (npoAOMeniie) 

©e yqeniiip J\yvLVi , BapenBKa M^eT b toot if k 6 ora r roMy Hpe- 
CTBHHMHy m HamiHaeT c6op ( collection ) fleHer Ha HOByio 
iisdy # Ona yr OBapHBaef Hposa flepscaTB 3K3aM©H b ropOA- 
CKyiO rMMHasfiK) ( secondary school ) • IIpos ohqhb xo porno c^a^T 
3K3aM©H, HO ero He npJlHIfMaiOT, no TOMy HTQ OH KpeCTBHHHH. 

OAHaEAH bo Bp©MH yporca k BapeHBK© npwxoAHT Map tbi- 
HOB, y KOTOporo kohhhjich cpoK co6jikh ( term of exile ) 

Ohm s©HHTea, ho b nepByio houb noon© cb^ab^h ©£P oxihtb 
ap©CTyioi». HaqMHaeT oh Bovina I9I4-ro ro^a, no tom $©BpajiB~ 
cKan p ©bo jnon;m # MapTHHOB onfiT b npn©3sa©T b AepeBHD k 
S8H0• Oh TenepB 6ojfBineBHK m bmqct© c jUghhhbim totobht 
0KTH6pBOKyio pesojnoUMlOo Oh eA©T b n©T©p6ypr» Ha nap~ 
t liftHHft c'&eaA• BapBapa BacMJiBGBHa npOAOJiscaeT ocTaBaTBCH 
CGJIBCKOvr yHMT © JIBHRCIJ© ft « Bo BpGMH rpaEA&HCKO ft BOft HH G© 
wys, KOTopuw Teneps* ojiysHT KOMiiccdpoM b Kpacnoft Apmhm, 
paHen b 6ok>. Cojiasit npMB0 3iir ero b a©P©bhk> k BapBape 
BaCHJIBGBH© * MapTHHOB yMMpaGT* B A©peBHG HanifHaGTCH 
KOJ 1 JI© KTHBUSdllHH « EyKOB M APy^K© KyJiaKft XOTHT y6nTB yHH~ 
TQJiBHKny h ceqhb ihk o ny * C hh ByKOBa coo6md©T ( informs ) 

©n 06 ©tom. OHa cawa HAe^ k KyjiaK&M. E§ cnacaeT ( saves ) 
KpecTBflHMH B6poHOB. BpeMtf HAS’r. BapBapa BacHJiteBHa yse 
CTapaa yyiiTGvTiBHfm^. MaJieHBKO© c©ji 6 cTaJio ropOAOH^ a 
niKOJia TenepB - doJiBinoe MHoroa-rasHoe sa^hms » B Heft pa- 
6oTaeT ytiPiTeJiBHHA©ft Tascsc© 66BmaH ( former ) yaeHin^a Bap- 
b apoi BacnJiBOBHH "“/lyHfl w B ropoA npiiesaaeT Apyroft 6&Binnft 


- ISI 


(Film Unit X) 


KpaTKoe coAepxaHKe (ripoflo ji&eHHe) 

ytieHMK BapBapti BacnjitesHH-IIpoB 9 KOTopnft Tenept npo#©ccop 
reojiorMM. yn©HMKM BapBapu BacmiBeBHH xotht 0 /jhh pa3 b rofl 
co6npaTBCH y h@8. Ho HanMHaeTca BTopas MHpoBan Boftna. Bo 
BpeMfi bo ft hh Bapeapa BacMJiB©BHa npoflOJx«a©T 6 htb ynHTeJiB- 
HHijeft. Ot cbomx 66 bihmx yneHHKOB oh a nojiynaeT nncLMa co bcqx 
kohd;ob ct pa h bi • OflHa&flH yTpow OHa cJiHnniT no pa^HO, ^to 
COB 0 Tckog npa tgjibctbo HarpaflMJio ( awarded ) ©g opfleHOM 
iGHHHa * Kor^a BoftHa KOHnaeTCH , Ha BHnycKHoft 6ax b ©8 
niKDJte ct© 33 KaK)TCH ©8 6 HBinn© yneHHKH OTOBciofly* 

iy. BOnPOCH K ^HXBMSTa 

I. K©m 6 uji 3 l Bap©HBKa b II©T©p 6 ypr© ? 

8 * T^e OHa BCTpOTHJiaCB C MapTHHOBHU? 

3 . Kto TaKoii MapTHHOB? 

4 « Kgm xon©T 6 htb BapeHBKa? 

5 « IIoneMy ona xo^igt ©xaT b b flepeBHio? 

6 * Hto MapTHHOB h BapeHBKa AejraioT nocjr© 6 aJia? 

7 * IIoqeMy BapeHBK© hg y^aeTCH bhmt m aaMyx? 

8 . Kan BCTpenaiOT yHMTe jiBHmjy b a©p©bh©? 

1 

9 0 notiewy Kp ©ct bhh© h© nocnjiaiOT fl©T©fi b mKOJiy? 

10 o PaccKaaHTe ©nii 36 ^ c n bhhum kpgctbhhhhom « 

II* Hto cjiynM jiocb b cgmb© .ZtyHH? 

IS* Kan ynMTGJiBHMHa noworjia mm? 

13 . IIon©My 6 oraTHii kp©ct bhhhh jr 3 k 8 t ^ghbpk? 

14 . Kto ca mhm Jiyniirnw yneHKK BapBapH Bacw jibqbhn? 


- 122 - 


(Film Unit X) 





Bo rip o oh k ci* i jib My (npo^ojisenK© ) 

15* ^Ito ona co B©Ty ©t ©My Ae.saT£? 

16* nonewy npoBa h© npMHHMaioT b FHMHa3iiio? 

17* Kto npneasaeT k Bapsaps Bacii jibobh© ? 

18* non ©My oh npnexajs? 

19* ^to cjiyxiHJiocB nocjie cBa^BdH? 

20* ^to BCKope nocjie btopo npoH30injio b cTpane? 

21* KaK oriHTB BCTpenaioTCH BapeHBKa m MapTHHOB? 

22 o Kto oh TenepB m Ky^a oh ©agt? 

23* Kan BapBapa BacMJiBeBHa bct pe^aeTCH c Mvieu 
b riocjie#Hiift pa 3? 

24o Kai< ona y3Ha©T, hto eg xotht y6nTB? 

25 o ^to ona Tor^a flGJiaeT? 

26 o Kto cnacaex eg? 

27* KaK H3M8H mjimcb fJ, ep© bhh h mkojei nocjie 
p© bo ? 

28. ^to TenepB A©Jia©T yneHJiH£i BapBapu Bacif jtbqbhh 
•Ayhh? 

29* Kom CTaji eg yneHKK IIpoB ? 

30* *Ito co6MpaioTCH AeJiaTB KaiflHM toa eg 

6HBUIM© y^OHMHM? 

31. ^to HanMra ©t on b 1941 rofly? 

32. *Ito A©Jia©T BapBapa BacjuiBeBHa bo bp©mh bohhh? 

33. ^to OHa CJiHmMT no pa^wo? 

34* new KOHnaeTCH $mjibm? 


-123- 


(Film Unit X) 


MAPTHHOB : 

BAPEHLKA : 

MAPTHHOB? 

BAPEHLKA: 

MAPTHHOB? 

BAPEHLKA: 

MAPTHHOB * 

1) attentively 
4) Oh, come now 

MAPTHHOB ? 

BAPEHLKA ? 

MAPTHHOB t 

BAPEHLKA i 

1 ) criticized 


. iiKAJiorH ib mihm* 


I * Ha 6a„iy«, 

3^paBCTByMT© 9 B&p3HEKa! 
3ApaBOTByMT© , Cepr^iil Hto bh Ha 

M6 HH TaK npffCTaJIfcHO I) CMOTpilT© ? 

Kara cKasaia, hto mm c BaMH 
noxomi 2) xapaKTepaMM. OHa 
TOBOpHT, wo bh TaKaH &e, KaK 
ynpHMaa© 

MoraeT 6 htb«, 

H 3Haio, bh e^GT© b flepeBHM 
yn^TejiBCTBOBaTB. 

Bh pas b© to& e SHaeTe? • • • 

OcyHiBsl QTQ? 3 ) 

Hto bh! 4) Banin HaM&T>e hhh 

6jiarop6flHH ! . • „ 5) 


similar 3) disapprove 
5) Your intentions are noble 

2« Ha 6a«gy # 

Kan bh xoponro nejrn! 

A MameHBKa 6-paHftjracB ,I) 
t-iTO h njioxo noiOo 

Hto bh! . Bh vflnB^TejiBHO 2) 
nejrn!.*. (Co6npaioTCfl hath 
flOMOft ) * 

M KaK bh pemaeTecB exaTB b Cm6mpb? 
A pasBe TaM njioxo? 


2 ) amazingly well 


-124 


(Film Unit X) 


























^Hajiorif ii3 qsiJiBKa. (npofloji seni© ) 


MAPTHHQB: 

H©t . OTtiero e© ! B©ab Tvna cciiJiafOT 3) 
Hauiero 6pa f ra 4 ) sa t6ekm© rnexfi. 5) 

A m flo6poB5 jibhg . 3 Kami T 9 bh 

CH JI BHafl « 

BA PE HP KA. t 

HeT 9 hto bh! Taw ohqhb nyHHH ytiw- 
TQJISZ • H HMKTO Tyfla H0 XOHGT. A H 
MetiTaio. fl 6yflv y hhtb a©t©m # bh 

3Ha©Te, mh© KaseTes, ©cjim m©- 
jiOBeKy rojipo bhyiiiIltb xopome© 6) 

M fl©JiaTJ» 3TO OT qMCTOrO Cepfllja f 
to Jiiotfoft , flaae caMHM nJioxow 
^©JIOBGK, nep©M0HMTCa o ToilBKO 

Haflo Henpe m3hho 7) ot hkctoto 
cepflija . H© cm©m t©cb! 

MAPTHHQB : 

H He cmgiocb • Bama ySeEfl^HHOCTB 8) 
mh e no flyme o 9) 

3) to exile 4) Ham 
5) serious crimes 

7) necessarily 

6paT (idiom) - people like us 

6) to teach better things 

8) conviction 

9) MH0 HpaBMTCfl 

3# B lTKOJIGo 

EroP: 

OfluaKo, HafleemBCH? 

BAPEHLKA. i 

HafleiocB* 

ErOPs 

Hy, HaflefteH , Hafleftcfi ! TonnTB,tiTO 

JIM? 

BAPEHLKE t 

Toni!® 

Erop? 

A, MDHeT, He TOnMTB? 

BAPEHBKA. : 

Erop neTpoBim! Kaisflo© yTpo th 

6yfl©KlB TOTIMTB n©HB . H OTM0HH) I) 
cBoe pacnopHKeHH ©^tojibko b Tpgx 
cjiyqaax: norfla He 6yfleT flpon, 

Korfla HacTaneT 3) Becna mjim Koraa. 
jh© flaft Bor, cropMT uiKOJia tt 


1) cancel 2) npHKaa 
3)«npMfl©T 


135 


(Film Unit X) 



























^MaJiorw M3 (npoflojixeHM© ) 


Erops 

/6epeT b py km rjiotfyc/ 3to aTO xe 
3a niTYKa 4; Tana a? 

BAPEHLKA s 

3to, Erop rieTpoBMa, rjiodyc*^ 
M3o6pax8HM© 5) nJiaHeTH Hameft - 
3eMJiM. Th 3HaeniB, aTO 3©MJia 

Hauia BepTMTCH? 

ETOP: 

M Kyfla m oh a b©ptmtch? 


4 ) thing 5) representation 



4. nepBH# vdok BapBapH BacHJiB- 

9BHM o 

BAPEHLKA. : 

Tlpexfl© Bcero, fleTM, a no 3 flpaBJiHio 
Bac c HaaajroM aanaTK^ « C ce- 
ro^HaniHero .zjhh bh h© npocTO 

MajIBHMEtlKM M #0 BaO HKM J BH - 
yaeHHKH. Bh HaJrqiiTecL aMTaTB , 
irncaTB, oaMTaTB : bh 6yfleT© rpa- 
MOTHHMMo 

H paccKaxy Ban noaaMy a©hb cm©- 
HH0T I) HOIIB: KTO xhb^t sa 
mo pa mm; no a© My flyeT B©T©p; xyfla 
TeKy t p©km; a Hayay Bac M©aTaTB . 

1) follows 



126 . 


(Film Unit X) 














FILM UNIT XX 


VOLGA-VOLGA 
/ BOIPA - BOJrA / 


127 - 


(Film Unit XI) 



I* COMMENTS TO THS FILM* 


1) This is a pre-war musical-comedy released in 193&* The film was 
directed by the famous Soviet director, Alexandrov, director of "Tanya,” 

"The Spring,” etc#, and, as is usual with his films, stars his wife, 

Liubov Orlova# The music for the film was composed by the Soviet "Irving 
Berlin," Dunayevsky and the lyrics by the Soviet "Oscar Hammerstein," 
Lebedev-Kumach# This film was a great favorite of Stalin. 

2) Th© action starts in a typical small town in the Ural Region. Notice 
the primitive ferryboat and telephone, and the lack of a public water supply# 
The major industry of the town is the manufacture of musical instruments# 
Byvalov, the"viHain" of the piece, is the director of the small handi¬ 
crafts industry ( KycTixpOM ) for the region# 

3) The part of Byvalov is played by Ilyinsky, a leading Soviet actor 
both on the stage and on the screen# He is a master of the techniques of 
his craft and was starred in many of the early Soviet movies in the 20 f s# 

He is very popular with the public in the USSR« The part of Byvalov is a 
caricature of minor Communist officials# Such officials are assigned by 
the party to supervise activities with which in many cases they have no 
technical acquaintance# Thus Byvalov is in charge of production of 
musical instruments and is completely ignorant of music# Notice how in 
the film he constantly mispronounces the name <f the composer Schubert as 
Schulbert# His speech is filled with newspaper cliches and stock party 
phrases. This type of satire is common in Soviet life in movies and perio¬ 
dicals# However the criticism is always directed at minor officials and 
never at important officials or at the Communist party line. It appears 
near the end of the film that the producer feared that his criticism was 
too strong, for he inserts a line into the final song to the effect that 
people like byvalov are seldom found# 

4) During the period in which this film was made, the Soviet 
government experimented with a six-day week# Thus to show the passage of 
time the phrase "first day of the six-day week" (shestidnyivka) is used# 

5) The film shows a movement which was very-strongly supported by 
the government at that time, the " caMO^eHT©JiBHOCfK>" or self-acti¬ 
vities movement# Through this movement people were encouraged to join 
"circles" for leisure-time activities, such as dramatics, painting,singing, 
etc# Local competitions for these amateurs were held, followed by regional 
competitions for the winners, culminating in a national Olympiad of Arti¬ 
stic Self-activities. In the picture two circles are shown, a classical- 
music and a folk-music group# Both groups go to Moscow to participate in 
the Olympiad# 

6 ) The town in the Urals is located on an unnamed stream# The trip 
on the river (interestingly enough on an American river steamboat) takes 
them down the Chusovaya and Kama Rivers to the Volga and then up the 
Volga to the Moscow Sea and through the Moscow-Volga Canal to the capital. 
The Moscow canal and the newly created Moscow Sea were two of the proudest 


-12S- 


(Film Unit XI) 




Comments to the film (cont*d) 

accomplishments of the Soviet regime during that period. Note how the film 
shows the newest types of steamboats, a barge with new cars, speed boats, 
and even a new dirigible during the passage to Moscow* 

7) In the early scene showing the heroine in the village on her 
bycicle, she tries to convince Byvalov that her "circle" possesses 
talented people. In order to show him what they can do, she herself per¬ 
forms. She sings an aria from "Eugene Onegin" by Tchaikovsky, dances a 
Georgian folk-dance the ** Jie3rfiHKa§ and recites from the "Demon" by 
Lermontov* Byvalov does not understand the poem and thinks it may be 
subversive and directed towards him* 

8 ) There are several Russian puns in the film. An example is when 

Byvalov is asked near the end of the film " Bh ?* 

This verb may mean either compose or invent in the sense of make-up 
a stoxy. Not realizing that he was asked whether he composed the song,he 
answers "No, I haven*t made up anything." 


-129- 


(Film Unit XI) 


II 


KEY WORDS AND PHRASES, 


IIHC BMD h 6 CHI3^ « nOMTaJ!IB6H 

caeTOBd# - bookkeeper 

tqji ©r paMMa ~*mojihmh - urgent wir© 

KycTnp6M (the contraction of 

KycTapnan npoMHinJieHHOOTB)« Administration for the 


IXO Ba HIHM pyKOBd^CTBOM 

"IIpOOTO XOMGTCH pBaTB H 
M0T^TB* 

"Ka&flyio mm Hy Ty say bhs ob a * 

MCnQJZHjiTB BC© TBOM SGJI&HMa 
“Th o 66 fl 0 JIacB? ,, 

SaHMMaTBCH nyCTHK^MM 

M&CCOBO© npOHSBdflCTBO 

OOMMHfiTB 

Kpys6K 

©pyHfl^ 

BOflOBt$ 3 
nap6u sacTp&ji 
Tnppy! 

xyfl6s©cTB©HHaH caMO“ 
fl§aT9JIBH0CTB 

COBepm^HHO CGKp&THO 

COpeBHOBdHM© 

OTO^TCTBHe 

ff noBe&tf 


Handicraft Industry 

- under your leadership 

- I am so mad I simply want to 
throw things 

- I am expecting a call any minute 

- to fulfill all your wishes 

- Are you offended? 

- to busy oneself with trifles 

- mass production 

- to compose (a song, a novel etc*) 

- circle 

- fiddlesticks 

- water carrier 

- the ferry is stuck 

- whoa! 

- amateur artistic activities 

« top secret 
« competition, contest 

- lack 

- I'll take (you) 


*130 


(Film Unit XI) 



Key words & phrases (Cont*d) 


napoxd# 

no jihh i\ (xor) ! 

3fl8 CB Bee mJjIM 3HaiO tt 

PeSArn ! 

Hecji&xaHHOG xyjmrliHCTBO 

3 aniicaTB na h <5 tm 

HOTH 

H6THan 6yMdra 

®Cnaodftcg kto moigt 51 

^HeMefljroHHO BHaBaTB!" 

"Ho Ta Afssi ! * 

®IIpoH 30 iiiJi 6 flocdpoe 
HeflopasyM^ hm©*» 

ff H©M6flJI0HHO COSHaB^ftTOCB® 

"ABTopal w 

III. 

MbAh Hb&hobm Ehb&jiob , 

Ctp^ JiKa 

AJigma » 

J6nMa.H (pilot) 

■flAjgfl BO flOB (5 3 

OxtolH, flB6pHHK 
36g HBAHOBHa« ceKpeTdpm 
Mpuimdimoh^p 


steamboat 
full speed aheadl 
I know all sandbars here 
fellows! 

an unheard-of hooliganism 
to write down the music 
sheet music} notes 
music-paper 
Run for your lives! 

Call without delay! 

A wrong Dunya! 

There*s been a regrettable mis¬ 
understanding 

Confess at once 

Author! Author! 


jlEfiCTBTOmKE JMUA . 

£iips kt op KycTnpOMa (the local director 
of the Handicraft Industry ) 
micBMOHd cwija /nogTaJiBOH/ 

cgeTOB^fl ( bookkeeper ) 

( water carrier ) 

( janitor ) 

BhbAAOB a 


- 131 - 


(Film Unit XI) 










/JeftcTsyiomwe Jiwnfr (npo#o.HH 0 HMe ) 

0<£im h aHT 
HoBapA 

lecop^ 6 ( Lumberjack) 

HaqaJiBHMK nrra6a 0 ( The head of the board of judges at the 

Olympiad) 

KPATKOE COJEPgAHHE 

Topofl6K MeJiKOB6flCK. Ero sMTejiM joo<5ht MysHKy h TaHijH* 
B ropoflK© ©ctb pa My3HKa jibhhx KpyanA (circles )• Ofl hum 
KpyaKdM pyKOBO R$lt (leads ) cqeTOBOfl AJiSm , pyr mm - 
nMCBMOHOCMr^a CTpejiKa • CTpeJiKa h AJiema jixo6ht flpyr apyra, 
ho AjiShi© Hpa m tch cepBe3Han My 3HKa 9 a CTpeJiK© - JiSrKan, 

H OHM TiaCTO CCOpHTCH M3-3a 3Toro. CTpeJiKa COxiHHfcjia 
(wrote ) necHio, KOTopyro ona noeT AjiSih© . Ho ona roBopHT, 
tt o 3Ty necHK) cotniHiuia ©S noflpyra £yHH • AJiem© n© chh h© 

Hpa butch • HatiaJiBHMK KycTnp6Ma BHBa jiob c^HTaeT o©6h 
6ojiBnHM ti©jroB©KOM» Oh o^iohb h© aobo jigh, hto ©My npiixo- 

flHTCH SMT B H pabOTaTB B MaJIQHBKOM POpOfl© * OH Hafl©0TCH, 
hto ero cKopo n©p©B©flyT b MocKBy. 

M3 Mockbh npHXOflHT TejierpaMMa* CTpeJiKa h© moxqt ©g 
flOCTaBMTB, noTOMy xito nap6w ocTaHOBHJicfl Ha cepe^HH© peKH. 
BHBajioB npn©3sa©T Ha 6ep©r p©kh. Oh ^waeT, hto tqji©- 
rpaMMa BH3HBa©T ero b MocKBy* Ho b TeJierpaMM© ©ro npo“ 
oht npnojiaTB MysHKAHTOB b MocKBy Ha 0jniMnndfly Xy«6- 
s©CTB©HHofT CaM0^4HT©JiBH0CTH (Finals of the National Amateurs* 
Contest)• 


-132- 


(Film Unit XI) 



KpaTKoe coflepscaHii© (npoflOJiHceira©) 

BHsaJiOB OTB©tiaeT, ^to b 3tom ropo^e hot h h© mosqt 6htb 
HHK aKMX T&JI&HT03 « CTp©JIKa, AJlSlUa M #pyrM 0 KHT 0 JIH CTa- 
paiOTCH flOKaaaTB BHBaJiOBy, htq b ropofl© MHoro jik)#©#, 
koto pH© xopono noioT, TaHijyioT vl iirpaioT na My 3 HKa ji b~ 

HHX I 1 HCT pfy isS HTaX ♦ Ho BHBa^OB H© B©pHT# TOJIBKQ AJIGIHe 
yfla§TC h yroBopfiTB ( persuade ) BHBa jioB a. Ajrem cjiy- 
*iaftH© ( by accident ) flaeT ©My mhcjjb ( idea), mto oh, BHBa- 
•SOB , MO St© T nOB ©3 TH MX B MOCKBy* BHBaJIOB npHKasHBaeT 
notMHMTB CTapHft napoxofl (steamboat ) ne^eT b MocKBy o 
CKM^OHtqeCKMM OpK&CTpCG! AJI^IIIM« Ho OH HG XOH©T 6 paTB C 
co 6 ofi KpysoK CTpeJiKia CTpeJina h ©S flpyaBs Bce-TaKii na- 
xoflHT cn 6 co 6 (a method ) tosg noexaTB b MocKBy# IIo flopor© 
c o 6 eMMM rpynnaMH CJiynaeTCH MHoro npHKJi&M©HH# (experiences) 
AJiSma vl CTpejiKa cjiyqaMHO mghhkjtch napoxo^aMM. CTpeJiKa 
no eT oboe) neons) My 3 HKa HTaii cMM$OHMq©c koto opnecTpa, ho 
roBopHT, tiTO necHio coMKHMJia ee no^pyra /lyHH* Mm necnn 
omqhb npaBMTCfl , H OHM ©ailMCHBaiOT ©8 . Tan KaK y HMX H©T 
hotho ft. 6 yMarH, ohm nojiBsyiOTCH 6juaroPt EHBajioBa. Hat|MHa©TCH 
rposa . B©T©p yH ocmt hoth, Hhcth nona^aioT k paaHHii jhoahm# 
Kor^a Kpysisi Ctp©jikm m AjiShim npneB&aiOT b MocKBy, Taw bo© 
yxte 3 HaioT m noE)T ©e « CTpejiKa h© mosqt hohhtb^b h8m 
^©jio» A ©S TOBapMmM ysopsHH, xjto AyHH yKpajia (stole ) 
a tv necnio, B Mockb©, b mTa6© OJiMnnwa^H, wmyT aBTopa necnin 


-133 


(Film Unit XI) 


KpaTKoe 

coflep&aHK© (npoflOJiiceHii©) 

CHana Jia 

AynaioTj, nro ©to Bhb aiiOB, noTOMy aTO iiqchh Hanwcana 


( is written ) Ha dyMare c ero hmohqm. IIotom MEjyT fleBynmy 
c MMQH 0 M J \yHH , noTowy tiTO CTpeJina Boerfla roBopmra, qTO 
necHio coqHHHjra ©S no^pyra £yHa« HaKonei; yaHaiOT, xito aBT op 


necHH - 

CTpejiKa. necHH noJiyqaeT nepBH# npM3 0 

I. 

Iy. BOnPOCH K MJLMT. 

PaccKasMT©, KaK bht ropofl, HOTopw# bh 

BMfleJIPI B ^IJlblSB ^ 

2. 

^©M SaHMMaiOTCH SMT0JTM B ©TOM TOpOfl©? 

3 o 

KaKHe Kpysaai ©ctb b ropofle? 

4. 

Kto Tano^ BHBaJiOB? 

5 0 

PaceKa sht©, KaK BuBajroB pa3roBapHBa©T 
no T©Ji 0 (poHy? 

6 0 

KaKaa pa6oTa y CTpeJiKH? 

7 0 

noneMy OHa aacTO ccopMTca c AJiSnieft? 

8. 

Hto c jiyxjji jiocb c napowoM? 

9. 

IIon©My BHBaJiOB noexaji Ha p©Ky? 

• 

o 

H 

noneiiy ©ro Ta k HHT©p©cy©T TejierpaMMa? 

• 

H 

H 

Kto TaKofi fla^a Kysa? 

IS. 

r«© Bcer^a 0CTaHaBjiHBa©T ca ©ro jromaflB? 

13. 

tjTO 6hjio b ToilerpaMM©? 

9 

H 

^TO BHBaJiOB OTB©qa©T Ha 3Ty T©JI ©rpaMMy? 

15 ♦ 

^to CTpeiiKa cTapaeTca AOKasaTB BHBa JiOBy ? 

16. 

PaccKasHTe, KaK ropoa nonasHBaeT cboh 

TajraHTfci BHBaiiOBy? 


-134- 


(Film Unit XI) 



Bonpoen K $11 JTBMy (npOflOJl S 0 KMG ) 


17* no^eny BHBaJiOB poinaeT nocJiaTB b MocKBy 
Kpy 2S G K AJiemK? 

18« Ha tign ohm @#yT b MocKBy? 

19 o OnMMiiT© ©tot napoxo$„ 

20 • Kar< ©a©t b Moc KBy KpysoK Ctp©jikm? 

21. PaccKasHTe, hto 6hio c o6ommh KpysKaiiH 
b flopore? 

22* noti©My oc TaiiOBMJiMCB o6a cf^na (boats ) 

23* Kaic CTpeJiKa h AJrexsa mqhhiotch m©ctrmm? 

24* Kto samiCHBaeT na ch £> CTpejiKH? 

25* Kto^ no cJioBaM Ctpozikh, HaroroaJi ©t y necHio? 
28* Ha mb©£i 6yMare MyaHKaHTH saniicHBaJOT necHio? 
27* KaK necHH nonajia b Hoc Ksy? 

28. noiiei^/ Amelia flyMaoT, tiro $yHH yKpaJia necHio? 
29© HoHeuy Bhb=ljiobe BHSBajni b niTa6 OJiMMnnaflH? 
30© PaccKasMTQ 9 KaK HCKa mm aBTopa neoHK? 

31© H©m $mmbm KOHtiaeTCH? 


CTPEIKA? 

kJlMht 

CTPEJIKA S 


AJifim $ 
OTPEJTKA? 


J • AKAJOrM M3 ■HfJBMA* 

X© Ha napoM© © 

Crastn, AJigma* a t© 6© HMKor^a h© 
XOT 0 MOOB COtJMH&TB HT <5yflB CaMOM^? 

CaMOM^? HMKor^a! 

Ecmh 6 u h 3Hajia My3HKy Tan, KaK 

TH 9 fl 6 h n;©JfIHfi J!©HB COqHHHJEl* 

y t©6h 6h HHqero h© no JiynuMocB* 
notieuy ? 


- 135- 


(Film Unit XI) 









^Hcurom M3 $MJi£Ma (npoRoJiKenm ) 


ajiEhia* 


UOTOMy MTO TH nKCBMOHOCMljap 
a H9 KOMnoa^Topa 

CTPEJIKA: 


Kanl Th cMMTaeniB, mto iihcbmo- 
ho chi* a HHtjero ne mos©t comm- 

HMTB? A BO T COtJMHMJia! 

AI EmA s 


HTO COtniHMJia? 

CTPEJIKA t 


IleCHBo 

AJifimAs 


Kto? 

CTPEJIKA: 


Hmcbmoho CM Dp, . 

AJlfilHA t 


Morv c©6© nt)©jicTaBMT£! I) 

Kto ae ©to? 

CTPEJIKA: 


M-m-m... Th ©S h© 3BaeiB« 

AJlfirn: 


3Haio. 3MHKa ©to. 

CTPEJIKA : 


HMKaKan h© 3MHKa ! Rynsi. 

Iloflpyra moh. 

aiEhias 


Mory c©6© npefl ct aBMTBl Xa-xa! 

CTPEJIKA: 


A th h© cm©#ch • Th cHaqajua 
co^he£hh© nocjiyraaii, a noTOM 

CM ©K CM . 

AJEMAl 


IIoaajiyiiCTa! 


CTpeJina nogTo 

CTPEJIKA: 

/ko hmhb/: 

Hy? 

AJI&BA : 


nep©Aaft cbo©# ^yH©, mto ona flypa* 

CTPEJIKA : 


Hy, 3Ha ©dib ... 8) 

A jfiniA.: 


H TenepB ©Haro, mto bh y c©6h b 
KpyaK© ©pyHa6ft ©aHHwa© t©cb . 3) 

1) imagine 

2) approx. 

:Well, I never ... 

3) You*re wasting your time 



“*136 























.ZJuajiorH H3 (npofloji &©hib ) 


CTPEJIKA S 

EpyH#oft 3aHMwa©M ch ?^a y Hae 

ZlHilH Kyan Ha cawojid JIBHOft 4) 
Tpy6© Jiyqnr©, h©m th Ha no- 
jKynHdft 5) # nrpa©T. 

AJlElDA: 

Kysn Jiyqni© m©hh nrmeT? Toxe 

MH9 apTMCT m irrejica I 6) 

Ko jiji©kt mb Hadpajia : AHflH Kysn, 
t8th nama, a TenepB ©m@ ^yHH 
K0Mn03HT0pIXyfl6H©0TBeHHHft 

aHcdMdJiB "KvpaM hA cm©x! 7) 

CTPEJIKA: 

KypaM Ha cm©x? Hy, ys ©cjik Ha 
HHCTOT <r 8) rOBODHTB. TO Ta KO MV 
opnecTpy, Kan y t©6h, tojibko b 
MOJ i6qHo^iirr>aTB. na h to jiotom! 

aiEma: 

3to ©mg noq©My? 

CTPEJIKA. 2 

Myx He 6yfl©T 2 cadxHyT* 10) 

ajiEhia 2 

Myx h© 6y^©T? A ot Bamer o xopa h 
M yx e© 6 yfl©T h caMoft MOJioqHofi 

H© 6 y^ © t © 

CTPEJIKA 1 

IIoqeMy ? 

AJEIHA s 

IIOTOMy qTO OT TaKMX TOJIOCOB 
MOJIOKO CKftCHST « II) 

CTPEJIKA2 

MOJIOKO CKHCH0T?... 

/h© HaxoflHT cjiob/* 


4) home-made 5) boughten 6) Now you found me an artist, too 

7) (lit*: (contemp.) for chickens to laugh S ridiculous 

8) frankly 9) a mo JioqHan JiaBKa 10 )s yMpyT 
ll)wiU curdle 


-137 


(Film Unit XI) 























^Hajiorn H3 <£HJiBMa (npoflojiseHHe) 


CTPEJIKA s 


EKBAJIOB t 

CTPEJIKA 2 


EHBAJIOB l 


2 • Ha 6e-pery» 

TosapHin; BHBa jiob , bot b aw raaeTa* 
A TGJierpaiiMy a nepeflaBaTB ot- 
KaSHBaiOCB • 

notiewy? 

Bh Bcero rbo HefieJiH* ksk npMexaJiM, 
a 6e~p §tq Ba ce6fl cm&jioctb I) 
roBOpiiTB, tiTO b HaraeM ropo^e 
H0T TaJiaHTOB. 3 to nenpaBfla! 
TaJiaHTN y Hac ©ctb 0 

EpvHjal 8) B a tom ropofle h© 

ISO H©T ?HTB TaJiaHTOB* 


1) you dare 

2) fiddlesticks 


3. Ha napoxoae . 

CTPEJTKA: 

noMHKcnrB, Torfla Ha nap6M© h 
t© 6© oflHy necHio n©Jia? 

MEDIA. 8 

n©cHK>? KaKyio necHio? 

CT PE IK A I 

KOTOpyE) 4yHH COHHHHJiaa 

ajiEdiai 

^yHH? H© no MHK)© 

CTPEJIKA 1 

Th ©g ©n^g HaaBaJi. 

AJlElDA 8 

.Aypofi? A! TenepB BcnoMHiuu 
Kano# xe h 6uji Torfla flypAnl 

CTPEJIKA g 

npaBHJiBHo! Kano# th yMHHft, 
AJigniKa I 

MElA 8 

3HaqHT - mhp? I) 

CTPEJIKA. t 

HaBcer^a? 

AlfilHA g 

Haecer^a « 

CTPEJIKA t 

1) peace 

Cjiymaft* no moth mh© 3Ty necnso 
Ha hd th aanHcaTB© 


-I38« 


(Film Unit XI) 























^MaJiorH ns JiBMa (npoflojiseHM© ) 


AJfilHA: 
CTPEJ KA.t, 

ajtEhia t 


CTPEJIKAt 

AJfilHA 8 

CTPEJIKAt 

AJfilHA t 


IXoffiajiyiicTa. y& h© flyMaeT© jih bh 
©g B MOCKBy B03TH? 

Hy fla* 

Aa BH MTO, C YmA C O mJIM 1 S) 

B©AB BH 3T0H ©-pYHaBl ST B©CB 

Ham pa ik> h ocp a MHT© .4) 

fl o tp6ckom irooBiJHTechl 5) 

Kan 6 h bh caMH h© irpoBajrMJiHolbl 6) 

Hy 3T0 MH ©mg yBHflHM^KTO M3 
Hao npOBd JIMTCH <* 

Bh iipobAjiht© cb ! 

H© npoBdJiMMCH! 


2) you*ve gotie out of your mindl 3) nonsense 

4) wiUdisgrace 5) you 1 11 be a terrible flop! 

6) Did you ever consider that you yourself might be a flop? 


“13 9 s 


(Film Unit XI) 















FILM UNIT XII 


ADVENTURE IN BOKHARA 
/ B03M5rTftTE.II> Cn0K6ftCTBHH / 


- 140 - 


(Film Unit XII) 



I. COMMENTS DO THE FILM a 


1) This film was produced during the war in the Soviet studios in 
Tashkent, Uzbek SSR, not only because the action took place in Central 
Asia p but also because during the war it was impossible to make pictures 
in the areas overrun by the Germans. It was directed by the noted Soviet 
director, Protazanov. The heroine and parts of extras are played by people 
from Central Asia; however, the other starring roles are taken by Russians. 
The action takes place in the Enirate of Bokhara, an ancient princi¬ 
pality which occupied a part of the territory of the present Uzbek SSR. 

2) The story is based on a best-selling Soviet novel "The Disturber 
of the Peace,"which in turn was based on legends about Nasr-Eddin, the 
Moslem Robin Hood. These legends are told not only in Central Asia, but 
throughout the Moslem world. The Robin hood theme closely fits the Soviet 
propaganda aims, and the role of Nasr-Eddin as a defender of common people 
against the rich and powerful is stressed more in the film than in the 
legends, in which Nasr-Eddin is pictured simply as a clever fellow who 
outwits the stupid and the arrogant, regardless of what class they 

are from. 

3) The film is much more true to life than the average Hollywood 
movie about an Arab or Moslem theme. Note the heroine, who is typical of 
what is considered a beautiful girl in thosejiegions, but who to non-Oriental 
eyes looks rather strange and certainly not beautiful. The Russian dialogue 
is filled with translations from native speech such as "Most Gracious 
Emir,” "Allah be praised," etc. In addition several non-Russian words 

are used, notably "ishak" (Russian " QC&Jl ") donkey, and "tanga," 
a coin of the region. In the bazaar the hero, Nasr-Eddin ,is shown eating 
plov, a mixture of rice, mutton, and mutton fat, which is eaten with the 
fingers from a common bowl. 

4) The anger of the Moslem populace is finally aroused against the 
Emir when his soldiers, having heard that Nasr-Eddin is masquerading as a 
woman, start unveiling all of the women on the street. 

5) Nasr-Eddin, as you will see in the film, is a clever fellow who 
delights in outwitting others. The following are some examples from the 
films 

a) Nasr-Eddin recites the following fable to the usurer, who 
thinks that within an hour he will have the heroine for a slave since her 
father cannot pay a debt* Once a jackal (the usurer) saw a berry (the 
heroine) on a tree, and tried to pick it. He tried and tried to climb 
the tree and finally after scratching himself and wearing himself out , 

a falcon (Nasr-Eddin) came along and snatched the prize out of his 
grasp. Later when the usurer caused the Emir to place the heroine in 
his harem, the usurer said it was not a falcon, but a lion who got the 
prize. 

b) After eluding the emir at will, and even living with him 
in disguise Nasr-Eddin finally gives himself up in order to spare 


-141- 


(Film Unit XII) 



Comments to the film (cont*d) 


the lives of hostages whom the Elmir was about to execute* Before revealing 
himself, however, Nasr-Eddin (in disguise) exacts a public promise from the 
Emir , that he will free the hostages and execute the man who was shielding 
Nasr-Eddin* This of course is the Enir himself* 

c) Early in the film Nasr-Eddin brings his donkey into the 
building * When asked why, he says it is no ordinary animal and knows 
how to read* He explains that the Emir, having heard that he is an 
excellent animal-trainer gave him money and ordered him to teach the beast 
to read under pain of losing his head* The crowd expresses regret that he 
will lose his head, but Nasr-Eddin explains that the Bnir gave him twenty 
years and adds that in that time either the donkey, the Enir, or he him¬ 
self will be dead* 

d) After Nasr-Eddin surrenders, the Emir debates how he should be 
killed* He wants to behead him, but Nasr-Eddin reminds him that he has 
already been beheaded by the Sultan of Turkey, The Enir thinks next of 

burning him alive, but Nasr-Eddin answers that the Khan of Khiva did that 
and finally they decide to tie him in a sack and drown him * He is taken 
out secretly in the sack by three guards to prevent his friends in the 
city from saving him* On the way he asks permission to say a prayer* The 
permission granted, he prays that the man who finds the money he buried 
in the cemetery will give a tenth to the mosque so that prayers may be 
said over his grave* The guards hear this and they leave to dig up the 
treasure^ leaving him alone on the road tied in the sack* 

Seeing the usurer coming 

through a slit in the sack, Nasi>»Eddin shouts what a lucky man he is. 

The usurer hears the voice and asks why* Nasr-Eddin shouts that it is a 
magic sack which belongs to an Arab and that he paid 600 tangas for the 
privilege of sitting in it four hours in order to cure all of his ills 
and that now, after only two hours, he is already cured* 

The usurer who is blind in one eye, hunchbacked, and lame 
begs to be allowed to sit in the sack for the remaining two hours in order 
that he too may be cured* Finally for 300 tangas Nasr-Eddin consents and 
they change places# Nasr-Eddin being careful that the usurer does not re¬ 
cognize him* The usurer then asks what he has to do and Nasr-Eddin tells 
him to sit still and no matter what happens to keep repeating the magic 
phrase: "The man. with the copper shield has a copper head, kiss my 
donkey under the tail*' 1 

The guards, returning without the gold which of course 
did not exist, hear this and thinking the usurer is talking to them, 
at once dump him into the river* 


<*-142 


(Film Unit XII) 


II. KEY WORDS AND PHRASES« 


ndmjiiiHa 

- customs duty 

Mina k 

- donkey 

AopsMTe ero! 

- Stop him! 

TaHtnl 

- (a monetary unit in Bokhara) 

jinr^niKa 

- frog 

t6e©t 

**» is drowning 

"Ha! " 

- Herel Take iti 

n^Apo B03Harpasrf 

- 1*11 reward you generously 

" < Aop6ry BMftpy!" 

- Make way for Emirl 

ropmoMHMK 

- pottery maker 

cp ok ynJstTH 

- deadline for payment 

OTCp6MKa 

- postponement 

nooTyndeT b p^6ctbo 

~ becomes a slave 

TH^BaeTCM ( Obs.) * OepflHTCtt 


oTpy6&T& rdJioBy 

« to chop off /his/ head 

maK&Ji 

- jackal 

c6koji 

- falcon 

B&niHM 

- cherry 

HarpsCfla 

- reward 

66jtbeo 

- it hurts 

CKpHB§.©T CJH 

- is hiding 

MycyjiBM&He 

- Moslems 

flBOp&A 

- palace 

rap^ii 

- harem 


-143 


(Filin Unit XII) 



Key words and phrases (Cont*d) 


b 6 pi 

n<5ac 

o6M^nmMK 
n^TKa 
JieaH TB 
Ka8HB 
Ka 3H$TB 

w Gbo 6ofly ocyxflSHHBM!" 
TonftTL, yTonftTB 
Mem 6 k 


- philosopher, sage 

- thieves 

- belt 

- deceiver 

- torture 

- to heal 

- execution 

- to execute 

- Freedom for the convictedl 

- to drown (somebody) 

- sack 


III. ilEficTByEmHE JKHA « 


Hacp&AAftH 
Hm 5$3 « ropmeqHMK 
rMBC&p, ero floaB 
flaaflltp , pocTOBm^K ( usurer) 

3mkp EyxdpcKMft 

BM3ftpB ( Grand Vizier ) 

rycc&%H rycjnth « MyapSi* K3 BarA^Aa 

KysH^l* K)cjr$ ( blacksmith ) 

KPATKOE 00 jIEP3KAHKE . 


HaopsAA^H npM6 3«a©T b rjtaBHHii ropoA Eyxapfi 
CauapK^HA* B BopoTax y Hero xotht b3htb ndmjiMHy, ho ©My 
yAaercfi npoexaTB 6©a A©ner* Oh 3HaKOMH tch c AssymKoft 


-I44* 











KpaTKoe coflepHaHHQ (npoflOJineHM©) 

TE)JiBcap, Aoqeptio ropineHHMKaoIIOTOM oh cnacaeT doraToro qe- 
JiOBOKa, KOTopnft toh® b npyfly (pound). 

B ropofle, Ha nJiomaflM, HaqMHa©TCH cyfl 3 MHpa. Bo© pe- 
ih6hhh oy^i - npoTHB de^HHX m 8 RQ % . ropwenH mk Hhhs ^ojisoh 
doraTOMy £&a$apy 400 TaHBrst, ho hq moist 3aiuiaT mtb bo- 
Bp©MH. Cero^HH - cpoK ynJiaTH. Oh npocHT otcpohkh, ho no- 
JiynaeT tojibko oflH h nac. Ecjim oh h© san-naTHT nepes qac, oh 
caM h ero flonB 6yflyT pad&MH (slaves ) £&a$apa. Hacpa^flMH 
co 6npa ©T y cbomx flpyaeft oflesfly m pa3HH© B@mK m npo^aST 
bo ^ a to ^sa^apy sa 400 TaHBPa. Ana.cpa.-p h© 3HaeT, hto sth 
fleHBrw cnacJ’T (will save ) ropusa tjh MKa m ero flotiB. Be© b 
ropofl© ysHa^T, hto 3Ha mshht uii HacpsflflMH HaxoflMTcn 3£©ob. 
E©£HH© jud^m pa^H, doraTH© h© aobo jibhHcOmhp npMKa3HBa©T 
nofiwaTB Hacpa^flHHa. £&a(£ap, KOTopouy h© yflaJiocB nojrytiHTB 
fl©BymKy b cbo& rap§M, xohgt otomct^tb ( revenge ) HaopsflflM- 
Hy h paccKa3HBa©T 3 mm py o eg KpacoT©. 3mmp npHKa 3hb&st 
flocTaBUTB fleByniKy k h© My bo flBopei*. HaopaflflMHa h© MoryT ^ 
HaftTH. 3 mmp odBHBJmeT doJiBinyio narpa^y TOMy, kto nofiwaeT 
ero, IioflH 3 MM pa xo^ht no ro po,zjy h MmyT HacpsflflHHa. Ohm 
y3HaK>T, hto HacpaflflMH nepeoflejacH b ishcko© nJiaTB©, M 
HaquHaiDT npoB ©pht b bc©x scohiumh. 

B 3 TO Bp©MH K 3 MM py SflST M3 BaTflafla 3 HaMSHHTH$ 

MyApoi; m Bpaq rycc6ftH TycjiHA. Haopa^fliiH roBopHT euy t 
tjTO ©ro, rycceftHa, HmyT, hto6h noca^HTt b TiopBMy, 


145' 


KpaTKoe coflepmaHHe (npo^oji xqhm© ) 

noTOMy hto kto-to cKaaaJi, tiro uy^peij co6Mpa©TCH nonacTt 
b rapew 3MMpa® HacpaAflMH coBOTyer ©My nepeofleTBca b 
s© hoko© nJiaTB© m 6hctpo yexaTB M3 ropo^a* rycceftH b©- 
pHT HacpeflAHHy h flaeT ©My cboio oaea/jy* Y ropoflCKnx BopoT 
Myflpeu^ apecTOBHBaioT, noTowy hto ffyuaioT, mto 3to 
Hacp3AflHH* HaopaMMH b oflesfl© Myflpei^i npnxoflMT k 3MHpy 
n cpaay aanpenjaeT ©My no#xoflMTB k seH^Hau, noTOMy hto 
3b^3^h (stars ) Ha H© 6© ceftnac h© no3BOJiHX>T 3Toro* Tax oh 
xomqt cnacTK oboio fleByrnicy, KOTOpan ys© HaxoflHTca b ra- 
peM0* n©p©Ofl©TH^ HacpSflflHH O^eHL HpaBHTCH 3MMpy, noTOMy 
tjTO oh HaxoflMT no ho 3 mm pa , a noTOM 6 hctpo bhjiohMB a ©t 
(heals) 6ojiBHyK> fleByrnny ♦ Kor^a npMBO apscTOBaHHoro 
TyCCeilHa, 3MMp H© BepMT, HTO OH HaCTO/tmM# MyflpeiJtH ot- 
flaST ero HacpaaflMHy Ha nwTKy. Hotjbjo Hacp3flflMH paccKa3H- 
Ba©T coji^aTaM, hto 3B©3flH, kotoph© naflaioT c h© <5a, CTa- 
HOBHTCH 30JI0TI$MH MOH&T3MM • IlOKa OHM MBjyT fl0HBrM,OH BH" 
BOflMT flQByniKy M3 flBOpija* 

3mmp npMKa3HBa©T Ka3 hmtb Bcex apyseft HacpsflflMHa 
3a TO, HTO OHM H0 XOTHT OKa33TB 9 Tfl© OH HaXOflMTCfl *Torfla 
HacpaflflMH OTKpHBaer c©6h # 3mmp pemaeT yronMTB HacpaflflM- 
Ha hohbjo, a napo#y o6i»flBJiflioT 9 hto KasHB 6yfl©T yTpoM© 

Korfla Hacpa/jflHHa HecyT b m©htk© # oh roBopMT, xito oh 
aaKon&Ji ( buried ) 100 thcot TaHBra • JTjo^m 3MMpa ocTaBJiniOT 
ero oflHoro m 6©ryT mcketb ©hbpm* B 3 to Bpewa no flopor© 


- 146 - 


(Film Unit XII) 


KpaTKoe coflep&aHHa (npoflo.nn 0 HJi©) 

ofleT 4sa<£ap. HaopaflflMH pacoKa3HBa©T ©My $a HTac Time c Kyi) 
MCTOpiiK) ( see Comments ) u yrOBapMBaeT ^sa^apa BHny cthtb 
©ro mb Meiima h c©ctb b mqihok caMOMjf# £&a$ap corjiamaeTca , 
m ©ro SpocaioT b bo fly bmqcto HacpaflflM^i • 

Hacp3flflnn m fl©ByniKa y©3»aK>T M3 CaMapKaHfla# 

17. BOnPOCH K SMBlcr. 

I# Kto Tanofi HacpaflflMH? 

2. Koro HacpaflflMH bct p© Ha ©t y bo am? 

3• Ka« HacpaflflMH cnacaeT 6oraToro H©JHOB©Ka, 

KOTOpHft TOH0T ? 

4* Kano© fl©Jio ( case) penraiOT b cyfl© ? 

5„ Hto peinaeT cyfl? 

6* Kan HaopaflflMH noMoraeT ropnre^HMKy m ©ro 

flOMQpM? 

7. HTO 3 MM p npMKa 3HBa©T CflOJiaTB C Hacp3flflMH0M? 

8* Kan 3MHp y3Haji o fleByniH© HacpsflflMHa? 

9. Hto oh npMKa3HBa©T cfl©JiaTB c fl©BymKoii? 

10* IIoq©My JooflM 3MMpa h© MoryT HaiiTH HacpsflflMHa? 

II# Hto npoMcxoflHT Ha 6asap©? 

12# Kto b 3TO bp©mh npHea»a©T b ropofl? 

13# ^to ©My roBopMT HacpaflflMH? 

14. Il 0 H©My Myflp©Qa ap© ctOBHB a k>t? 

15# Kan HacpsflflHH nonaflaeT bo flBopeij? 

16# noMOMy HaopaflflMH noHpaBHJica 3Mnpy? 


-147 


(Film Unit XII) 



Bonpocti k (npoAOJiaceHM©) 

17. IIo^eMy aiMp h© B©pMT HacTonmeMy My^peuy? 

18« KaK HacpsAAHHy y^aSTCH noroBopMTL c A©ByniKO%? 
19. ^to flQJiaeT HacpsAAHH c MyApei^OM? 

80 • KaK Hacpa^AHKy yfla§TCH ocbo 6 oaktb fleByniKy? 

81 . Uotjewy Apya©# Hacp 3 AA^na xotht KaaHMTB? 

88 . q«ro Tor^a A®Jia0T HacpsAAHH? 

S3. Kan aojixhei Ka3HKTB HacpaAAMHa? 

84 . IIoqeMy ero xotht y toiiiitb hohbiq? 

85. ^to roBopHT HacpsAAMH jhoahm, KOTopne 
h© oyt ©ro? 

86 * ^TO 3 TM JITORTA TorAa A©-naiOT? 

87. Kto ©aqt b 3to BpeMH no Aopore? 

88. Il0H©My ^sa^ap xon©T no moh htbch ueoTaMH o 
Ha0p3AAMH0M? 

89 . Hto AQJiaroT c A«a<|)apoM? 

30. KOHHa©TOH CjbjfJIBM? 


7. jlHAJOTH M3 $MJLMA. 


I* y BOt)OT. 


I-lift CTECSHHKx 

' guard ) 


^epxftT© ero, a©P*ht©! 

3tqt chh ryex d I) 

H© sanjraTMJi mh© hh oahoix> 
TaHBreC .* * 


8-0% CTPAKHMKs 


A OTKyAa th npH6NJi? 
3an©M? 


1) son of sin 


-148' 


(Film Unit XII) 








^MajIOPH M3 $MJIBMa (npO RO JIS 0 HM3 ) 


HACP3AZU1H2 

H npnexaji ms ^andcKa* 0 
npecBeTjn&i^ 2) rocnoAllH! 

SfleoB b ByxapA &HByT mom 
pOflCTBeHHHKM © 

I-hK CTPAKHHK 3 

A-a! Paa th ©aghib k poA" 

CTB0HHMKEM t IIJiaTH TOOTOByK) nOHI- 

Jinny. 

HACP3ZUIHHS 

Ho fl efly K pOACTBGHHMKaM HO B 
rocTHo H e^y no BasHowy AeJiyo 

S-oft CTPAXHHK: 

no A©Jiy? Th m b roc th h no 

A©jiy?., njiaTH rocT©Byro nonum- 
Hy h a©jiob^io no in Jinny i 

HacpaAAMH njia tht fleabm m xom©t 
npoexaTte 

I-n» CTPAKHMKt 

CToft I Ctovi! A kto 6yA©T nJiaTHTB 
nonuntny sa TBoero ninaicd? Ecjih 

TH GA©nit» B TOCTH K pOflOTBeHHMKaM, 
3HatIMT,TB0fi Mina K TO S© ©A©T B TOCTH 
K pOflCTBQHHMKaM* njiaTH! 

HACP3HHHH: 

B©t>HO * b©bho!... 0. M^AttH# 3) 
HanaJiBHMK, y Moero MinaKa, a©#*"* 
CTBHT0JIBHO , B ByXap© OM0HB 

MHOrO TDOACTB 0HHJ1 KOB . MHatJ© 4) 
a mm p AaBHO nojieTQji 6h o Tp6na.5) 
a th nonaji 6h hA koji. 6) 


2 ) illustrious 3 ) wise 4 ) otherwise 

5) throne 6) you would be impaled 


HA CP3JHAHH* 

2. Ha 6epery r» hi * 

CtoS « CTQ&! Th cnyrnSniB I) eg ... 

TMLCAP i 

Koro? 

HACP3MHH. 

nTMi^r • Boh Tau h BH&y nTHijy, 
npeKpacHQ© KOTopoft h©t b MHpe. 

Boh ... boh Taw ... bhaweib? 

l)shoo away 



-149- 


(Film Unit XII) 






















^MaJIOrM M3 {jHJIBMa (npO^OJI J/.0HJB ) 


rtOILCAPl 

3 tq s ho nTMEta! 3 td j[flr^mKa 0 

HACP3IUIJ1H: 

Htq?! JlaryiHKa?! (Cmotpmt he 
OT"DaiI0HM0 8) PlOJIBCa-p B BOfl©) 
Ecjim 6 Bee jraryniKM kuqjih Ta km© 
TiepHti© rjiasa. tohkm© 6p6bh 3) 

M H0 3HH0 4) menu. TO a M caM 
6hji 6h Henpdxo, 5) cTa tb aa- 
rymKoft* H BMxy b bo fl© Kpaca- 
Bmy, npenpacHeii KOTopofi h©t 

B MMp© 0 

rMBCPA l 

A a BHacy flByx MinanoB<> Tojibko 
h© ycneaa 3aM©TMTB # y KOToporo 
yiaw fljiMHH^Q 0 

HAGPSJIUMHt 

y o6onx yin m Kopoa© tbomx 
pe 0 h fta<9 6) Kpac&Bima* 

2) image 3) eyebrows 

4) tender 

5) willing 6) eye lashes 



ryccEJiH rycjHfl: 

3. Ha 6a3ape. 

Kan mb© nonacTB bo flBop^ij? 

HACP3iLttHH: 

A 3aq©M T© 6© bo flBopeij? 

rye c Eli h rycjiMflt 

H 8HaM©HMTHK UYR V6 H i) M ITDH- 

©xaji oio^a ms Bar^afla no nparaa* 
E 0 HHD cawor6 aunpa, M©Ha 3 0 By t 
Tycc^iiH TycjiMA. 

HACP3iIHMHt 

AI HeyaejiM th. m ©otb tot 

caMHfi rycceioH rycjrna? 

ryccEiiH ircjntff: 

£a, TOT caMHfi© 

HACBSiiUIHHl 

A! 01 H©C<aacT fflifi ! Ilpona^a tboh 
roji6ByniKa I 

ryccEiiH rycxHflt 

Hto? Il0M©My? 

1) famous sage, philosopher 



-150- 


(Film Unit XII) 






















^MaJiorw ns (JsuiBMa (npo^ojr ssepb ) 


HACP 3 MMH 8 me 6 h cnpfeTaTB tq 6 h?I 3 ) 


(iIpa^eT ero) 


ryccEftH rycjiMs 


HTO CJiytIM JIOCB? SaMGli TU M0HH 

npMMemi,? 


HACP3MM* 


ryccEto ryciHfl* 


£o ynieft 3 mm pa flonuio, mto th, 
BHessafl M3 Bar#a#a, noK^^jrcg 3) 
npo hIikhytb 4) b ero rapeu m 
OOeCM^CTMTB ^fer o S^H 

H?! Ho a ice oTapI 3aM©M mh© 
b rap©M ?!♦ 


HACPSAflUHs H© 3HasQ 9 h© 3 Ha jo. Ho 3MMp 3na ©T, 

mto TEJ npM©xaJi b Byxapy m 
cKPHBaenrBOH 6) Ha 6asape. 

0H nOBeJtQJg T©6fl CXBST^Tfc 7) 
m OTpy 6 MTB t© 6 © rojiOBy* 


2) Where should I hid© jmt 3) gave a pledge 4) • npoiaTH 
5 ) to dishonor 6) are hiding 

7 ) he ordered you to be seized. 


HACP3iUIHH t 


3MKP* 

HACP3iLgHHt 

3MHPS 


4 „ Bo jiBovm* 

0! 0! nycTB 3MMp cKaieT mh©* 

He BXO&MJI JIM OH CerOflHH K 
&©HHj;MH© ! nycTB 3MMP otbqtmt 
CBoeMy pa l I) 

Cero^m? H©t ©me* Mh coSnpaJiMCB, 

HO ©Hi;8 H© BXOflMH • 

CM m AjijkC xy! CjiaBa AJiJiaxy<> 

XITO H npPIS§JI B<5“Bp©MH! 

no^O^AHj MH© H ©nO HHTHO 


1 ) slave 


151- 


(Filn Unit XII) 





















^MaJiorH M 3 (jMJiBMa (npo^o jme nv& } 


HACP3JUMHt 


3MKPg 

HACP3MHHI 


Cero#HH ho*jbid h yBMfle^, mto 
3 b e3 •pacnojro a^JiH CB yr~pos&,ipE%e 8) 
AJiH 3 mm pa. M, nona H8 m8m6hhtch 
pacnojios§KM© se^sa? awwp h© 
flOJISeH BXOflHTB k seHm;HH0. MHa^a 
r&6eJih ero HeMMHfengu 3) 

Ho KaK pas ceroAHH b Ham rapen 
npH b©3jim oflHy ^©ByfflKy «*• 

O-o-o! 3a6yflB o Heft! MHaH© 
th norifiHemB ,4) 

(ilJiaMST ) 


3MHPi 


HACP3MM1 

3MHPt 


BJiaro^apK) t©6h. Mh BMflHM, mto 
th HacTOfimMft Myflpeit* (K cbomm 

MMHMCTpaM) A BH?I A BH MTO CM0- 
TpHT©? 3a MT0 MH IIJiaTHM Bail 
dojiBmoe sajiOBaHte? Th nocMOTpH. 
nocMOTpM Ha hmx, rycceftH rycJiHH# 
Hto sa rjiyrrH© bqscmI ••• 5) 

3tm JiMii;a , KaK h bh ay , He otm4* 
mqhh nenaTBK) m^ a -pocth. 6) 

BOT ^M©HHO , 7) H© OTM0H0HH* 

C JinmMT© ? Bo jib am i! 8) 


HACPSiLZIHHt 


M H He BMny 3fl©CB JIMI^, OTMe- 
mghhhx neqaTBio h6cthocth 9) 


3MKPs BopH. Bee bo pa. Th noBepMniB, 

rycceftH rycjiHff f ceroflHH yTpoii 
mh 3a6iUH b ca^y Ham jiio6mmh^ 
none. A Kor^a mh XBaTfuHCB .IO) 
ero yse TaM h© 6hjio . (npM 3tmx 

CJIOBaX OflMH M3 MMHMCTpOB OIiy«* 
CKa©T rjiasa. HacpSAAMH noAXO- 
amt k H©My m HaxoAPiT y Hero 
none 3 mm pa) . 


2) are placed menacingly 3) his death is unavoidable 4) * yMp@m& 

5) mugs (Jiftnia ) 6) are not marked with the seal of wisdom 

7) That*s right 8) Fools 9) honesty 

10) missed 


152- 


(Film Unit XII) 























^Majiorn M3 

(npoflo JineHiie ) 

HACP3MMHS 

He 06 3 tom jw nonce roBopM 
BeJIMKMM 3 MMp? 

3MHP t 

Oh caisift. Th, rq motb^t© jibho 9 
BeJiMKMii Mynpei*, TycceiiH rycJiMiio 

3OTPS 

5 • BO JIB OTDIX0 . 

Kto th Taicoft? noMewy th cnpH- 
BaJi ch nofl seHCKoii oflesfloft? 

ry ccemh nrcjiMs 

H exaji k BejiMKOMy 3 Mwpy M 

BCTp8 TMJICfl C tieJIOBeKOM, KOTOpN# 

cKasaj , xnro awiip xomot ot- 
py6MTB mho rojioBy. H h b 
oTmxe I) 6 emsiJi non sencKoft 
oflesflo# • 

3MHP* 

Kto th Tanoft? 

ryccEftH rycjiHfl: 

H Fycceftn rycjiMrf , MyApei* M 3 
Barnaftao 

3MHPS 

Kan th bp6hib! 2 ) Bot Tycce^H 
ryccjuist. (IIOKasHBaeT Ha Hacpsa- 
AMHa ) o 

ryccEiiH ryciHfls 

Oh odMaHmMKl Oh iit>hcb6mji 3 ) 
ce6e mo8 mmh• 

HACP3HHHH s 

Oh roBopMT, hto h, TycceftH 
PycjiM * npMCBOMJi ero mmh 0 

Mosqt 6htb,oh cKaseT, mto h 
npMCBOM Jl M 3 TO t xaJi^T? 4) 

ryccE0H ryc-iMt 

Kohomho! 3 to moS xajiaT* 

HACP3.ZIMH: 

Bmamt©! Mokqt 6htb m 3 Ta 
tiaJIMd 5 ) TBOH? 

ryccEKH rycjm#: 

Moh ! 

1) fear 2) lie 

3) he possessed himself of 

4) robe 5) turban 



-153 


(Film Unit XII) 





















/UiajiorM ns 

(np O^OJI SGHK0 ) 

HACP3UHMHt 

Moeqt 6bitb m a tot none tos© 
tbok? (noKa3 h me t none a km pa)© 

ryccEto rycjMs 

Moil 1 MoK l 

HACPSHHJffl* 

BMflMT©! CerOflHH 3T0T CTapHK 
roBopMT, hto a tot none ero, a 

3aBTpa oh cnaaceT, *ito aTOT flBopeit 
eroo 

3MHPs 

B©pHO»MH BHflHM, tJTO 3TO OnaCHN# 
OTapMK# y Hero B TO JIOB 0 .qgpHHG 
mhcji m « 6) Haiio OTiieJiftTB^ero 
rojioBy ot jiobm ma • 8) 

HACP3.ZIHHH: 

Haflo y3HaT b ero HacTOH^ee kuh» 

3MHPS 

Bosbmh ero m V3 Haft noco4iicTBOM 9) 
IIHT OK , KT 0 OH Ta KO # * 


6) ideas 7) separate 8) trunk (body) 

9) with the help 


HHA^AP: 

6 • Hohb • Kji£r 61115© ( cemetery)* 

Cjraea AJuraxy! CjiaBa AJUiaxy! 

H©jiob©k b m©iek4?! 

HACP3IIHI1H: 

A TITO B a TOM VflMBH TQJIBHOrO? i) 

HJ£ AiA P t 

KaK XITO yflHBHT©JIBHOrO?I 

3aq©M tbi 3a6paJiCH 8) b m©hi6k? 

HACP3.ZLZIMH* 

3HaxiHTt HyxHO, ©c jih 3a6paJieH! 

AMkSAPl 

Moxqt 6htb* t©6h nocaflHJiH b 

M©mOK HaClfjIBHO? 3) 


1) astonishing 2) got into 3) forcibly 


-154* 


(Film Unit XII) 
























^Majiorii M3 <J)mJ iBiia (npoflojiaemra ) 


HACP3Ji0fH» 

J1RA&AP s 
HACPSILZIKHs 


M&M3Z1 

HACP3jmHHt 

ARAQA'Pt 


HACP3JLZIHH? 


HacmiBHo? CTaji 6 n h 4) iijk&thtb 
mecTBCOT TaiiH, mto6h ueHfl 
nocaflMJiM b MernoK HacHJiBHOo 

HlecTBcoT TaHBra?! 3a mto tzi 

ynJiaTHJi TaKie 

3TOT M0IOK npMHaflJieHMT OflHOMy 
ap46y 5) m o6ji aa deT qy,g<§cHHM 
cr 5 iicTBOM FT” mch;qji5itb yp6~ ~~ 
flCTBa 7 ) “~H 6oJI03HMo H 6hji 
XPOMEEI ,8) ro v>6& THM 9) M 
kpm1b5m 10) Ha oflMH rjias • Ho 

BOT^fl npoCMflBJ! B M0BIKO flBa 
tjaca^n mo# rop6 II) hcm@3, 
rjias nposp^ji 18) ,h ho ra 
BbinpHHiiJiacB » 13) 

3aM©M me th ciifliiBiB b mquik©? 

ZlocitaHBaK) cboS cpok« 14) 
4©HBrH-TO h ynjiaTMjr Bee paBHO 
3a M©THp© riaca. He nponaaaTB go 
MM 3PH « 15) 

nocjiyniaft, o MejroB 9 K,cm^4S2^. 16) 
b MeniK© * H to si© ropSaT, xpoM m 
kpmb Ha o/jmh rjias, H ox6tho 17) 
ynJiatiy T©6e TpMCTa TaHBra, 

MT 06 h npOCMflQTB B M0IHK0 OCTctBHIH~ 
eon 18; flBa naca© 

Ja^HOl 19) Ho t© 6© npM^^TCH 
ynJiaTKTB mh© 3tm A©HBrn 
BnepS# * 


4) You think I would... 5) Arab 6) possesses miraculous qualities 

7 ) to cure deformities 8) lame 9) hunchbacked 

10) blind 11) hunch 12) « Hanaji onflTB bm^gtb 

13 ) straightened 14) sitting my time to the end 

15) should the money be wasted? 16) KQTopnft chmt 
17) willingly 18) KOTopne ocTajiMCB 19) Xoporno! 


-155 


(Film Unit XII) 





























^MaJiorw M3 $ii jib iia (npo^ojiH© hm© ) 


,Zt&A$AP8 


HACP31UMH< 


Corjracen* Ho h© 6yp,eu TepHTB 
Bp©M©HM p m 60 SO) MHHyTN MflyT # 
a T©n©pB ohm npMHaflJioaaT mh©# 

(Ohm m©hhk>tch m©ct aMM ) • Kan 
a© c©6h b©ctm ?SI) 

EcJIM K T©6© npMJIQTflT Tpn flgftHa .SS) 
HaqHyT t©6h 6mtb,S 3) pyrdTB 84; 
m Kyfla-HHdyflB no He cyT , th roBopn 
bojhh©6hh© cJiOBat "Tot # kto hocmt 
mHT« S5) tot HweeT mq^hkh 
orob* Hoijejiyii Moero nmaKa no a 
xboct * o 


20 } (arch*) 21)to behave 

no to wy tjTO 

23 ) to beat 24 ) to scold 


22 ) jinn 

25) copper shield 


-156- 


(Film Unit XII) 










FILM UNIT XIII, 


THEY MET IN MOSCOW, 
/ CBHHAPKA H HACT^X / 


•157- 


(Film Unit XIII) 



I, 


COMMENTS TO THE FILM. 


1) This is a musical comedy filmed in Moscow and released just before 
the beginning of the Second World War*, Not only the songs, but much of the 
ordinary dialogue is in verse* In common with all muscial comedies, a rather 
fanciful and unreal, picture is painted (in this case, of a life on a 
Collective Farm*) 

The action takes place in three locations: The Far North, Moscow 
and Daghestan* 

2) Daghestan is a mountainous region located on the Northern slopes 
of the Caucasus Mountains* It is a very wild region and was one of the last 
to be brought under Soviet rule after the Revolution* The country is sparsely 
populated, and it is only natural that the heroine was unable to find anyone 
in her region who was able to translate the hero*s love letters into Russian* 

The attention of student's is invited to the typical, customs and songs of 
the region, which are shown in the film* 

3) The collective farm of the heroine is located in the northern sector 
of Russia near the White Sea* Notice the predominantly forested character of the 
region. Many typical Russian village customs are shown. First the "guly&nka". 
After work in the evening the village youth gather, either in the village square 
as shown in the film, or in cold weather in one of the buildings. Here they 
sing 4-line songs called "chast&shki", of which there are hundreds. They are 
usually accompanied on the concertina, which, more than the balalaika, is the 
typical instrument of the Russian village. The village musician is an important 
character, and the strutting antics of Kuzma are typical of his type. Notice 
the primitive "rukom6inik',J which i3 used for washing the hands and face. 

Also in the wedding scene, many customs are portrayed, for example: the bride 
cries before the wedding* Of course, in the film she has special reason for 
crying ; however this is a custom. Also the bridegroom is shown bidding a 
formal and ceremonious good-bye to his bachelor buddies* Notice that the 
kolkhoz president is dressed for the part of best-man* He is shown weqring 
an embroidered towel around his waist* 

4) The scenes in Moscow show the permanent Agricultural Exposition 
(See comments to the film '’Tanya 1 * § 7*) Notice the portraits of leading 
farm "shock workers," which are proir lently displayed at the exposition. 

5) The wager between Kuzma and uncle Vanya needs further explanation. 

Kuzma bets his concertina against uncle Vanya* s watch that he will marry 
the heroine before St Peter's Day,the 22x1 of June* The watch is not an 
ordinary one, since it has a gold chain; which makes it a prized possession 
in the village. 

6) There is a very strange bit of propaganda included in the final 
song. The words suddenly leave the main theme of love and speak of the 
necessity of defending the motherland and Moscow against the tanks and 
planes of the enemy. 


<r 


-15S« 


(Film Unit XIII) 



II, 


KEY WORDS AND PHRASES. 


flGBKa 

n&peHB 

CBJ1HB& 

nopoc^Ta 

OBE^©b6$ 

KMHIld JI 

"He OTCTaBdiiTO!»' 
bstjui h&t© 
noTep^jia cb 
cTOjiiin^. 

66poB 

3flOp630l 

CBHH^pHIIK 

"IIpocNn&ftcH * o« 
UpooHn^euiBCH?* .* 
IIpOOHtJICH .* 

6bijh 

rapMdHB (rapudniKa ) 
cTaBJiK) 06 saKJi&fl 

TOCK^D o Ea ft 
CJIOBO B CJIOBO 
Cp6xiHO0 nMCBMO 
yfldpHMBgi 

w rpd6flT! IIoMorftT© ! •»• 
HeB&cTy yB63flTl w 
CBd!flB6a 
O 6lid, HUB aT B 


« girl ) 

) (village expressions) 

- fellow ) 

- pig 

- piglets (Sing* nopocSHOK) 

•» sheep-herd 

- dagger 

- Don*t lag behindJ 
» nOOMOTpMT© 

- got lost 

- capital 
~ boar 

- hiS 

- pigsty 

- Wake up .„* 

Are you waking up? 

You woke up* 

- sheep 

- concertina 

« 1*11 bet (something) 

« I miss her 

- word for word 

- special delivery 

- 11 shock" -worker 

« I*m being robbedj Help **, 

They are kidnapping the brideJ 

- wedding 

- to deceive 


159 


(Film Unit XIII) 



Ill 


HE^C TByDUME JMIIA . 

rMina /rjia(fe:i~pa AHUtnaaBHa H6BKK0Ba/ , c bmH ap Ka (swine-herd) 

ceBepHoro KOJixosa 

Kv3 bm& » KOHIOX ( groom) 

Badymna TJEami 

BaHH (ffBaH MBa HOBVIH ) , KO J1X03H MK 

Mycaft6 raTf©B« oBD;©B<$fl wa £arecT&Ha 
CTapHii nacT^X ( shepherd ) 

MajiBHH K-na ct f x 

SKGKypcoBdfl Ha B&CTaBK© ( guide) 
np©flc©,n;aT©ji£ KOjixoaa 

H©b6h MwxaiiJiOBirq, apMH h6h • 6y$6tximk Ha cTaHEtHH 

Armenian (barman at the station) 


KPATKOE CO HE PUL AH KE » 

rjiama - CBiiHapRa b kojixo 30 Ha c©B©p© CCCP. E@,bm©ct© 

O flpyTHMM KO JIXOBHHKaMH, IIOCHJiaSOT B Moc KBy Ha CeJIBCKO- 
xoad ftcTB©Hnyio BficTaBKy* Ba6yniKa fla©T ©ii TeTpaflB h cob©- 
Ty©T 3anwcHBaTB Bog f hto OHa y3H&eT na BHCTaBK© o cbhhbhx. 
rjianra bct p9na ©t b Mockb© Mycan6a , OBn;©BOfla c KaBKaaa* 

Ohm bjho6jihiotch flpyr b apyra h odemaroT H©p©3 rofl oiiatb 

BCT P9THTBC5H B MOCKBO* KOTfla TJiaina B0 3Bpama©TCH B fl©- 
P©bhio, ona paccKa3HBa©T Ha co<5pdHHJf ( meeting ) f KaKWX 
xopoiniix cBHH^a OHa BHflejra b ctojihh;©. OHa roBOpHT, hto ©8 
OBl!f HBH MOPyT 6htb Ta KM MH m XOpomHMH, GCJT H eft fla^yT 
TSlIJIHH CBHHapHMKe 


«I60 


(Film Unit XIII) 








I 


KpaTKoe coflepmaHHe (npoAOJUioiina ) 

K6hjox ( groom ) KyaBiri, KOTopufr xoqef &©hmtbch Ha rjiama, 
homo*s 9T HMtiero paccKaaaTB, noTowy qTO b Moc kb© oh bc§ 
Bpeufl xoflHJi no Mara3HHaM h nonyrxaji orq&rYo 3hmoS Txaina 
h Mycand mhoto padoTaio t m Boe bp©mh flyMaioT flpyr o apyre • 
Mycand nocJiaJi rjiam© niicBMO, rfl© oh roBOpHT o cBoe# 
jirodBH • Txania noJiynw^a nwcBMO, ho hmkto h© mokqt npoMHTaTB 
ero, noTOMy mto hmkto h© 3 Ha©T ototo KasKa 3 c koto Hanna. 
KysBMa 6©p©T y h©§ nHCBMO m od©ma©T ©^ otbqstm iihcbmo 
k n©p©BOflqMKy b ropofle. Ho oh odMaHHBaeT rxamy h npn~ 

B0 3MT Henpa BMXBHHii n©p©BOflo Txaina mmT a ©t b 3T0M B n©p©~ 

BOfl© **, qTO Mycand sqhhjich Ha flpyrofi fl©ByniK©* IIocjt© aToro 
Fxama h© xomgt mm Ta tb flpyrH© nwoBMa My can 6a • Mycand h© 
no xy Ma@T o tb ©Ta h flyMa©T, mto rxama doJiBin© h© jijo6ht ©ro* 
Cbmhbm rJiamH flaxM UHoro nopocHT,H TenepB ©8 nopTp©T 
bhcht b Mockb© Ha G©xbckoxo3hKctb©hhoS BhcT aBK©o Mycand 
He mo e© t ©§ HaiiTH b Moc kb©• HaKOHen; oh y3Ha§T, qTO rjiama 
ocTajracB floiaa h bhxo^mt saMys sa Ky3Biay. Mycand ©a©t b 
flepeBHio K rjiam© h bcS o6*bhchs©t. Txania bhxoamt sanya 
3 a Hero® 


iy. BOnPOCH K 

I. Kto Tanan rjiarna h r^e OHa smbSt? 

S« Kyfla ©8 nocHJiaiOT? 

3 o Kto Ta kom Kys Bisa ? 

4 . Hto dadymica coB©Ty©T Txauie aojiaTB b Mockbo? 


- 161 ' 


(Filin Unit XIII) 



Bonpocn k cf:iiJiBMy (npo#ojiseH Era ) 


5 • Uteft nop'rpeT noKasHBaioT KO,ixo3HHKau Ha bhc TaBK©? 
6• Ktq ?a ko?i Mycan6 m OTx<y&a oh? 

7. noqeiay raiama y6©&ajia ot csoeii rpynrox? 

8. KaK OHa bct peTHJiacB c Mycasi6oM? 

9. ^to fl©Jia©T b Moc kb© Ky3BMa? 

10 o ^to o6©maioT Apyr flpyry Mycaw6 h rjiama? 

IIo Hto roBopMT rjiama Ha co6paHHH b flep©BH©? 

IS • Iloqeuy KysBMa HHq©ro h© mokqt cK a3aTB 
Ha oo 6paHiiw? 

13 o Ky^a Mycan6 MflgT c co6aKOM? 

14o ^to cjiyqHJiocB c ero OBu;aMH? 

15. ^to fl©Jia©T 3 hmo H rji&m c nopocflTaMM? 

16. KaKoe napH ( wager) 3aKjmqsi BaHfl H KyaBMa? 

17. ^to mime t MycaH6 b hmc bm© rjiame? 

18. noq©My HHKTO H© MOKQT IipOqH TaTB nMCBMO? 

19. Kyfla Bana h rjiama ©flyT Ha JiomaflH? 

20. BHJia jim yflaqHO# (successful )hx no©3flKa? 

81 © ^to Kya Bwa o6©ma©T rjiam©? 

22© Kano# nepeBOfl oh npwBSa rjiam©? 

83 o Il0q©My Ha B^JCTaBK© T©n©pB nonasHBaiOT 
nopTpeT TJiafflM? 

24© IIoq©My rjiama noexajia b Moc KBy? 

25© Kan Mycan6 y3HaUT f qTO rjiama bhxo^iit 3aMyx? 


- 162 . 


(Film Unit XIII) 


Boirpocn k (npoflooi rqevb ) 


86» notiei^ rjiama, b kohb;© kohijob , h© bhxoaht 
3auys 3a KyaBMy? 

87* noqeiiy KysBMa BoaspanjaeT aha© BaH© nacH? 
88* ^to fl©JiaioT rjiana c KysBwoft? 


JIEByiHM : 

rjAfflAg 

MMML* 

K3T3BMA $ 

TJIAfflAl 

K3T3BMA t 

TMm i 

Ky3BMA > 

TJAMA8 
KFSBMAs 

riAEAg 
K73BMA i 


y. ilMAJIOrii! M3 3K JBMA * 

I* B Kojrxoae* 

IIOCJieAH©© H3B©c tm© ! CTpaurnaH 
hoboctb! Tedn nooHJiaioT b 
M oc KBy. 

B Moc KBy? 

B MocKBy Ha BficTaBKy! 
rjiama y6era©T. Bo flopore bct p©<ia i &t KyaBMy 
SApaBCTByilT©, FJiaina. 
3AP9-BCTBy^T©, KysBwi. CepreeBMM 
B MocKBy ©a©tg? 

£a, Ka afi cb > I) nocHJiasoT* 

Hy, Torfla bmgct© no© a©m* 

M BH? H BH TOE0? 

A to KaK! M©hh nepBoro 

b6aBH HyJIH * 8) 

Ja ny? 3) 

A to mn! 4) 


Tj CdlilT) KaaceTcn 

3) Not really? 


2j called out 
4) What else! 





















^wajiorH M3 (JmJ 5£Ma (npo.no ji&eHMa ) 


2 0 Ha B&cTaBK© » 


M3TCAHB; 

CKaaMT© ,no aajiyMCTa, nan Hasn- 
saeTca 3Ta cbmhbA? 

T-IAMAt 

3to h© cbhhm, a 66pos • 

MyCAMBs 

npOCTHT©, a 3T0T 6opOB KaK 
HasHBaeTOfl? 

IMAIEAJ 

A BOT 3 TO - CBMHBS 9 a H© 6opOB* 

A 3obvt ©8 laoT otna . I) 

MyCAHBj 

KaKO© xopomee mm£! 

riAm: 

Em TpM ro^a, a bqcht OHa 

365 KMJIOrpaMMOB • 

MyCAHBs 

Oii-oJi-oii! 

1) Swallow 

3 - n©T>©fl flOMOM rJiaiUMo 

mm bahh* 

3x • KtafcKa. Kt3BKa. r6jiocoM th 

T^HOIHB. a BOT VU 6 ll H© ilOCTa- 

HeniB»l) He no t©6 © ST AeBKa. 

H© TH ©ft BO CH© CH&IIIBCH <, 

KY3MA: 

ArA* Ho HMM©ro, HWiero, HBaH 

MBa HOBim • H© Ta km© zi©bkh Ha mew 
KMilAjIMCB .3 ) BOT YBMilMlIIB: K 
n©Tp6By £HK> a *©HfccB Ha IMamne • 
H© BepmnB? 

mm bahh* 

HM B XM3HB! 

K3T3LMA t 

Pap MO HB CTaBJIlO 0(5 3aKJl£fl,HTO 
«©hk)cb Ha rjianiK©! 

mm bahh t 

3x! HacaMM OTB©tiaE> f - h© 

»©hmtbch t©6 © Ha neii! 

Ky3LMAs 

£H,Z[H BAHH : 

HacaMM? Ara! C nen6tiKoft? 4) 

C ijeno^KoiH CotjiAc©h! 

1) a th yMe©m£ n©TB, 

2) Not your kind 

4 ) with chain? 

ho h© mo xemB no Jiy mmtb fleBymKy 

3) Better girls hang on my neck 


-I64' 


(Film Unit XIII) 



























?I 


n E C H 

Xopomo Ha mock6bckom npocT6pe » I) 
CB0THT 3B^3flH Kp©MJl6 B CH H©B& « 8) 
H,KaK pe kw botp© raioTca b Mope , 

TaK BCTp©^K)TCfl JlTOfllt B Moc KB©o 
3) 

Hac BecgJioft TOjm<$% onpya^Jia-, 
IIo^cKasajia 4) npocT^e cjiob£. # 
no3HaKOMMJia Hao, noflpygfejia 5) 

B 3T0T paflOCTHN# B©tl©p Moc KBa • 

M b KaKO^i otopoh 6 a hh 6vny« 6 ) 

Ho KaKoft hm npoftfly a TpaB©, 

4pyra a hhko r#a h© 3a6yay, 

Ecjih o hhm noflpys&JiacB b Mockb©<> 


1) expanse 2) Ha H©6© 

4) whispered 5) made us friends 


3) crowd 

6) In whatever country I will be 


.165« 


(Film Unit XIII) 










FIIM UNIT XIV, 


THEY HAVE THEIR OWN COUNTRY 
/ H XOWy BEPHyTtCH flOMOfi /. 


- 166 , 


(Filin Unit XIV) 



X 


COMMITS TO THE FILM, 


1) The film, released in 1949, is a part of the anti«Westem propa- 
ganda campaign which was at that time in the USSR# It is a movie adaptation 
of the stage hit by Mikhalkov, one of the most well-known literary hacks 

(he is incidentally, the author of the words to the Soviet national anthem#) 
The music to the film was written by the fanous Aram Khachaturian, composer 
of”The Sabre Dance#" 

2) The stoiy is the Soviet interpretation of the situation in Western 
Europe after World War IX# At that time there were thousands of Displaced 
Persons in Germany, i#e#,people previously by force brought to the country 
by Germans or refugees from advancing Soviet troops during the last years of 
the war # Many of these people decided not to return to their native countries 
because of the Communist regime there# The allies, who at first adhered to 
the paragraphs of the Yalta agreement concerning mandatory repatriation of the 
Soviet citizens, soon became aware of the situation and ceased to return DPs 
against their will # The anti-Soviet minded DP's with first-hand knowledge 

of Communism,at large in the free world, have always been a matter of grave 
concern to the Communists# Therefore the Communists tried to get them back 
by any means and sent trained secret police agents to Western Europe as re¬ 
patriation officers# Those attempts were, however, unsuccessful# 

3) The film is a good example of Soviet domestic propaganda. The 
general DP problem is wisely avoided* Instead, to make the film a sure-fire 
tear-jerker, the situation of DP orphan children is emphasized# It is needless 
to say that the orphanages, as the one shown in the film, are fictional# The 
children as pictured in the film are under surveillace of the British in¬ 
telligence, whose villainous plan is to make out of them people without na¬ 
tionality, cannon fodder for future wars# In the meantime, the children are 
hidden from public opinion and repatriation officers in orphanages on 
starvation rations and under prison discipline. Outside the walls of that 
prison, another prison. .Js pictured 9 Germany under occupation with drunken, 
black-marketeering soldiers who terrorize the population, a press filled with 
lies, horrible jazz music and"the opium of the people" ,a religion# In order 

to show Western Germany as an especially dismal place, most scenes were 
filmed in the rain# 

4) On "the good side" of the film there are the head of the Soviet 
repatriation mission who unswervingly fights for truth and justice against 
capitalistic lies, delaying tactics and legal red tape, and the Latvian 

DP girl who tells children about their native land "where all are equal, all 
are happy, where Stalin lives," the country whose "stars shine for the whole 
world!! 

5) Much propaganda in the film is simply funny to those who know the 
real situation,i#e«, the Germans patriotically refusing to smoke American 
cigarettes# 


d67» 


(Film Unit XXV) 




Comments to the film (Cont*d) 


6) The end of the film shows the loading of the children who were 
unable to escape on a boat, exactly in the same way as Nazi Germans loaded 
them in the beginning# However, hope is given in the speech of one of the 
DP boy*s mother, a Stakhanovite weaver, who tells a female audience of 
some Communist-sponsored Congress: “The fate of mankind lies in our hands"* 


468- 


(Film Unit XIV) 


II, 


KEY WORDS AND PHRASES, 


CMp6TCKHft npH&T 
nepGBecT ft 
pem6 hh@ 
p6AHKa 

ct hhK noc T^noK 
cnftcKH 

b nJioxftx ycsjidBiiflx 

OT JIOSilTB 

0Jiys66Haa KOMaHflnp6BKa 
KOHTp-pa3B6flKa 
COBepmdHHO TOtiHH^I 
COBepn^HHO B^pHO 
cnpoT^ 

Kp^r-an# cnpoTd 

flp^TBCH 

MOJlftTBa 

"He 6ecnow(5iiTeoB* 
paccMOTp^HHe Jsa 
sacefl&HH© 
poflftwoe nHTH<5 

H0T OCHOB^Hlrfi 
"OTnyCTftT© M 0 HH * 

K*i pTonna 

npnB^tiKa 


- orphan asylum 
~ to transfer 

- decision 
« homeland 

« honest deed 

- roster 

- in bad conditions 

- to delay 

~ business trip 

- counterintelligence 

- absolutely accurate 

- absolutely correct 

- orphan 

- complete orphan 

- to fight 

- prayer 

•• "Don*t worry" 

- consideration of the case 

- session 

- birth-mark 

- no reasons 

- "Let me go" 

- photograph 

- habit 


-169- 


(Film Unit XIV) 



HeHaHrf ay 

- I hate 

H3M&HHHK 

« traitor 

np©fldT©JEB 

- traitor 

OTKpOB^HHOCTB 

•• frankness 

c6b©ctb 

- conscience 

qejiOB 6 ^i©otbo 

- mankind 


cjikiukom xopomafl -too good a memory 
n&MHTB 

o6\L2,VLfjiVL -deceived 

bp^mqhho -temporarily 

"y Hero He t t 6 *i- "He doesn't have 
HHX CBSflGHHH * exact information" 

-disappeared 


III. jlEMCTBTOlME JLIMl * 
ftpa CoKQji6Ba« pyccKaa ^eBO^Ka 
C£ma EyTf bob « pyccKHii Ma jibhhk 

HO 6pllHHH «l) COBGTCKHft IIOJIKOBHHK, HaqaJIBHHK 

penaTpHan;H6HHOM m#cchh. 

EapKJi h , anrJiuft ckmS no jikobhmk 
CkotTjS) aHrJiHfiCKHft KanHTan, Hawaii bhhk npufcTa 
ynMaHHO , JiaTfim (Latvian ) f nep©B<SfltniK npHDTa 
Cii£%jxa J&HitMaH^ JiaT^niKa, cjiysamaa npn»Ta 
Ktpt « H©M©ij-mo<£ep 

$pay by pot« HeuKa, xoaarfKa nHBH6& ( beer hall ) 

Jiohooh, aHPJiHiicKHii KanHTan 9 o$im©p cbAsh (liaison officer) 
Kyk« aHrjrniicKH^ Jiopfl, np©flc©flaT©JiB kouhcchm no pena- 

TpH&I3,HH 

Mkco Aonx* aMepmc^HKa, KoppecnoHfleHTKa xypHaJia 1 Life " 
Cop6khh « cobqtckm^ Maftop, no wd m,HHK J\o 6pit HHHa 


1) derived from " flo6pirfi " (kind) 

2) this name sounds in Russian the same as w ckot " (beast) 


-170' 


(Film Unit XIV) 
















^eftcTByiomne (npoAOJiK© hm© ) 


MaTB C&mi * TKa^sixa ( weaver ) 

MaTB Ii]a p boghhhm spa^i 
A©a aMepMKaHcKHX coJi^aTa 

KPATKOE CO HEP&AHME , 

Kan noKasHBaeT $mjibm, bo bp©mh bo# hh h©mij;n yB03MJ[H 
cobgtckmx A© t© Vi b TepMaHMK)* IIocji© bo^hh b 3£naAHO# r©p- 
waHHM MHome ms sthx a©t©^ nonaJiM b cmpotckm© npMJOTH* 
Cobgtckm^i o$md;©p £o(5p&hhh 3aB©Ay©T penaTpnaijM©#. Oh SHaeT, 
MT O B npMIOTaX 8 CTB COBGTCKM© A©TM, M OTapaGTCH B©pHyTB 
MX sa poAMHy, hd aHrjzntiaH© MemaioT ©My* Kor^a ,Ao6pHHMH 
ysnaST, MT O B OAHOM H©MeiJKOM TOpOAK6 HaXOAMTCH TaKO# 

npnioT, aHrjiMficKM?[ iiojikobhhk BapKJiM 6 hct po n©p©BO amt 
npnioT b ApyroS ropoA# Ho cob©tckm{i o$hh;©p y3Ha^T m 
hobhm aApac* TorAa ©My roBopHT, mto a©t©Ji hqjibsh b© pHy tb 
6©3 kommccmm, KOTOpan ppjamBs. onpaAQJi^TB ( determine ) 

MX HaHMOHaJIBHOCTB* 

ZlGTHM B npMIOT© ^hbStch TpyA HO t QRB. mroxan, a AHCIJH- 
nJiMHa CTporafl ( strict )*CJiyKairman npMioTa C u&R Aa , cob©t- 
CKan naTpndTKa, xomgt 9 mto6h a©tm BepnyjiMCB Ha poAWHy 9 
a ojiysamM^ ynwaHMC tojibko bheiojthh©t npMKa3H aHrJiMMa h 9 

KO TO pH© XOTHT IIO T OM CA©JiaTB C©6© CO JIAaT M A^BGpcdHTOB 
( saboteurs ) M3 3TMX A©^eii* IIpMiOTOM saBeAyeT xftTpHft m 
h©ct6kmJi ( sly and cruel ) KanMTa h Ckdtt* 

COBGTCKM^ O^MI^ep IipOCMT y IIOJIKOBHMKa BapKJIM 

-171- (Film Unit XIV) 





KpaTKoe coA@pr.aHH© (npoAojf&eHMe ) 

paapeineHHH noexaTB b npHIOT, ho Bap kh h bc 8 Bpeun otkhA- 
AHBaeT ( delays ) pa 3 pern ©hh© «» 

y cobgtckhx a©t©# Mpti h CamH ©CTB b CCCP po amt©JIH $ 

HO B npHIOT© MM POBOPHT, HT0 OHH CHp6TH. Hpy OTflaDT X0- 
saftKt hhbh6^ (owner of a beer-hall) $pay BypcT, y KOTOpo# 
fleBOHKa Roji&na MHoro pa6oTaTB. Cob©tcK uii o$Hijep HaKOHei* 
name* npHIOT, ho ©My pobopht, hto HanaJiBHHK b OTnycny h 
6©3 Hero noceTHTB npHK)T H©JiB3fl* OcJhei;©p xoq©T exaTB aa 
pa3peiu©HHa4 k aH rjmTi cKOMy reHepajiy, ho r©H©paji TOie 
yji©T©ji b OTnycK b Ahp^hio* 

Ha aaceflaHMH penaTpnaijHOHHoft kommccmm o$Hi*ep no- 
Ka3HBa©T Came ksC pTOHKy ero Ma t© p h, ho kommhcohh h© ohh- 
Ta©T 3TO AOKa35tT0JIBCTBOM (proof )p H Camy OCTaBJIfllOT B npHK)T ©0 
CMafifla o6©ma©T coBQTCKOMy o$Hijepy npHH ©cth ciihckm 
COB 0TOKHX fl©T©ii f KOTOpH© HaXOAHTCH B npHIOT© • ymiaHHO 
CJIHHHT HX pa3T0B0p M IX) BO pHT 06 3T0M Ka nHTaHy CKO TTy « 

CKOTT BH3HBa©T K C©6© CMaftAy• B 3TO Bp©MH ynMaHHO 
HHJ8T cnnoKH y He© b KOMHaT©. EMy y^aeTca HaiiT h cn mc kh• 

Korfla BeqepoM CMa^Aa ha8t k coBQTCKOMy o^imepy, YnMaHHC 
y6HBa©T ©8 0 Cana h Hpa bmqct© 6©ryT ( fi e * ) f ho hx jiobht# 

Hep ©a t©m nan CMaftAa nouuia b coB©TOKy k> mhcchio, ona yonexa 
n©p©AaTB ko nHX) chhckob a©t©£ mo<£8pyHeME(y KypTy* KypT 
n©p©Aa©T cnncKH coBeTOKOMy o$nijepy. 


-178- 


(Film Unit XIV) 


KpaTKoe coAepsaHMe {npQROJixeKm ) 


Ha 3ac©AaHM9 kommccmh npnea^caer metb Mpn* TaK yflaSTOfl 

AOKa3aTB, *jto Mpa h© cnpoTa* Cama ohhtb yderaeT ms npMioTa, 
Ha stot pas y^itjHO ( successfully ) * Cob©tckmx fleTeii Ha- 

KO H0J^ npMBOSHT B MOC KBy , Pfle MX BOT p© Ma IOT pOflMT©JIM* 

ly • BOnPOCH K $l/[lhW « 

I* PaccKaiMTe,KaK cobgtckm© a©tm nonaJiM b F©pMaHHi>* 

2. Kan b Mockb© y3HaK>T, hto Mpa m Cama HaxoflHTCH B 

npMKJT-9? 

3 0 Hto aHFJiMMa h© flejiaioT c npMioTOM nocJie SToro 
COo6n?lHMfl ( announcement) 0 

4• Hto fleJ5a©T b anrjiHficKOM soh© cobqtcKM ii o$Mn;ep? 

5 0 Ho^eiiy tsk TpyflHO HaiiTM fl©T©ft? 

6* Ran M©ro aHrjmqanaM HysHH cobqtckm© a©tm? 

7. Kan cobqtckm# o^Mijep y3Ha§T, hto npnioT n©p©B©JiM? 

8* Kto TaKofi ynMaHMC? 

9* Kto Tana a CMaft#a m ti©ro oHa xom©t? 

10* Kan sMByT fleTM b ripniOT©? 

II* IIoq©My MaJiBMMKM AQpyTCH (fight) bo Bpewtf o6©#a 

18* 3aq©w <£pay BypcT npnxoflMT b npMMf? 

13* 3aq©M npMXOflMT b np mkdt aMepMKaHCKafl KoppecnoH- 
AQHTKa ? 

14* Kan aHrjiMMaH&M yflaeTea h© ny ctmtb coBeTCKoro 
o$Mi];epa b npMioT? 

15* Hto coBGTCKMfi o#Hn;e p noKa3iiBa©T Canr© bo bp©mh 
3ac©Aa h m. ? 


-173- 


(Film Unit XIV) 



BonpOCN K (npOAOJIK0HIf0 ) 

16, notieny Cainy He OTnycKaioT Ha poflHHy? 

17® *Ito Ciiaiifla roBopHT coBeTCKOMy o$ni;epy? 

18o Kan KanHTaH Ckott y3Ha©T o6 btom? 

19. xjto CMaftfla ho^bio paccKaaHBaeT Cam©? 

80. 3atj©M Gama HflgT hombio b saJi? 

81. *Ito CMa^fla fl©Jia©T , Kor^a ©S BN3NBaJ0T 
k HanajiBHMKy? 

88. Kan ynwaHHcy yfla§TCH bshtb chuckm a©t eft ot 
CuaiiflH? 

S3. IIOM©My CMafifl© h© y^aeTCH npHTTH. n coBOTCKOMy 
o#jm©py? 

84 0 ^[to fl©jra©T Mpa b iijibhoM $pay BypcT? 

S5 0 Kto npiixoflHT b nHBHyio? 

86 o Kan $kjibm noiaaHBaeT aM©pjinaHC khx oojr^aT? 

87. ^to fleJiaioT Caina H Mpa 3Toii hohbd? 

88. notlQliy MM H© yflaMOOB npHTTJI K COB©TCKOMy 
o$Hri;©py? 

89. KaK coBQTCKHii o$m*©p nojiyqaeT cnncKM fl©T©ft? 

30. OTKyfla nojiyxiwji mx KypT? 

31. Kan Mpa no naflaeT Ha poflHHy? 

38. Kai< Caina nonafla©T Ha poflHHy? 

33. Kan fl©T©M BCTpexiaioT b Moc kb©? 

34. 0 MaTB Caran roBopHT b kohd;© $HJiBMa? 

35. *Ito flejiaxiT aHrjrwtiaHa o flpyrMUH aotbum? 

36. ^to bh mox©t© 0Ka3aTB o oobgtckopi npo- 
naraH^# b a tom (Jmjibm©? 


-174- 


(Film Unit XIV) 


V. MAIOVK M3 SKILMA . 


I ® B Ka6nne to aH rjinfi ckoto 
no Jl kq bh Hi-ca 


EAPKJM : /b Te ji©$o h /2 IIojikobhkk EapiuiM cjiymaeT. 

£a ? rocno^HH reHepaJi, HMTaa * 

K co sajiGH mjbd, aflpec ynasaH co- 
BepniQHHO TOtJHOo/la, IB9$ I) 
npMioTa, KanMTaH Ckott, y mohh. 
Ky^a nepe bgctm? CJiymaiocB , cap, 
/ BeinaeT TpydKy/ S) UtopT, ckqjibko bo3H^ o aTiiMH 
me hk£mm! 3T~” 

ITOH j6jIHHOM BOCIIHTdHKHt 4)ro- 
CnOflMH nOJIKOBHMK, M3 3TMX 
m;eHKOB BHpacTyT nenn&e ncH 9 5) 

£a, bh npaBH, KanMTaH Ckott* 

Han HysHO flyMaTB 0 6yflym©ii. 
Ilpoiiiy Bac, KanMTaH j npomy . 
/iIOflXOflMT k Ka pTe / • 

IlepeBeflHTe Bain npwioT M3 A-ubtoh- 
flop$a b KpHresOepr m nocTapaii- 
TecB f KanMTaH, hto6h Ha a tot 
pas Bam a# pec h© otiHapf «mjtm » 6) 

CKOTTt BcS 6y^©T c^ejiaHO, cap* 


1) - HanaJiBHMK 2) hangup 

3) what a lot of trouble these pups ar@£ 4) With the proper education 
5)watch-dogs 6) won*t be discovered 


CKOTT* 

EAPKJII1 % 


ynMAHHC* 

KypTg 


3- y flBepefi npMioTa» 

KypT, 3fl©CB HMKT O H© nOflBJIH^Cfl? i) 

HMKOrO HQ SaMQTMJI, rocnOAMH 
ynwaHMC• 


yilMAHMC S 


cmjMi 

yiBJAHHC t 


1) showed up 


3obh! /Cwaftfla bhbo#mt aqto#/* 
C ko pe m , CKo pe ft! 

PocnoAMH ynnaHMc! 

Hy? 


-175- 


(Film Unit XIV) 
























^HaJIOrH M3 (npOAOJIK9HK0 ) 


CMA^M : 

yXIMAHHC 1 

CMAflM ? 

yilMAHKC 8 

CMA^M t 

ymiAHMs t 

2) suddenly 

ilOBPHHHHl 

EAPKIHt 

JOBPHHMHt 

EAPKIKi 

HOEPHHHHt 


1) to adhere 
3) strove 


Hto cjiy^imjiocb? non@My nepeBOAHT 
npniOT? 

3to h© Ham© rqjio, CuaftA&» 

Tan BHeaanHQ S), ho^bid ... 

A noq©My 3to sac MHT©pecyeT? 
CTpaHHO BC6 3TO ... 

CaAMT© cb ? 'CMaft a& ! /0TB©3xaK)T/ 


3) caAHTecB b aBTo6yc 


3• Ha sacoAaHHH. 

Hama c BaMH o6fl3aHHOCTB, rocno^MH 
nOJIKOBHKK, HQYKJ6 hHO nPMA^pgH- 
BaT BCfl I) P©BI©HMJ? COB0Ta MHHMOTPOB 
HHOCTpaHHHx j©ji 6) o penaTpuaijiiH 
co b©t c km x rpasAaHo 

Tochoamh noAnojiKOBHMK ) mh scerfla 
CTpeM^JlMCB 3) K BHITO JTH^HHIO 4) 

3THX pemOHJCK. 

Hpoiiiy Bac npoB epuTB. 

0 6©max><, 

BjraroAapK). KpoM© Toro* 6ojiBni© 
roAa TOMy Ha3aA aHrjiHMCKafl 
aA mhhmct pai^wa HacTO^ja Ha 
co 3AaHMH 5) cnen;HaJiBHoii koukochh 
no penaTpnai^MM cobotckhx a©t©&. 
npaBAa, a^h nac Bonpoc coBepmeHHO 
HC©H M 6©3 KOMMCCMMJ COB0TCKM© 

AOTH AOJI»HbI 6HTB B03Bpam©HH 
B COBOTCKJtii COJ03o 

without deviating 2) Council of Foreign Ministers 
4) fulfillment 5) insisted on the formation 


-176 


(Film Unit XIV) 


























^wa^iorw M3 (npo/p mqhm© ) 


EAPKJMs 

/ 

JOEPHHHHl 


EAPKJHl 

fiOEPIfflMH! 


BAPKIK: 

flOEHTHKHt 

EAPK3M1 

JOEPBIHHHg 

EAPKIM? 

6) alike 7) fate 


06e CTOpOHH OflMHaKOB^ 6 ) 
saMHTepecoBaiiH b cv£b6& 7) 
fleTeft, o6e3^6jie H HHX BOftHO% «8) 
Ho, k coiaJie hmk>, sto He- 
BO 3MO SHO 9) 6©3 KOMHCCHM 0 

g BOC no JI B3YK?CB 3 THM BafflHM 

3aHBJi^HMeM a hto6h onydjiH- 

koB a tb ero caMH M umpokhm 

oCrpaaoM 10) B~rfp9 cce. 

IIoacaJiy^cTa . 

..o m TaKse 3aflaTL Bonpoc % 
nonewy ctojibko npoBQJi6qeK II) 

C 6pHTaHCKO& CTOPOHH B BH- 
nO JIH0HMM HMM 3TOTO CBflm&H- 

Horo a 6 .&ra, 12) 

3TO BCg <$Q pMaJIBHOCTM* MH, 

aHrjmnaH©«.. KaK 3 to cK asaTB•• 
HeMHOEKO 6K)pOKpaTH. . * 

HafleiocB* hto 6iopoKpaTM3M 
He noMemaeT mh@ cero^HK 
HaBeCTflTB 13) CMpOTCKM# 
npMIOT B AJIBT©HflOp(J)e? 

AJIBTeHAOpE|)? CTpaHHO, h HHwero 
He cJiHinaji 06 3 tom npHioTe* 

PaspeimiT© mh© b c e “ t a km npo- 
exaTB Tyfla 0 

0x6tho g!4) Moil o#ME;ep CBH3M 
k BarnMM ycjrfrra M .15 ) 

8) victims of the war 9) impossible 


10) 1*11 give your statement the widest possible publicity. 

11) delays 12) sacred duty 13) to visit 
14) willingly 15) at your service 


-177- 


(Film Unit XIV) 

























$najiorjf ms (npoflojnseHM© ) 



4 * B rmsnoT© * 

CKOTTi 

Bot oxieHB xopomaa fleso^Ka, 

<£pay BypcT. Bm^mt© f nanaa 
nocjifinHas . I) 

®PkV sypcTt 

IIpOCTMTe, OHa MH© H© nOflXOflKT* 
BojiBinoft aimeTMT .. no tom, a xo- 
T©jra 6a rojivdiJe^rjiasKM ••• 

©CJIH MOKHD , KOHe^HO. 

CKOTT: 

Hy mto rna , a ayMaro, HaftflSTca H 
c rojiy6 HMM. Bot! 

#PAy BypcTi 

9tO TO, MTO MH© HaflO. rjrAsKM 

roary&i©. KaK H©3a6foiKH .3) 

BcTaHB! Kan t© 6 a 30ByT? 

MPAt 

Mpa CoKOJr6Ba 0 

$PAy BypcTt 

Kan? 

MPA* 

Mpa«> 

$PAy BypcTi 

Mpa* 3to moiho 6 yfl©T n©p©fl©jraTi» 
b Mpwa . KpacMBo 6ya©T: Mpua BypcT 
KpacMBO 6y«© t. Th 6 yfl©mB mo©# 
floaKoft, Mpm «A a 6y^y TBoefi 

MaMoii* OTKpoir pot! map©! Sanpoft 
TenepB!/BepgT ©§ sa nJieao/ 

Oft, Kanaa xyn£a! 4) KaK x© 
fl 6y#y BoenfeTHBaTB 5:) ©S? 

H oto6bF*c©6© pvky* 6) 

CqjfTaTB yM© 0 MB? Ckojibko 6 yfl©T 

C0MB Ha BOC9M§ 

MPMA: 

56 • 

$PAy BypcTt 

A 8 na 9? 

MPMA i 

78. 

$PAy BypcT: 

,A©tm, OHa npaB hjibho CHHTaeT? 

1 ) obedient 2) blue 

3 ) forget-me-nota 4) thin 5) to bring up 

6) 1*11 wear out my hand 


“ 178 ' 


(Film Unit XIV) 




















^wajiorH ms (npoAOjntceHMe ) 


4 ETH2 

IIpaBMJiBHO 0 

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MPA 2 

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Ehib m He cMOTpif no ctopoh^m!8 ) 

7 ) eat it all 

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kypt* 

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H©T 9 HO MDKGT TaK CJiyHHTBCH, HTO 
mh c BaMH 6ojiBine HMKorfla h© yBM- 
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KYPT t 

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CMA8M : 

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kyptj 

He fl©Jia^Te ©toto! 

cmaKaaS 

CJiymaiiTe* KypT. bh ©flfcHCTBeHHN# 8) 
nejiOBeK* KOTotowy h Mory aob6- 
T>HTBCH*3) H 3Zt© CB HMKOrO H© 

3HaK), TaK BOT HTOt ©CJTH CO MHO ft 
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1 ) you speak in riddles 

2 ) the only 3) trust 

4 ) guard 



-179- 


(Film Unit XIV) 
























^HajiorH M3 (pajsBMa (npofloJiseHM©) 


KypTt 

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rocno^MH o^Mijep! 

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ilOBPHHMHt 

Bh omM6a©T©oi» > h HHqero h© pohhji 

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ilOBPHHMHt 

Bh tjeoTHH^ m©J i ob©k! CnacMCo! 


1) You dropped some papers. 

2) request 

ARMY-ALS-PM. CAL I F-56-700- t. 


“180— 


(Film Unit XIV) 






































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